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3,981 stories from http://www.theaterscene.net

Eleanor and Alice: Conversations Between Two Remarkable Roosevelts by Joel Benjamin

Ellen Abrams' new play "Eleanor and Alice " Conversations Between Two Remarkable Roosevelts" explores their superficial courtesies in a series of conversations spanning 1904 until 1962, agre…

SOURCE: www.theaterscene.net at 11:57am on November 28, 2022

A Christmas Carol (Jefferson Mays) by Victor Gluck, Editor-in-chief

Visually the show pulls out all of the stops continually making stage magic. Every scene offers new scenic effects and things that appear impossible but are right there on stage before you, …

SOURCE: www.theaterscene.net at 10:55pm on November 27, 2022

Remembering Robert Clary: From the Concentration Camps to Broadway and Hollywood by Chip Deffaa, Editor-at-large

Clary scored a great success on Broadway in "Leonard Sillman's New Faces of 1952."  My father, who enjoyed that show, recalled Eartha Kitt and Robert Clary as the standouts in the cast of…

SOURCE: www.theaterscene.net at 4:47pm on November 27, 2022

Sandra by Victor Gluck, Editor-in-chief

Cale's story uses many film noir devices from the 1940's: exotic locale, strange encounters, searching down unknown streets, disappearing characters, a sexy stranger, danger signals avoided,…

SOURCE: www.theaterscene.net at 10:44pm on November 26, 2022

Evanston Salt Costs Climbing by Victor Gluck, Editor-in-chief

Will Arbery's Evanston "Salt Costs Climbing" (set in the city in which the author received his Master of Fine Arts Degree in 2015) is a perplexing experience as it shifts from realism to abs…

SOURCE: www.theaterscene.net at 11:47pm on November 25, 2022

Cocoon by Tony Marinelli

Director Kotryna Gesait's direction does not have the necessary distance from the material to realize that actors speaking simultaneously will blur content and intentions for the audience. S…

SOURCE: www.theaterscene.net at 5:21pm on November 25, 2022

Camp Siegfried by Victor Gluck, Editor-in-chief

"Camp Siegfried" is a new departure for the author of "Small Mouth Sounds," "Continuity," "Make Believe" and "Grand Horizons." Depicting an important piece of history in an age when hate spe…

SOURCE: www.theaterscene.net at 3:04pm on November 24, 2022

The Rat Trap by Victor Gluck, Editor-in-chief

Noel Coward's "The Rat Trap" is not only entertaining but seems to have been ahead of its time. Discounted by critics and the author alike when it had its only production until now in 1926, …

SOURCE: www.theaterscene.net at 11:28pm on November 23, 2022

An Appreciation of Michael Feingold (1945-2022) by Chip Deffaa, Editor-at-large

He saw seemingly everything, and championed plays and productions he found meaningful, even if they were at the smallest of theaters.  He chose what he wished to cover, and would sometime…

SOURCE: www.theaterscene.net at 2:26pm on November 23, 2022

Kimberly Akimbo by Joel Benjamin

"Kimberly Akimbo," David Lindsay-Abaire's oddball take on the title character's dishearteningly sad disease, began life as a play back in 2001, reaching New York via the Manhattan Theatre Cl…

SOURCE: www.theaterscene.net at 1:35pm on November 23, 2022

George Kaplan

"George Kaplan" is a beautifully realized drama with comedic elements by Frédéric Sonntag, translated into North American English by Samuel Buggeln. The viewer will laugh but will also be …

SOURCE: www.theaterscene.net at 7:11pm on November 20, 2022

Mike Birbiglia: The Old Man & The Pool by Joseph Pisano

Still, rest assured, most of what Birbiglia says is funny, even for any fans well aware that Birbiglia is leading us somewhere that is not. Given the eponymous Hemingway allusion, the show's…

SOURCE: www.theaterscene.net at 6:51pm on November 20, 2022

Where the Mountain Meets the Sea by Joel Benjamin

A touching portrait of a father and his alienated son unfolds in the Manhattan Theatre Club's "Where the Mountain Meets the Sea" by Jeff Augustin, directed by Joshua Kahan Brody. ... "When t…

