1,623 stories from exeuntmagazine.com
Loren Noveck discovers a previously overlooked reading of As You Like It.
The post Review: Arden/Everywhere: The "As You Like It" Project at Baruch Performing Arts Center appeared first on E…
"Led by feeling and emotion": Rachel Elderkin admires Bawren Tavaziva's richly expressive and highly personal new show at Sadler's Wells.
The post Review: Izindava at Sadler’s Wells ap…
"A well-deserved second wind": Tracey Sinclair reviews English Touring Theatre's revival of Sam Holcroft's Ayckbourn-esque 2015 comedy.
The post Review: Rules For Living at the Theatre Royal…
There's more to life than life on earth: Francesca Peschier reviews Andrew Thompson's new play about space travel and families.
The post Review: In Event of Moone Disaster at Theatre 503 app…
As the Weinstein revelations spark a bout of theatre-world soul-searching, Alice Saville writes on why men need to take responsibility for rooting out sexual harassment.
The post Sexual hara…
Molly Grogan reviews Elevator Repair Service's cool turn at Shakespeare.
The post Review: Measure for Measure at The Public Theater appeared first on Exeunt Magazine.
Alison Walls reviews a part performance, part conversation between a Turkish journalist and her mother about being a Muslim woman in Europe.
The post Review: No Longer Without You at French …
The duality of space, or how not to catch a Lapras: Ka Bradley reviews Charlotte Spencer Projects' immersive piece on a disused site near London City Airport.
The post Review: Is This A Wast…
Cold as raw data: Chris McCormack reviews Stacey Gregg's contemporary take on Kafka's The Trial.
The post Review: Josephine K and the Algorithms at the Abbey Theatre, Dublin appeared first o…
Lauren Mooney explores the fraught business of booking a tour, and the glaring power imbalance between venues and freelance artists.
The post Why Touring Theatre is Weighted Against Artists …
The miracle of unburdening yourself: Hailey Bachrach reviews Angela Clerkin's "gothic fairytale".
The post Review: The Secret Keeper at Ovalhouse appeared first on Exeunt Magazine.
Jealousy, longing, loneliness and insecurity: Chris McCormack reviews a revival of Eugene McCabe's rarely-performed play set in rural Ireland.
The post Review: King of the Castle at the Gaie…
Jordan G. Teicher reviews Simon Stephens' play about three generations of a dysfunctional family.
The post Review: On the Shore of the Wide World at Linda Gross Theater appeared first on Exe…
A very lovely play in lots of very lovely ways: Miriam Gillinson reviews David Eldridge's new play about the start of a relationship.
The post Review: Beginning at the National Theatre appe…
"Like stumbling, joyously stoned, through Camden Market": Francesca Peschier takes a trip into The Vaults to review Johnathan O'Boyle's fully immersive revival of Hair.
The post Review: Hair…
Sex in a mouse onesie: Francesca Peschier reviews a new comedy by David Ireland.
The post Review: The End of Hope at Soho Theatre appeared first on Exeunt Magazine.
A sledgehammer made of metaphor: Fergus Morgan reviews Rory Mullarkey allegorical play about the history of Britain.
The post Review: Saint George and the Dragon at National Theatre appear…
'Oh, Jeremy Corbyn!' Alice Saville reviews James Graham's play about the Labour party.
The post Review: Labour of Love at the Noel Coward Theatre appeared first on Exeunt Magazine.
"An intriguing, cerebral and destabilizing piece of theatre": Brendan Macdonald on Vicky Featherstone's production of Chris Thorpe's bold new two-hander.
The post Review: Victory Condition a…
New York cabaret star Erin Markey's genre-defying performance mixes pop songs, queer fantasies, and slick feminist energy.
The post Review: Boner Killer at The Yard appeared first on Exeunt…
Boom Bat Gesture's 'Do Your Worst' series asks artists to create deliberate flops. Nicole Serratore asks them about failure, DIY theatre, and Spiderman.
The post Do Your Worst appeared first…
"So this is what happens when the manic pixie dream girl grows up": Holly Williams on the cliché-ridden romance of Simon Stephens' new play.
The post Review: Heisenberg: The Uncertainty Pri…
Devastating and dignified: Peter Kirwan reviews Fiona Buffini's timely revival of Arthur Miller's classic American drama.
The post Review: All My Sons at Nottingham Playhouse appeared first …
"Nailed it": Hayley Bachrach overcomes her fear of the form at Pop-Up Opera's accessible production of Englebert Humperdinck's Hansel and Gretel.
The post Review: Hansel and Gretel at the Vi…
"It seems misguided to smooth over the edges in a novel like Ulysses": Chris McCormack is disappointed by Graham McLaren's Abbey Theatre staging of James Joyce's modernist masterpiece.
The p…