1,623 stories from exeuntmagazine.com
Work that wants to change people: Maddy Costa reviews Slung Low's Flood Parts 1 - 4.
The post Review: Flood at Victoria Dock, Hull appeared first on Exeunt Magazine.
"Reliably unreliable": Brendan Macdonald reviews Florian Zeller's knotty study of truth and lies.
The post Review: The Lie at the Menier Chocolate Factory appeared first on Exeunt Magazine.
Our Hallowe'en zine is a delightfully frightening trip into theatre and the uncanny. Here's what's in it, and how to get your copy.
The post Announcing Exeunt’s Hallowe’en Zine, …
If you just really, really want to run around pretending you're a vampire, this is for you: Ka Bradley reviews immersive theatre by Hammer House of Horror.
The post Review: Hammer House of H…
Richard Patterson reviews Dickie Beau's challenging drag tribute to Monroe and Garland.
The post Review: Blackouts: Twilight of the Idols at Abrons Arts Center appeared first on Exeunt Maga…
'Like watching a masterpiece being painted and repainted in front of your eyes for hours': Sally Hales reviews Yukio Ninagawa's Macbeth.
The post Review: Macbeth at the Barbican appeared fi…
You can feel the bombs rumbling through your shoes: Lilith Wozniak reviews a site-specific immersive show about the siege of Leningrad.
The post Review: Ice Road at Jacob’s Wells Baths…
A den of egoists: Chris McCormack reviews the Gate Theatre's production of Nina Raine's family drama.
The post Review: Tribes at the Gate Theatre, Dublin appeared first on Exeunt Magazine.
Tamara Harvey is artistic director at Theatr Clwyd, which combines a formidable artistic reputation with a location in rural Wales. She talks Chekhovian humour, working with dead authors, an…
Data-inspired dance: Anna Winter reviews the latest work from Company Wayne McGregor, inspired by mapping the human genome.
The post Review: Autobiography at Sadler’s Wells appeared fi…
The hands and their gaze: Rohanne Udall a performance of three works by Hema Bharathi Palani, Ronita Mookerji and Emma Jayne Park.
The post Review: Outlands at The Place appeared first on E…
A brilliant tongue in cheek look at the life of a woman in the 1800s: Louise Jones reviews Sara Pascoe's version of Jane Austen.
The post Review: Pride and Prejudice at York Theatre Royal ap…
"Bloodless, utopian activism clashes with brutal, revolutionary violence": Lee Anderson on Chilean writer Guillermo Calderón's new play about conflicting radical ideologies.
The post Revi…
"A thrilling and urgent ritual": Paul Hughes contemplates technology, mortality and the future while watching Colette Sadler's bold contemporary dance.
The post Review: Learning from the Fut…
"How do I mentor a playwright when every time I write a play I feel like I'm starting from scratch?" Tim Crouch on joining the growing band of mentors and dramaturgs who hold up a mirror to …
Dan O'Neil steps into an escape room as part of an immersive theater project.
The post Review: Paradiso: The Memory Room appeared first on Exeunt Magazine.
A stunning, heartrending performance by Erin Doherty: Corrie Tan reviews a revival of Alan Rickman and Katharine Viner's play.
The post Review: My Name is Rachel Corrie at the Young Vic appe…
Accessible but not patronising: Francesca Peschier reviews Chino Odimba's adaptation of Oliver Twist for teenagers.
The post Review: Twist at Soho Theatre appeared first on Exeunt Magazine.
"A unique piece of theatre": B. L. Sherrington warms to Les Enfants Terribles' grisly, quirky award-winning show about unruly children, a decade after its premiere.
The post Review: The Terr…
"A piece of eloquent controversy": Daniel Perks analyses the London transfer of What Shadows, Chris Hannan's kaleidoscopic interrogation of Enoch Powell.
The post Review: What Shadows at the…
An ambitious reimagining: Chris McCormack reviews a new play inspired by Ibsen's A Doll's House.
The post Review: Nora at Project Arts Centre, Dublin appeared first on Exeunt Magazine.
"Does the work think we care? Does it care if we care?": choreographer Joe Moran's evening of minimalist dance performances and installations.
The post Review: On The Habit of Being Oneself …
A meditation on loss: Chris McCormack reviews Dead Centre's new production about Shakespeare's son.
The post Review: Hamnet at the Abbey Theatre, Dublin appeared first on Exeunt Magazine.
The new artistic director of The Gate talks about running a theatre, looking to Europe, and why a narrow discourse around diversity can be dangerous.
The post Ellen McDougall: “It's a…
"More than mere monster": Tracey Sinclair reviews Neil Bartlett's "fresh and relevant" staging of Jean René Lemoine's radical, one-man reworking of the Medea myth.
The post Review: Medea (W…
