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1,898 stories from The New Yorker

An Asian-American Reimagining of Gilbert and Sullivan's "The Mikado" by E. Tammy Kim

On a recent weeknight in midtown Manhattan, the Broadway actor Kelvin Moon Loh led a rehearsal of "The Mikado," one of the most popular works by the nineteenth-century duo W. S. Gilber…

SOURCE: The New Yorker Subscription at 3:00pm on December 27, 2016

The Enduring Monologues of Ruth Draper by David Owen

Ruth Draper was born in New York in 1884. When she was very young, she entertained her siblings by sitting on a window seat in the nursery of her family's brownstone, on East Forty-seventh S…

SOURCE: The New Yorker Subscription at 11:00pm on December 25, 2016

Completing August Wilson's Life Work

August Wilson's life work was his "Century Cycle," a ten-play portrait of black life in Pittsburgh's Hill District, each set in a different decade. ("Fences," the nineteen-fifties entry, is …

SOURCE: The New Yorker Subscription at 11:00pm on December 22, 2016

The Thorny Ethics of the Oscars by Michael Schulman

The Academy Awards officially need a rabbi. How else to navigate the thorny ethics that seem to sprout up each year around the question of separating the artist from the art? Of course, this…

SOURCE: The New Yorker Subscription at 7:00am on December 21, 2016

Simon McBurney Attempts to Grasp Time by Cynthia Zarin

Simon McBurney has two phones. In his dressing room at the Golden Theatre, on Broadway, they're both ringing. He cuts off one call, answers the other, then apologizes, scans his messages, an…

SOURCE: The New Yorker Subscription at 9:57am on December 16, 2016

Pop Psychology Onstage in "Dear Evan Hansen"  by Hilton Als

When Kurt Weill, Ira Gershwin, and Moss Hart put together the musical "Lady in the Dark," in 1940, Freud was big. The great man's thinking had yet to come under wide attack, and psychoanalys…

SOURCE: The New Yorker Subscription at 11:00pm on December 11, 2016

The Empty Exertions of "La La Land" by Richard Brody

The director Damien Chazelle's notion of artistic power isn't merely inseparable from his notion of will power; it's the very embodiment of it"louder, faster, and alone are his standards of …

SOURCE: The New Yorker Subscription at 6:30pm on December 8, 2016

A Lost "Glass Menagerie," Rediscovered by Michael Schulman

Jane Klain, the indefatigable research manager at the Paley Center for Media, which houses a vast collection of old television and radio programs, goes on archival treasure hunts that someti…

SOURCE: The New Yorker Subscription at 8:04am on December 7, 2016

Culture Desk: MARYANN PLUNKETT is the Radiant Everywoman! by Cynthia Zarin

Onstage & off Plunkett's ability to inhabit & portray experience has an almost tactile, corporeal quality. Her performances have the kind of intelligence & emotional range that prods an audi…

SOURCE: The New Yorker Subscription at 3:50pm on December 6, 2016

Cheryl Strayed's Advice Becomes Theatre by Michael Schulman

Early in 2010, Cheryl Strayed got an e-mail from an acquaintance, Steve Almond, who wrote an advice column"Dear Sugar"for the literary Web site The Rumpus. Strayed was living in Portland wit…

SOURCE: The New Yorker Subscription at 11:00pm on December 4, 2016

Fun in "La La Land" by Anthony Lane

Boy meets girl, stuck in a traffic jam, and honks at her. Girl gives boy the finger. Boy drives on. Boy meets girl again, in a bar, and brushes past. Girl thinks boy is a jerk. Boy meets gir…

SOURCE: The New Yorker Subscription at 11:00pm on December 4, 2016

The Oscars and the Election by Michael Schulman

Oscar winners aren't the best barometers by which to gauge the national mood. Movies and politics work at different speeds, reshaping themselves"and absorbing each other"in unpredictable bur…

