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6,591 stories from Stage and Cinema

Theater Review: YOU ARE CORDIALLY INVITED TO THE END OF THE WORLD! (South Coast Rep in Costa Mesa) by Michael M. Landman-karny

END-OF-WORLD TRAGICOMEDY CRACKS, BLEEDS AND THRIVES The end arrives not with a sob, but with a drag queen in a glittering black pantsuit, standing in a celestial spotlight, grinning like the…

SOURCE: Stage and Cinema at 4:32am on April 20, 2025

Theater Review: WRITING FRAGMENTS HOME (Hillbarn Theatre in Foster City) by Joanne Engelhardt

COUCH SURFING AND CULTURAL BAGGAGE It makes sense that Jeffrey Lo"a Filipino artist who writes, directs, and knows the Peninsula theater scene inside and out"could write a play like Writing …

SOURCE: Stage and Cinema at 2:56am on April 20, 2025

Theater Review: CORKTOWN '39 (Rogue Machine at The Matrix) by Michael M. Landman-karny

IN CORKTOWN '39, THE LIVING ARE JUST GHOSTS WITH BETTER TIMING Mark Mendelson's tightly composed set at The Matrix Theatre is a room cloaked in aging wealth at the Keating family's Philadelp…

SOURCE: Stage and Cinema at 2:55am on April 20, 2025

Highly Recommended Cabaret Series: BROADWAY BY THE SEASON & 54 SINGS BROADWAY'S GREATEST HITS (Scott Siegel Presents at 54 Below and Merkin Hall by Tony Frankel

While visiting New York, I was lucky enough to catch two Scott Siegel events. Similar in structure but with completely different feels were Broadway by the Season at Merkin Hall and 54 Sings…

SOURCE: Stage and Cinema at 2:00am on April 19, 2025

Broadway Review: SMASH (Imperial Theatre) by Paulanne Simmons

A PLATE OF MASHED SMASH Let me be clear. I never saw the television series Smash. I know nothing about the series other than that it focused on a community theater working on a show about th…

SOURCE: Stage and Cinema at 6:35pm on April 18, 2025

Off-Broadway Review: THE CHERRY ORCHARD (Donmar Warehouse at St. Ann's Warehouse) by Paola Bellu

CHERRIES WITH A FEW PITS Anton Chekhov's final play, The Cherry Orchard, is a masterwork of dramatic irony. It was written in 1903 as a dark comedy but it was always more akin to a tragedy, …

SOURCE: Stage and Cinema at 5:00pm on April 18, 2025

Theater Review: HERE THERE ARE BLUEBERRIES (Tectonic Theater Project at Berkeley Repertory Theatre) by Chuck Louden

HERE THERE ARE HORRORS Moisés Kaufman and Amanda Gronich's Here There Are Blueberries, directed by Kaufman at Berkeley Rep, involves a fascinating true story. We are at the U.S. Holocaust M…

SOURCE: Stage and Cinema at 5:19pm on April 17, 2025

Theater Review: HELLAS (The School of Night at the Broadwater) by Nick McCall

A HELLUVA HELLAS Ancient drama gets short shrift here in Los Angeles. Sure, we get the stories, but the shows are usually adaptations, hardly ever a straight translation, and when we do, the…

SOURCE: Stage and Cinema at 2:55pm on April 17, 2025

Cabaret Review: AN EVENING WITH SUTTON FOSTER (Hobby Center for the Performing Arts in Houston) by Stephen Best

OH, I'VE GOT PLENTY OF SUTTON Rounding out Hobby Center's trio of Beyond Broadway Series concerts following Adrienne Warren, Sutton Foster descended on a rather enthusiastic crowd Friday eve…

SOURCE: Stage and Cinema at 2:56am on April 17, 2025

Theater Review: HENRY JOHNSON (David Mamet Midwest Premiere at Victory Gardens) by Mitchell Oldham

MAMET'S HENRY JOHNSON PROVES A DIFFICULT PROTAGONIST Along with blazingly rapid dialog, there's something aggressively determined about David Mamet plays"like Glengarry Glen Ross now being r…

SOURCE: Stage and Cinema at 11:58pm on April 16, 2025

Off-Broadway Review: GLASS. KILL. WHAT IF IF ONLY. IMP. (Quartet of Caryl Churchill Plays at The Public Theater) by Gregory Fletcher

KNEEL AT THE CHURCH OF CHURCHILL A drum roll begins each act and ends with a cymbal crash. Paired with the red front curtain and chaser lights outlining the proscenium arch, one might brace …

SOURCE: Stage and Cinema at 10:48pm on April 16, 2025

Concert Coverage: 2025 SONDHEIM AWARD GALA HONORING MANDY PATINKIN (Signature Theatre at the Anthem Theatre) by Barbara Papendorp

A Dazzling Night of Song and Tribute Broadway took up residence on the banks of the Potomac last night as the Anthem Theatre played host to the Signature Theatre's annual Sondheim Award Gala…

SOURCE: Stage and Cinema at 2:59am on April 16, 2025

Cabaret Review: TAKE ONE: ORIGINAL "SMILE" CONCERT PRESENTATION (In The Spotlight, The J2 Cabaret Series) by Rob Lester

