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Eric Bogosian's latest play to reach New York is his 2008 "1+1" which feels like a made for television movie written without taking into consideration the #MeToo movement that has occurred s…
Eric Bogosian's latest play to reach New York is his 2008 "1+1" which feels like a made for television movie written without taking into consideration the #MeToo movement that has occurred s…
"War Dreamer" is a compelling exploration into the psychology of a female veteran who served in Iraq. It is a depiction of the struggles of a veteran to make sense of the memories, nightmare…
While it may have appeared a huge gamble to mount this 'Cat" again, the results are so well worth it. While other productions of "Cat on a Hot Tin Roof" have been mounted as star vehicles fo…
Shayok Misha Chowdhury's "Public Obscenities" having its world premiere at the Soho Rep is an immersive story into Bengali culture in Kolkata, formerly known as Calcutta. Directed by the aut…
The show is billed as a musical, but it is more concert than play, strong in music and weak in the storyline. The songs cover a lot of emotional ground, many with a humorous edge, but the bo…
Absurdist to an increasingly ho-hum degree, Szadkowski and Knox let their imaginations run amok with silly speculations about pre-double-homicide life in the Borden household that are punctu…
Borinsky's dialogue is filled with colorful, quirky lines which are often funny and entertaining, but the entire script borders on absurdity without a cohesive through point. There are a han…
Unfortunately, the latest revival now at the BAM Harvey Theater cannot be counted as having reversed the play's fortunes. It still seems vastly overwritten and verbose as it attempts to cove…
Hands down Emily Feldman's "The Best We Could (a family tragedy)," at the Manhattan Theatre Club, wins the most ironic title of the year. Not one character does the best he or she could …
Alexander Zeldin's "LOVE" seems much longer than it actually is due to much silence and the reenactment of everyday tasks usually skipped onstage in plays. There is little dialogue and what …
When a tall, lanky Max Ritvo entered Sarah Ruhl's playwrighting class at Yale, she knew this was no ordinary 20-year-old student. Self-described as a poet with a sense of humor, he managed t…
Aside from the problem of which translation from the Russian to use, the thorny problem with American productions of the plays of playwright Anton Chekhov is how to deal with the fact th…
Originally entitled "Francie Nolan," the same as the title character of her later "A Tree Grows in Brooklyn," but unrelated to that story except for sharing its Brooklyn setting, the play do…
The second play of Samuel D. Hunter's residency at Signature Theatre is the first New York revival of his 2011 Obie Award winning 'A Bright New Boise," not seen by too many people in its sho…
Garner is a wonderful actor, shifting easily and subtly from one character to another, her voice, posture and gestures are just right. She avoids being maudlin and thereby makes her narrativ…
Setting aside societal shame and judgment, anonymous sexual encounters have their benefits. If the chemistry works, then there's the immediate gratification in the form of pleasure. If the c…
The ensemble in this show does an outstanding job. Christina Bennett Lind as Annie gives us a direct and well executed view of a frightened, emotionally conflicted woman amid a psychological…
Denise Manning as Amani is totally believable as a 9-year-old who has had to grow up quickly without parents and her naiveté about love as she maneuvers through growing pains is touching. H…
Although British playwright Simon Stephens has written three musicals with composer/lyricist Mark Eitzel, formerly of the indie rock band American Music Club, Cornelia Street, set on a quiet…
The latest play to reach New York by Anna Ziegler, author of 'Photography 51," "Boy," "The Last Match" and "Actually," has a complicated structure she appears to have invented. "The Wanderer…
The problem with rediscovering lost plays from the past is that works that are 100 years old may have gotten dated or express views no longer held. Back in the 1920's, Harlem Renaissance aut…
The set is a bare-bones representation of a boat with fishing gear, picnic coolers, and fish made from paper. The lighting is basic, given the nature of the venue, a small basement theater. …
"Pictures from Home," a stark, but eventually moving vision of a family, is based on the photo memoir of the same name by Larry Sultan. Â Sharr White, the playwright, has taken Sultan's ex…
In the most elementary explanation of a play's dramatic structure, the protagonist is the character who drives the action and is the emotional heart of the narrative. Everyone knows how the …
"Untitled Calamity Jane Play" by Kati Frazier is a memory play attempting to make sense of all the different versions of the iconic woman, Calamity Jane. As directed by Akia Squitieri, the p…