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1,898 stories from The New Yorker

The Jailhouse Lawyer Derrick Hamilton's Role in the Reversal of a Murder Conviction by Jennifer Gonnerman

Derrick Hamilton never went to law school, but prisoners across New York State have heard about his formidable legal skills, which he acquired while he was wrongly imprisoned for murder for …

SOURCE: The New Yorker Subscription at 7:05pm on July 10, 2016

Dancing as Juliet, Young and Old by Marina Harss

Ask any young female ballet dancer what role she'd most like to dance one day, and the answer is almost always the same: Juliet. "Swan Lake" may be the Mount Everest of the profession, but "…

SOURCE: The New Yorker Subscription at 10:22am on June 28, 2016

Queer, Arab, and Onstage After Orlando by Brian Schaefer

Two weeks ago, members of the Lebanese indie-pop band Mashrou' Leila took the stage in front of a packed crowd at the Music Hall of Williamsburg, wearing a flamboyant yet minimal uniform of …

SOURCE: The New Yorker Subscription at 6:58pm on June 23, 2016

Video Operas You Can Watch on Your Phone by Alec Wilkinson

Making video operas you could watch on your phone occurred to Jason Cady, Aaron Siegel, and Matthew Welch a few years ago in a bar in Brooklyn, at a meeting of Experiments in Opera, the comp…

SOURCE: The New Yorker Subscription at 1:13pm on June 21, 2016

Why We Are No Longer Shocked by "Ulysses" by Louis Menand

Not many verbal artifacts are cooler than the first edition of James Joyce's "Ulysses," which was published, in Paris, on February 2, 1922, the author's fortieth birthday. As is standard for…

SOURCE: The New Yorker Subscription at 8:18am on June 16, 2016

"And Love Is . . .": Live-Drawing the 2016 Tony Awards by Liza Donnelly

"And love is love is love is love is love is love is love is love," Lin-Manuel Miranda said in his moving acceptance sonnet at Sunday night’s Tony Awards ceremony"which …

SOURCE: The New Yorker Subscription at 5:42pm on June 13, 2016

The 2016 Tony Awards: After Orlando by Michael Schulman

For more than a year now, any half-conscious prognosticator could have told you that the 2016 Antoinette Perry Awards would unofficially be the "Hamilton" Tonys. Mostly, it was. Nominated fo…

SOURCE: The New Yorker Subscription at 1:15pm on June 13, 2016

How Online Ticket Scalping (Eventually) Helped "Hamilton" by James Surowiecki

Welcome to the Week in Business, a look at some of the biggest stories in business and economics.

SOURCE: The New Yorker Subscription at 3:56pm on June 11, 2016

"Hamilton" and the Books That Hamilton Held by Adam Gopnik

With the confrontation between Aaron Burr and Alexander Hamilton working its way toward its latest incarnation, what with Lin-Manuel Miranda (as Hamilton) and Leslie Odom, Jr. (as Burr), fac…

SOURCE: The New Yorker Subscription at 8:02pm on June 10, 2016

Welcome to Our Broadway Theatre; Please Turn On Your Phones by Bizzy Coy

Ladies and gentlemen and scruffy teens who won the digital ticket lottery, welcome to our show.

SOURCE: The New Yorker Subscription at 12:38pm on June 10, 2016

The Met Chooses Yannick Nézet-Séguin by Alex Ross

The Metropolitan Opera last named a new music director in May of 1975. Gerald Ford had been President for less than a year; Saigon had fallen a few weeks earlier; Barack Obama was thirteen. …

SOURCE: The New Yorker Subscription at 5:42pm on June 2, 2016

How a Lost Marx Brothers Musical Found Its Way Back Onstage by Adam Gopnik

On a recent Saturday morning at the Pearl Studios, on Eighth Avenue, the most labyrinthine of all Broadway rehearsal halls, one of the most beautiful and endangered of all New York sounds su…

