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38,736 stories from The New York Times

Review: In 'Breeders,' Parenting as a (Literal) Cage Match by Jesse Green

Does having children tame the wild gay spirit? To answer the question, a new satire by Dan Giles looks to an unusual pair of experts.

SOURCE: The New York Times Subscription at 11:48am on October 2, 2017☆⚑

Review: Jefferson, Dickens and Tolstoy Debate Jesus. 'Discord' Ensues. by Ben Brantley

Titans of literature and politics are asked to look deep into their souls and admit their bad faith in Scott Carter's careful debate of a play.

SOURCE: The New York Times Subscription at 10:04pm on October 1, 2017☆⚑

Review: In 'Clockwork Orange,' the Future is Dark and Very Fit by Alexis Soloski

This adaptation of Anthony Burgess's word-drunk fantasy is notable less for its violent themes than for its often-shirtless cast.

SOURCE: The New York Times Subscription at 8:18am on September 29, 2017☆⚑

Your Week in Culture: Katy Perry, Agnès Varda, the Guggenheim's Chinese Art (Minus the Animals) by The New York Times

Also the week of Oct. 1: Dave Malloy returns downtown, and "The Gifted" debuts on Fox.

SOURCE: The New York Times Subscription at 8:18am on September 29, 2017☆⚑

Review: An 'As You Like It' That Is More Prose Than Poetry by Jesse Green

The director John Doyle brings to Shakespeare the same techniques that helped him refresh many a musical. So why doesn't it work?

SOURCE: The New York Times Subscription at 10:48pm on September 28, 2017☆⚑

Last Chance to Watch Big Brother as He Watches You

"1984" nears the end of its run at the Hudson Theater.

SOURCE: The New York Times Subscription at 6:06pm on September 28, 2017☆⚑

Q. & A.: Edward St. Aubyn on the Challenge of Reimagining Shakespeare by Alexandra Alter

In his bold modern adaptation of King Lear, St. Aubyn envisions Lear as an aging media mogul whose empire and legacy are under threat from his daughters.

SOURCE: The New York Times Subscription at 4:36pm on September 28, 2017☆⚑

Anne Jeffreys, Glamorous Ghost of '50s TV, Is Dead at 94 by Anita Gates

Ms. Jeffreys, who had a long career in film, on television and on Broadway, was best known for playing the otherworldly Marion Kerby on "Topper."

SOURCE: The New York Times Subscription at 4:36pm on September 28, 2017☆⚑

'Springsteen on Broadway' to Hold Digital Ticket Lottery by Andrew R. Chow

For every performance of Bruce Springsteen's solo Broadway show, 26 tickets will be available for $75 each.

SOURCE: The New York Times Subscription at 3:18pm on September 28, 2017☆⚑

A Ghostly Father Sets Off a Cascade of Memories by Laura Collins-hughes

Seeing Sarah Ruhl's "For Peter Pan" reminds a critic of her own father and why she turns to theater to "confront the hard stuff," like grieving his death.

SOURCE: The New York Times Subscription at 10:42am on September 28, 2017☆⚑

A Cher Musical is Broadway-Bound by Michael Paulson

"The Cher Show," a musical that uses her songs to tell her life story, will open first in Chicago.

SOURCE: The New York Times Subscription at 8:18am on September 28, 2017☆⚑

Albert Innaurato, Playwright Who Lit Up Broadway in '70s, Dies at 70 by Neil Genzlinger

Mr. Innaurato had a long stretch of success with "Gemini" and "The Transfiguration of Benno Blimpie" and made a comeback in 2014.

SOURCE: The New York Times Subscription at 8:36pm on September 27, 2017☆⚑

The First Time: Linda Lavin: The First Time I Sang in New York. (It Was a Bar Mitzvah.) by Linda Lavin

Linda Lavin's mother gave up a dream. Her daughter lived it.

SOURCE: The New York Times Subscription at 2:48pm on September 27, 2017☆⚑

The Boss on Broadway: Bruce Springsteen on His 'First Real Job' by Jon Pareles

It's not a small rock show or a theatrical event. Inspired by a White House concert, one of rock's celebrated storytellers is bringing his tales to a new stage.

SOURCE: The New York Times Subscription at 11:18am on September 27, 2017☆⚑

Ayad Akhtar and Lucas Hnath Win Steinberg Awards by Andrew R. Chow

They will receive $50,000 each for the award, which is given to rising American playwrights.

SOURCE: The New York Times Subscription at 8:36am on September 27, 2017☆⚑

Review: In 'The Treasurer,' a Son Remembers Mama, as She Forgets Everything by Ben Brantley

Max Posner's tender yet unforgiving new play considers a son's inability to love a mother who has dementia.

SOURCE: The New York Times Subscription at 11:04pm on September 26, 2017☆⚑

Review: Sam Shepard's 'Simpatico,' Cut Loose and Roaming Wild by Ben Brantley

In this production from Chicago, starring Michael Shannon, goofball farce and existential despair are by no means incompatible.

SOURCE: The New York Times Subscription at 3:24pm on September 26, 2017☆⚑

Young Vic Theater Names New Artistic Director by Anna Codrea-rado

Kwame Kwei-Armah will leave his post at Center Stage in Baltimore to take up the position at the theater in London.

SOURCE: The New York Times Subscription at 10:36am on September 26, 2017☆⚑

Coming Soon to AMC Theaters: Virtual Reality Experiences by Brooks Barnes

The theater chain has invested $20 million in the start-up Dreamscape Immersive and will open six locations offering V.R. experiences in the next 18 months.

SOURCE: The New York Times Subscription at 9:00am on September 26, 2017☆⚑

'Pretty Woman' as a Broadway Musical? Get Ready by Michael Paulson

With Samantha Barks in the role that made Julia Roberts famous, the stage musical aims to open in New York next fall.

SOURCE: The New York Times Subscription at 1:24am on September 26, 2017☆⚑

A Terrorized British City Turns to an All-American Play for Healing by Matt Trueman

In the wake of a concert bombing, the Royal Exchange Theater in Manchester added "Our Town" to its fall schedule.

SOURCE: The New York Times Subscription at 12:36am on September 26, 2017☆⚑

Review: In 'Mary Jane,' a Young Mother Faces Her Worst Fears by Jesse Green

A child's illness raises existential questions in Amy Herzog's heartbreaking new play, starring Carrie Coon, at New York Theater Workshop.

SOURCE: The New York Times Subscription at 10:24pm on September 25, 2017☆⚑

Review: Beckett's Absurdist House of Horrors, in Hell's Kitchen by Alexis Soloski

"Beckett in the City: The Women Speak" powerfully articulates a theme of powerlessness in four short plays staged at a secret location near the Irish Arts Center.

SOURCE: The New York Times Subscription at 10:24pm on September 25, 2017☆⚑

Review: A Flock of Shylocks Transforms 'Merchant of Venice' by Ben Brantley

Karin Coonrod's inventive production of Shakespeare's notorious comedy has five actors playing the moneylender. It sounds gimmicky but it works.

SOURCE: The New York Times Subscription at 3:06pm on September 25, 2017☆⚑

Alternate Site for Conferences: Movie Theaters by Amy Zipkin

They've come a long way from the days of sticky floors and uncomfortable seats. Many offer extensive food offerings and the technology used for 3-D films.

SOURCE: The New York Times Subscription at 2:45pm on September 25, 2017☆⚑
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