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5,330 stories from The Independent

NHS70: How artists are taking the pulse of the health service by Tim Bano, Tim Bano

From a charity single to an art exhibition to a wealth of shows at the Edinburgh fringe, the NHS is getting its own check up as it turns 70

SOURCE: The Independent at 10:24am on July 24, 2018

Pity, Royal Court, London, review: Wearisome whimsy and wackiness by Paul Taylor, Paul Taylor

Rory Mullarkey's absurdist cartoon about a society that topples into apocalyptic anarchy is not well served by Sam Pritchard's relentlessly jokey production

SOURCE: The Independent at 8:24am on July 20, 2018

East Wall, Tower of London, London, review: Hofesh Shechter's large-scale dance show storms the Tower by Zoë Anderson, Zoë Anderson

A dozen companies, including a military band, a gospel choir, multiple youth dance groups, are brought together for this high energy show

SOURCE: The Independent at 6:06am on July 20, 2018

Allelujah!, Bridge Theatre, London, review: Alan Bennett's new NHS play is a surprisingly high-spirited occasion by Paul Taylor, Paul Taylor

This feels like bonus treat from the 84-year-old: a play about our imperilled National Health Service that somehow leaves you bobbing on a wave of happiness

SOURCE: The Independent at 8:32am on July 19, 2018

Praise you: Why Spike Jonze is being recognised for his work in dance by Brian Seibert, Brian Seibert

The film director has put together a special compilation of dancing from his movies and music videos for a festival, including his own goofball routines to Fatboy Slim. Here, he discusses hi…

SOURCE: The Independent at 8:32am on July 19, 2018

A Monster Calls, Old Vic, London, review: Patrick Ness's novel is magnificently brought to life by Paul Taylor, Paul Taylor

Sally Cookson's adaptation of this best-seller about a boy coming to terms with grief is a wondrous feat of communal story-telling

SOURCE: The Independent at 8:24am on July 18, 2018

Love Chapter 2, Sadler's Wells, London, review: Sharon Eyal's endurance test for the audience as well as the dancers by  zoë Anderson,  zoë Anderson

The disengaged style of L-E-V's dancers may be deliberate, making a point about the loss of love, but it becomes boring to watch

SOURCE: The Independent at 8:12am on July 16, 2018

The Lehman Trilogy, National Theatre, London, review: A powerful play directed by Sam Mendes with extraordinary elegance by Paul Taylor, Paul Taylor

Magnificent performers multitask in this epic story of the Lehman Brothers family business

SOURCE: The Independent at 10:24am on July 13, 2018

As You Like It, Regent's Park Open Air Theatre, London, review: Shakespeare's summer loving gets a Nineties makeover by Rosemary Waugh, Rosemary Waugh

Olivier Vinall stars in a genuinely funny production, that takes full advantage of the theatre's twilit, twee-lined charms

SOURCE: The Independent at 10:24am on July 13, 2018

The Head & the Load, Tate Modern, London, review: William Kentridge's piece about Africans in WWI is electrifying by Zoë Anderson, Zoë Anderson

Sculpture, song, and shadow play are used to tell the story of 1.5 million Africans who worked as porters and carriers during the war

SOURCE: The Independent at 8:12am on July 12, 2018

'All black women are not the same': How femmes of colour are making a buzz about diversity by Holly Williams, Holly Williams

Hot Brown Honey are an Australian cabaret sensation " now, they're staging a new show at the Roundhouse working with young British artists

SOURCE: The Independent at 8:04am on July 11, 2018

Consent, difficult women, and intimacy coaches... Vicky Jones and Tuppence Middleton on new conversations in theatre by Daisy Buchanan, Daisy Buchanan

Vicky Jones wrote her first play, The One, for her best friend and Fleabag co-creator Phoebe Waller-Bridge. Now it's being revived " with a brand new star

SOURCE: The Independent at 2:12pm on July 9, 2018

It's 50 years since the end of stage censorship in Britain " but how free are artists really? by Natasha Tripney, Natasha Tripney