SOURCE: www.theaterscene.net at 9:20pm on November 19, 2022

Where We Belong by Victor Gluck, Editor-in-chief

Writer/ director/actress Madeline Sayet is an engaging performer. Directed by Mei Ann Teo, her one-woman show "Where We Belong" is an autobiographical tale of her Mohegan roots and her seeki…

SOURCE: www.theaterscene.net at 4:00pm on November 17, 2022

Anthony Rapp's Solo Show, "Without You," To Get Off-Broadway Run by Chip Deffaa, Editor-at-large

I think this is great news. I'm happy the show will finally be getting a full theatrical production in New York.  I saw the original festival-production tryout of "Without You" about a do…

SOURCE: www.theaterscene.net at 12:58pm on November 16, 2022

Downstate by Christopher "caz" Caswell

Norris' smart and effective script is packed with controversy; its characters are stained by the trauma in which their lives have been steeped, and it's uncertain they will ever feel clean a…

SOURCE: www.theaterscene.net at 9:53am on November 16, 2022

Almost Famous by Victor Gluck, Editor-in-chief

What Crowe has done in writing his own book for the new show is recreate almost exactly every scene in the movie starting from the time when 15-year-old hero William Miller meets rock critic…

SOURCE: www.theaterscene.net at 4:17pm on November 15, 2022

My Broken Language by Victor Gluck, Editor-in-chief

Hudes has directed her own play in a delightful vaudeville/musical comedy style with dancing between the scenes to choreography by Ebony Williams to live music played by pianist Ariacne Truj…

SOURCE: www.theaterscene.net at 4:05pm on November 14, 2022

On the Passing of Aaron Carter by Chip Deffaa, Editor-at-large

He had his first album out by age nine, the same year he began opening for the Backstreet Boys. (His older brother, Nick Carter, was of course one of the Backstreet Boys.)  And he enjoyed…

SOURCE: www.theaterscene.net at 11:00am on November 14, 2022

The Piano Lesson by Joel Benjamin

LaTanya Richardson Jackson (Samuel L. Jackson's wife) has directed in a desultory fashion.  Long, revealing monologues, the backbone of this particular play, are delivered directly to the…

SOURCE: www.theaterscene.net at 12:12am on November 14, 2022

Jay Rogers: A Remembrance by Chip Deffaa, Editor-at-large

Jay Rogers, who's lost his battle with cancer, was a wonderfully impish cabaret star, with impeccable comic timing. Totally likeable fellow, on stage and off stage. I was so happy to be able…

SOURCE: www.theaterscene.net at 9:58pm on November 12, 2022

In Memory of Playwright/Director/Actor Douglas McGrath by Chip Deffaa, Editor-at-large

In October, he opened in an autobiographical Off-Broadway play that he wrote, 'Everything's Fine""a good-natured remembrance of his youth, and of a school teacher who fell for him.  He pe…

SOURCE: www.theaterscene.net at 9:38pm on November 12, 2022

Merciful Delusions : 4 One Act Plays by Tennessee Williams by Tony Marinelli

Director Lorraine Serabian is faithful to the spirit of when these plays were written. She delves into the spirited dreamers and chance takers that Tennessee Williams so faithfully showed us…

SOURCE: www.theaterscene.net at 11:38pm on November 10, 2022

A Delicate Balance by Victor Gluck, Editor-in-chief

The first Off Broadway revival of Edward Albee's " A elicate Balance," his first Pulitzer Prize-winning play (of three), is also the first to feature an all Asian American cast as well as be…

SOURCE: www.theaterscene.net at 5:46pm on November 10, 2022

Catch as Catch Can by Joel Benjamin

Chung has the six characters played by three actors, each playing a parent/child duo switching from one to the other in confusing frequency. In addition, each actor plays a parent of the opp…

SOURCE: www.theaterscene.net at 3:02pm on November 10, 2022
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