1,434 stories from The Front Row Center
When a singer doesn't just sing a song, but endows it with self, that's where the magic happens.
Close-up magic accounts for about a third of the production's 90 minutes and is never less than spectacular.
The show is refreshingly written and acted so honestly that it might be too painful if it weren't so often very funny. What is further genius is that parts of the show are not written at…
Somewhere in the middle of nowhere is a speakeasy in the sky… here the band is swinging, the singer singing, the tapper tapping, and a burlesque dancer peeling away all the layers of the o…
It takes courage, resilience, belief, faith, and a smidgeon of insanity to create theatrical art, to create a theater company, to just plain create.
It's a safe fun evening, as you'll know what you're going to get, with just a little more razzle-dazzle thrown in.
A friend asking for help, and an audience willing to give it: go see A Eulogy for Roman.
A reason to go back in the water.
Amelia and Karen have created a wonderfully entertaining evening of questions about not only who they are, but who we all are in our lives. This a question we all ask of ourselves, about our…
An improvised night of Shakespeare: an oxymoron, and a great show.
The story before Romeo and Juliet's story, Lady Capulet is a powerful, emotional, and precarious struggle.
This is jazz-rock gospel. It is not to be missed. The spirits of mass and the phantoms of sound are all present.
What is so remarkable about "Let's Call Her Patty" at the Claire Tow Theater at Lincoln Center, is that it is unremarkable. Â
Richard Kind and James Pickens Jr. explore the difficulties of opening up as adults and exposing our true selves to one another in this comical and sad 90-minute show worth seeing.
"I Will Probably Cry" is Gracie McGraw's stunning debut; a love trek, the show walks us from despair to resoluteness.
I don't know if it's the direction or the writing -- or both, but The Half-God of Rainfall does not fare well, despite a fine cast and brilliant set design. The material is so clearly in lo…
The ideas in this play are not new, but they are newly laid out. Â And of course in this political climate of fake news and lies as truths they are still relevant.
The stage explodes with vibrant color, whimsical catchy songs, and a supa-dupa talented cast of 6 performers that bring barrels of laughs, voice chops, and silly fun to the stage for a rolli…
Delfeayo Marsalis & The Uptown Jazz Orchestra bring the swinging party funk of the Big Easy to the Big Apple
This is underground theater at its best with a chorus of five who represent the voice of the playwright, Lydia Blaisdell, as well as move us along in this high octane, hilarious, sexually o…
Last night was a magical experience. 80 degrees with a cool tranquil breeze- it was the perfect summer evening for an outdoor performance of BAAND Together Dance Festival at the Lincoln Cent…
Not my cuppa, I'm afraid.
OK THIS goes on my FAVORITES list. When Edelman drops us off at the final bus stop you realize we have doubled back around to the beginning. Â He leaves us where he found us, except we are…
Flex, at the Mitzi Newhouse Theater, is a play about friendship, ambition and hope, as played out in the fiercely competitive world of sport. It is 1997 and the nascent WNBA has given femal…
It's summer 2008 at 37 Bittersweet Lane in Azurest, the 3rd generational home of brother and sister Ben Walters (Gil Tucker) and Deanna (Walters) Saunders (Kenya Wilson).
