38,736 stories from The New York Times
The Royal Shakespeare Company sold a third of its costumes to finance the renovation of its workshop and specialist apprenticeships.
A charity's corporate governance is in question after it allowed proceeds from an auction to be used for a staging of "Finding Neverland."
Bringing together wrestlers, a food cart, a cellist and a bandstand, Pig Iron Theater Company takes on catastrophe in "A Period of Animate Existence."
A left-wing group said its aim was to turn the Volksbühne into a collectively run theater. It has been a flash point since Chris Dercon was named its new director.
The physical training required for the theatrical version of "A Clockwork Orange" rivals that of professional athletes.
A new immersive musical set in a Korean hit factory moves to the beats of satire, soap opera and everything in between.
Ms. Lamb's works, staged at the Public Theater and elsewhere, often came under attack from male critics.
"Macbeth Muet" is a frolic through tragedy with puppetry, while "Makbet" is a darkly gregarious production (shots included).
Five plays that transported the drama and comedy of the game from the court to the theater.
Getting in character for "The Last Match," the cast gets a tennis lesson from a former pro before taking the stage.
"Prism," "King Lear," and "Knives in Hens" on the London stage, all reviewed.
"Mary Jane" is a portrait of a mother's relationship with her chronically ill young son. Carrie Coon of "The Leftovers" stars.
The 2014 play "Shakespeare in Love" will be the most produced play in the country this season.
How the playwright James Graham and the actor Bertie Carvel give the media mogul a fair hearing in a play that takes a hard look at populism and the press.
In a visit to BAM, the stage director Olivier Py introduces his drag alter-ego and talks about plans for the Avignon Festival he runs.
The dame shares her greatest fears and one of her biggest crushes.
She's done with Bond but back in play for "Victoria & Abdul," dating a jolly nice chap and giving Iago higher marks than Trump.
The musical starring Patti LuPone and Christine Ebersole will have its final show on Dec. 30 after 30 performances.
This documentary depicts Lady Gaga as a disciplined, accomplished performer, but one who inhabits a peculiar isolation despite her fame.
Times readers disagreed with our decision not to include the obscene name of a play in our review of it. Our standards editor explains our policy.
Loosely inspired by a true story, Dan McCormick's play "The Violin" follows a lost Stradivarius that falls into greedy hands.
In this pop-culture twist on burlesque, performers put on tributes to movies and shows like "Doctor Who." Not a fan? You can still admire the dancing.
James Cameron is breaking new ground by bringing the action heroine back: Older, wiser, tougher and crazier.
Monica Bill Barnes and Anna Bass explore friendship, competition and endurance in a show that mixes physical exertion and mischievous humor.
Six actors in search of K-pop authenticity star in a new musical that looks at the entertainment factories that produce genre-busting superstars.
