Kabeiroi: A Post-Mortem
Didn't get tickets to Punchdrunk's latest? Fear not, here's a very detailed rundown of what you missed (and what you didn't). The post Kabeiroi: A Post-Mortem appeared first on Exeunt Magazi…
Didn't get tickets to Punchdrunk's latest? Fear not, here's a very detailed rundown of what you missed (and what you didn't). The post Kabeiroi: A Post-Mortem appeared first on Exeunt Magazi…
David Henry Hwang revises his M. Butterfly at a propitious moment. Nicole Serratore reviews The post Review: M. Butterfly at Cort Theatre appeared first on Exeunt Magazine.
A tender chemistry: Corrie Tan reviews the premiere of Stewart Pringle's Papatango Prize-winning play. The post Review: Trestle at the Southwark Playhouse appeared first on Exeunt Magaz…
Wartime ennui: Brendan Macdonald reviews a stage adaptation of Patrick Hamilton's novel. The post Review: The Slaves of Solitude at Hampstead Theatre appeared first on Exeunt Magazine.
I want to tell her the baby does stop crying, eventually: Maddy Costa reviews the UK premiere of Magali Mougel's play about motherhood. The post Review: Suzy Storck at the Gate Theatre appea…
Anushka Paris-Carter and Andy Paris explore their experiences with autism in this Tectonic Theater production. Loren Noveck reviews. The post Review: Uncommon Sense at Sheen Center/Loreto Th…
Seems to push at the boundaries of your brain: Andrew Edwards reviews Robbie Thomson's work as part of Sonica 2017. The post Review: Infinite Lives at Tramway, Glasgow appeared first on Exeu…
Patrick Maley reviews David Greenspan's marathon solo performance of Eugene O'Neill melodrama. The post Review: Strange Interlude at Irondale Theater Center appeared first on Exeunt Magazin…
Feels more like a product of Hollywood than the film: Arjun Sajip reviews the West End premiere of The Exorcist adapted for the stage. The post Review: The Exorcist at the Phoenix Theatre ap…
A noise not possible on dry land: Andrew Edwards reviews Between Music's performance playing custom-made musical instruments underwater. The post Review: AquaSonic at Tramway, Glasgow appear…
Heather Christian gets her ghost on. Molly Grogan reviews. The post Review: Animal Wisdom at The Bushwick Starr appeared first on Exeunt Magazine.
"The audience is both invited in and held at arm's length": Emily Holyoake reviews O&O's devised piece about coping with looking different. The post Review: The Way I Look at Exeter Pho…
"A self-consciously messy, freeform paean to the experience of making music": Peter Kirwan reviews Sheep Soup's boldly structureless new musical at Leicester's Curve Theatre. The post Review…
Overthinking overthinking: Rosemary Waugh reviews the UK touring production of People, Places & Things. The post Review: People, Places & Things at the Bristol Old Vic appeared fir…
Loren Noveck reviews Richard Nelson's play about Joe Papp and the politics and egos of theater. The post Review: Illyria at The Public Theater appeared first on Exeunt Magazine.
Fine-tuned absurdity: Simon Gwynn reviews the return of David Grieg's stage adaptation of Dr Seuss to the Old Vic. The post Review: The Lorax at The Old Vic appeared first on Exeunt Magazine.
The Chocolate Cream Poisoner: Tracey Sinclair reviews the second show in the Theatre Royal Brighton's Out of Hours season. The post Review: The Sorrowful Tale of Sleeping Sidney at the Theat…
Ran Xia reviews Luis Alfaro's steamy adaptation of Sophocles' tragedy, set in So. Central L.A. The post Review: Oedipus El Rey at The Public Theater appeared first on Exeunt Magazine.
Anna Ziegler explores the internal turmoil of tennis players on court and off in The Last Match. Nicole Serratore reviews. The post Review: The Last Match at Laura Pels Theatre appeared fir…
People watching: Rosemary Waugh reviews the UK tour of Clod Ensemble's work placing humans behind glass. The post Review: Under Glass at Hackney Showroom appeared first on Exeunt Magazine.
Diana Oh makes an unapologetic call to arms to queer the world. Nicole Serratore reviews. The post Review: {my lingerie play} at Rattlestick Theater appeared first on Exeunt Magazine.
A flirtatious, provoking piece: Ka Bradley reviews Eun-Me Ahn's work exploring identity and androgyny at Dance Umbrella 2017. The post Review: Let Me Change Your Name at The Place appeared f…
Me, Also Me, Placatory Me, Non-Judgemental Me and Impatient Me: Maddy Costa on Chris Thompson's new play about surrogacy. The post Review: Of Kith and Kin at the Bush Theatre appeared first…
"I want to cover it in chutney and make it into an orgasmic sandwich": Francesca Peschier on the Wales Millenium Centre revival of Manfred Karge's 1982 one-woman epic. The post Review: Man t…
"A dark and beautiful fable that operates as an uncomfortable social mirror just as much as a bedtime story": Matthew Miller reviews balletLORENT's Rumpelstiltskin in Newcastle. The post Rev…