In 1968, the Theatres Act did away with the Lord Chamberlain's red pen. But a new exhibition at the V&A looks at how subtler forms of censorship may still exist today

SOURCE: The Independent at 6:24am on July 9, 2018

Goldberg Variations, Barbican, London, review: A thoughtful and teasing take on Bach from both dancers and musicians by Zoë Anderson, Zoë Anderson

A collaboration between the string players of Scottish Ensemble and Swedish choreographer Örjan Andersson, where both sides feel like equal dancing partners

SOURCE: The Independent at 2:42pm on July 6, 2018

A Midsummer Night's Dream / Romeo and Juliet, Shakespeare's Rose Theatre, York, review: This pop-up is a welcome home for Shakespeare in the by Holly Williams, Holly Williams

Two productions of open-air summer favourites prove enjoyably clear sighted, even if the performances are a mixed bag

SOURCE: The Independent at 12:42pm on July 6, 2018

Stage actors infuriated by audience members watching England World Cup penalties on phones and cheering by Jack Shepherd, Jack Shepherd

'You are the most ignorant audience members I have ever had the misfortune to perform before'

SOURCE: The Independent at 11:24am on July 5, 2018

The Lieutenant of Inishmore, Noel Coward Theatre, London, review: Aidan Turner is masterful in Martin McDonagh's savage farce by Paul Taylor, Paul Taylor

Michael Grandage's splatter-fest revival is exuberantly gruesome

SOURCE: The Independent at 8:06am on July 5, 2018

Miss Littlewood, Swan Theatre, Stratford-Upon-Avon, review: A new musical reminds us of the pioneering Joan Littlewood (but lacks tunes) by Paul Taylor, Paul Taylor

Is it ironic that this anti-establishment maverick should have her work celebrated at the other Stratford by the RSC? A bit " but you're soon swept up

SOURCE: The Independent at 7:48am on July 4, 2018

'I don't think anything is impossible to put on stage': Sally Cookson on the enormous challenge of adapting A Monster Calls by Andrzej Lukowski, Andrzej Lukowski

Patrick Ness's bestselling novel is about a grieving boy and a giant, demonic tree. How on earth do you bring it to life in the theatre?

SOURCE: The Independent at 6:36am on July 4, 2018

The King and I, Palladium, London, review: A nuanced, subtly updated revival by Paul Taylor, Paul Taylor

There's a smack of imperial condescension in Rodgers and Hammerstein's musical, but this is a culturally cogent account from Bartlett Sher

SOURCE: The Independent at 7:06pm on July 3, 2018

Dame Gillian Lynne: the choreographer who transformed musical theatre by David Lister, David Lister

The former ballet dancer who changed the craft forever

SOURCE: The Independent at 11:36am on July 2, 2018

Gillian Lynee death: Andrew Lloyd Webber leads tributes as Cats choreographer dies aged 92 by Jack Shepherd, Jack Shepherd

They also worked together on The Phantom of the Opera and Aspects of Love

SOURCE: The Independent at 5:18am on July 2, 2018

Genesis Inc, Hampstead Theatre, London, review: Harry Enfield stars in an over-egged comedy about the fertility industry by Paul Taylor, Paul Taylor

Jemma Kennedy's ambitious play has Enfield playing both Marx and God, while Jenni Murray lends her voice to a talking womb

SOURCE: The Independent at 11:24am on June 29, 2018

Fun Home, Young Vic, London, review: Another groundbreaking masterpiece from Jeanine Tesori by Paul Taylor, Paul Taylor

A sublime adaptation of Alison Bechdel's acclaimed graphic-novel memoir about growing up lesbian in small-town Pennsylvania with a closeted gay father

SOURCE: The Independent at 7:54am on June 28, 2018

The Winter's Tale, Shakespeare's Globe, London, review: Fails to capture the quick-changing moods of the play by Holly Williams, Holly Williams

A solid enough production, but it never quite meets the anguish or joy of Shakespeare's play of two halves

SOURCE: The Independent at 6:48am on June 28, 2018
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