SOURCE: The New Yorker Subscription at 11:33pm on June 1, 2016

Rent the Met: Costume Institute Edition by Joana Avillez

See the rest of the story at newyorker.comRelated:Daily Cartoon: Friday, May 27thTasting Menus to Pair with Your Favorite TV ShowsDaily Cartoon: Thursday, May 26th

SOURCE: The New Yorker Subscription at 2:28pm on May 27, 2016

Star Power by Hilton Als

While it's always a treat to see amazing ensembles working together as they tear a play apart, the better to expose its meaning, it's thrilling in a different way to watch performers who sta…

SOURCE: The New Yorker Subscription at 5:55am on May 27, 2016

Inside the Venture-Capital Arm of "Sesame Street" by Adrienne Raphel

On a sunny day in April, I visited the offices of the Sesame Workshop, across the street from Lincoln Center. At first, the space looks almost disappointingly normal, until you notice the he…

SOURCE: The New Yorker Subscription at 9:51pm on May 23, 2016

Nine Hours of Shakespeare by Cynthia Zarin

The Brooklyn Academy of Music recently staged a rare production of the entire Henriad""Richard II," "Henry IV" Parts I and II, and "Henry V""by the Royal Shakespeare Company. The Henriad is …

SOURCE: The New Yorker Subscription at 8:53am on May 15, 2016

Gross Indecency by Michael Schulman

On April 5, 1895, Oscar Wilde was holed up at the Cadogan Hotel, in London, torn between fleeing the country and facing a parlous fate. Spurred by his sometime paramour Lord Alfred Douglas, …

SOURCE: The New Yorker Subscription at 6:01am on May 6, 2016

The 2016 Tony Nominations: Not All About the Hamiltons by Michael Schulman

Yesterday, the Asian American Performers Action Coalition released its annual report of "Ethnic Representation on New York Stages." On Broadway and Off, thirty per cent of available roles we…

SOURCE: The New Yorker Subscription at 11:12pm on May 3, 2016

Legends by Hilton Als

Here we go again, back to that terrible summer house in New England, which is yet another depressed character in Eugene O'Neill's unsurpassable "Long Day's Journey Into Night" (now in a Roun…

SOURCE: The New Yorker Subscription at 10:27am on May 2, 2016

Elizabethan Trump? by Rebecca Mead

When Gregory Doran, the artistic director of the Royal Shakespeare Company, first decided to direct Shakespeare's cycle of English-history plays, he met with Sir Ian McKellen and asked him i…

SOURCE: The New Yorker Subscription at 6:37am on April 25, 2016

Shakespeare in The New Yorker by Joshua Rothman

Shakespeare's influence is so vast that it's hard to choose a selection of New Yorker pieces about him"he comes up everywhere! Still, in honor of the four-hundredth anniversary of his dea…

SOURCE: The New Yorker Subscription at 4:37pm on April 23, 2016

Encounters with Shakespeare by The New Yorker

On the occasion of the four-hundredth anniversary of William Shakespeare's death, New Yorker writers share their experiences of reading, watching, studying, performing, memorizing, and fa…

SOURCE: The New Yorker Subscription at 4:37pm on April 23, 2016

The Women on 20s Campaign Celebrates the Harriet Tubman $20 by Vauhini Vara

Susan Ades Stone, one of the women behind a campaign to put Harriet Tubman on the twenty-dollar bill, is a big fan of the musical "Hamilton." Like Lin-Manuel Miranda, the show's creator, …

SOURCE: The New Yorker Subscription at 8:30pm on April 21, 2016

Theatre for Babies by Michael Schulman

Not long ago, a resident of the Financial District named Evan Miles settled in for a theatrical production on Forty-second Street. He was not an experienced playgoer"actually, this was his f…

SOURCE: The New Yorker Subscription at 7:26pm on April 20, 2016

Long Journey by Hilton Als

In 1962, Lillian and Helen Ross published "The Player," a wonderful collection of interviews with actors, ranging from Maureen Stapleton to Sidney Poitier, many of which originated in this m…

SOURCE: The New Yorker Subscription at 2:56pm on April 15, 2016
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