SOURCE: The New Yorker Subscription at 2:41pm on December 2, 2016

Jason Sudeikis's Quotable Wisdom by Michael Schulman

Jason Sudeikis sat at the back of the Bowery Poetry Club, waiting for open-mike night to begin. He had parked his black Vespa outside, having motored in from Clinton Hill, where he lives wit…

SOURCE: The New Yorker Subscription at 11:00pm on November 27, 2016

James Baldwin, Onstage by Hilton Als

Throughout his career, James Baldwin had a hankering to work in show business. Like Henry James, one of his early heroes, Baldwin loved the footlights; early on, with his friend and editor S…

SOURCE: The New Yorker Subscription at 11:00pm on November 24, 2016

The Renewed Relevance of "Hamilton" by Rebecca Mead

In the immediate aftermath of the Presidential election, as it became necessary to process an appalling new reality"What does this mean for the undocumented? What does this mean for women? W…

SOURCE: The New Yorker Subscription at 5:54pm on November 21, 2016

More Broadway Recommendations for Mike Pence by Michael Schulman

Dear Vice-President-elect Pence,

SOURCE: The New Yorker Subscription at 3:51pm on November 21, 2016

David Oyelowo and Daniel Craig Face Off in "Othello" by Michael Schulman

It's an odd fact of "Othello" that Iago has more lines than the title character. But inconspicuousness"the ability to keep his own name out of the spotlight while cruelly manipulating events…

SOURCE: The New Yorker Subscription at 11:00pm on November 17, 2016

Richard Nelson's Final Election Play Proves to Be Eerily Prophetic by Michael Schulman

Around three-thirty yesterday afternoon, Richard Nelson made his final edits to a project that has spanned this parlous political season: a trilogy of quiet and sad dramas called "The Gabrie…

SOURCE: The New Yorker Subscription at 3:46pm on November 9, 2016

Peter Morgan Serves the Queen, Again by Michael Schulman

Is Queen Elizabeth II interesting? Not in a world-historical sense"the dwindling power of the monarchy in the postcolonial age, the assortment of turmoils that have raged around her durin…

SOURCE: The New Yorker Subscription at 3:00pm on November 4, 2016

A Deep Portrait of Nerd Angst

The twenty-three-year-old actor Ben Platt, known for his adorkable role in the "Pitch Perfect" movies, delivers a deeper portrait of nerd angst in "Dear Evan Hansen," a new musical by Benj P…

SOURCE: The New Yorker Subscription at 12:00am on November 4, 2016

Winter Theatre Preview by Michael Schulman

Few living actors can match the raw star power of Cate Blanchett, whose hypnotic self-possession"she has the gravitational pull of a small planet"made her a natural for roles like Queen Eliz…

SOURCE: The New Yorker Subscription at 12:00am on November 4, 2016

What Lady Gaga Finds Appealing in Reel-to-Reel by David Sax

A week ago, Lady Gaga released her fifth album, “Joanne,” which has a stripped-down sound that is quite different from her previous efforts. She has promoted the album with pe…

SOURCE: The New Yorker Subscription at 12:49pm on October 28, 2016

A "Rocky Horror" for the "High School Musical" Generation by Sarah Larson

The network-TV pop musical, usually performed live, has picked up steam in recent years, with unnerving results. Watching Christopher Walken fop sleepily through "Hook's Tango" or Carrie Und…

SOURCE: The New Yorker Subscription at 12:28pm on October 21, 2016

What Michael Moore Understands About Hillary Clinton by Richard Brody

"Michael Moore in TrumpLand" isn't quite the film that I expected it to be, and that's all to the good. Moore is, of course, a genius of political satire, deploying his persona"as a populist…

SOURCE: The New Yorker Subscription at 7:00pm on October 19, 2016

The New York That Could Have Been by Alexandra Lange

If there is a plaque commemorating the location of the entrance to Alfred Ely Beach's pneumatic railway, built in secret below 265 Broadway, in lower Manhattan, the writer Sam Lubell and I d…

SOURCE: The New Yorker Subscription at 2:15pm on October 18, 2016
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