TAKE ONE: J2 AND A TALE OF TWO SMILES: THE FINAL SCORE AND WHAT CAME BEFORE While some companies reviving musicals long after their time on the Great White White might restore one or more so…

SOURCE: Stage and Cinema at 2:59am on April 16, 2025

Theater Review: HILLARY AND CLINTON (OnWord Theatre at the Alma Hotel in San Diego) by Milo Shapiro

WHAT'S IN A NAME? A LOT WHEN IT'S "CLINTON" "Feelings are a terrible way to make decisions, Bill." "Yes, but people don't think you have any." Reviewing this show is almost like reviewing tw…

SOURCE: Stage and Cinema at 2:51am on April 16, 2025

Broadway Review: THE LAST FIVE YEARS (Hudson Theatre) by Rob Lester

IT WON'T LAST FIVE YEARS, BUT IT WAS NEVER MEANT TO (THE RELATIONSHIP AND THE BROADWAY MUSICAL) Although the traditional wedding vow includes the pledge to stay together "'til death do you p…

SOURCE: Stage and Cinema at 2:50am on April 16, 2025

Broadway Review: GOOD NIGHT, AND GOOD LUCK (Winter Garden Theatre) by Carol Rocamora

GEORGE CLOONEY'S SENSE OF DECENCY Where are our heroes when we need them?! It takes a Hollywood actor to give us one in these traumatic times. Trouble is, that hero comes from the 1950s. Geo…

SOURCE: Stage and Cinema at 4:00am on April 15, 2025

Theater Review: THE HOT WING KING (Cygnet Theatre) by Milo Shapiro

THESE WINGS ARE FLAMING IN MORE WAYS THAN ONE In our divided nation, there are still a few universals that bring us together. Puppies. Mother's Day. Pizza. And, tagging close behind on the p…

SOURCE: Stage and Cinema at 3:26am on April 15, 2025

Theater Review: CROWNS (Moonbox at Arrow Street Arts) by Emily Brenner

SIT BACK AND LET THIS CAST TAKE YOU TO CHURCH Aptly described as a powerful mix of gospel music and "hattitude," Moonbox Production's Crowns"which opened last night at Arrow Street Arts"inde…

SOURCE: Stage and Cinema at 6:53pm on April 13, 2025

Theater Review: A MIDSUMMER NIGHT'S DREAM (Actors' Shakespeare Project) by Lynne Weiss

HALCYON AND ON AND ON Director Maurice Emmanuel Parent's vibrant, pulsing production of Shakespeare's A Midsummer Night's Dream transforms the woods outside Athens into a 1990s dance floor. …

SOURCE: Stage and Cinema at 3:20pm on April 13, 2025

Theater Review: IN THE BAR OF A TOKYO HOTEL (Tennessee Williams at the Hudson Backstage Theatre in Hollywood) by Ernest Kearney

TENNESSEE WILLIAMS' SELDOM SEEN PLAY SHOWS WHY IT'S SO SELDOM SEEN It can be a curse to start one's literary or dramatic career with a masterpiece. Doing so serves to intensify the expectati…

SOURCE: Stage and Cinema at 1:55pm on April 13, 2025

Off-Broadway Review: IRISHTOWN (Irish Rep) by Paola Bellu

FIERCE CRAIC A really enjoyable, light-hearted, raucous comedy just opened at The Irish Repertory Theatre: the world premiere of Irishtown by Ciara Elizabeth Smyth, directed by Nicola Murphy…

SOURCE: Stage and Cinema at 12:53pm on April 13, 2025

Cabaret Review: SUSPENDED IN TIME LIVE (Rondi Charleston, Fred Hersch, Kate McGarry, Gabrielle Stravelli at Joe's Pub NYC) by Rob Lester

A REWARDING TIME SPENT SUSPENDED WITH THE ARTISTS OF SUSPENDED IN TIME Some musical performances"in concert or on recordings"while unquestionably or undemandingly enjoyable, may go in one ea…

SOURCE: Stage and Cinema at 3:00am on April 13, 2025

Theater Review: REGENCY GIRLS (Pre-Broadway World Premiere at The Old Globe) by Michael M. Landman-karny

A RIOTOUS CARRIAGE RIDE THROUGH TIME Somewhere between empire waistlines and leather harnesses, Regency Girls carves out a raucous, messy, and strangely moving place for itself onstage at Th…

SOURCE: Stage and Cinema at 4:00am on April 12, 2025

Theater Review: HAIRSPRAY (Desert Theatricals) by Stan Jenson

TRY TO FIND A HAIRSPRAY WITH BETTER HOLD; THIS ONE WORKS FROM HEAD TO NECK! As I was driving to the Rancho Mirage Amphitheatre I noticed that the regular Friday Night Stress was lifting from…

SOURCE: Stage and Cinema at 3:10am on April 12, 2025

Broadway Review: SMASH (Imperial Theatre) by Rob Lester

MAKING THE IMPLAUSABLE APPLAUSEABLE, SMASH IS A WILD, WACKY, WONDERFUL WOW "S" is for "splashy"; "M" is for "Marilyn Monroe"; "A" is for "audience-pleasing"; "S" is for "snarky"; "H" is for …

SOURCE: Stage and Cinema at 2:55am on April 12, 2025
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