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38,744 stories from The New York Times

Can Programs That Help the Military Save the Federal Arts Agencies? by Graham Bowley

Backers cite projects like expanding arts therapy for veterans to rebut calls for defunding the agencies.

SOURCE: The New York Times Subscription at 7:36pm on March 27, 2017☆⚑

An Industrial Hellscape With You at the Center by Erik Piepenburg

How a set designer conceived an evolving, revolving new look for "The Hairy Ape."

SOURCE: The New York Times Subscription at 6:03pm on March 27, 2017☆⚑

'Once on This Island' Revival Sets Broadway Dates by Michael Paulson

This musical, which ran on Broadway in 1990, depicts a folk tale set in the Caribbean.

SOURCE: The New York Times Subscription at 1:48pm on March 27, 2017☆⚑

Review: 'Sweat' Imagines the Local Bar as a Caldron by Ben Brantley

Lynn Nottage's bracingly topical play explores the working-class anger and anxieties that put Donald J. Trump in the White House.

SOURCE: The New York Times Subscription at 10:24pm on March 26, 2017☆⚑

Review: 'Sam & Dede,' 2 Giants Forming an Unlikely Bond by Alexis Soloski

This play about Samuel Beckett and Andre the Giant is based on fact and the imaginings of the playwright Gino Dilorio.

SOURCE: The New York Times Subscription at 5:06pm on March 26, 2017☆⚑

From Trump to Grieg, a 'Terrifying' Soundscape by Erik Piepenburg

The sound designer Ben Williams talks about the sonic elements that inspired his work on the play "The Terrifying," at the Abrons Arts Center.

SOURCE: The New York Times Subscription at 4:03pm on March 26, 2017☆⚑

Vows: A Sound Engineer, a Props Guy and Their 'Beautiful' Wedding by Jane Gordon Julien

After a Wednesday matinee, Jessica Weeks and John Bryant, more comfortable behind the scenes, took center stage to say, "I do."

SOURCE: The New York Times Subscription at 12:36pm on March 26, 2017☆⚑

A Nobel Laureate Takes on Trump in Her Latest Play by Joshua Barone

Excerpts from Elfriede Jelinek's "On the Royal Road: The Burgher King," a work inspired by the president, will be presented in New York on Monday.

SOURCE: The New York Times Subscription at 4:03pm on March 24, 2017☆⚑

Review: Emperor Jones, Fearsome and Fearful in a Roaring Revival by Laura Collins-hughes

Irish Repertory Theater has brought back Ciaran O'Reilly's revelatory production of O'Neill's 1920 play, with an almost entirely new cast.

SOURCE: The New York Times Subscription at 4:03pm on March 24, 2017☆⚑

What I Love: Lena Hall's 500-Square-Foot Apartment in Midtown by Joanne Kaufman

For the actress, a tidy alcove studio carpeted in white has room enough for everything that really matters.

SOURCE: The New York Times Subscription at 3:18pm on March 24, 2017☆⚑

Critic's Notebook: A Wheelchair on Broadway Isn't Exploitation. It's Progress. by Neil Genzlinger

Some people are calling Sam Gold's "The Glass Menagerie" manipulative. I call it vital theater.

SOURCE: The New York Times Subscription at 12:03pm on March 24, 2017☆⚑

Weaving Politics and Passion in 'Love in Idleness' and 'Limehouse' by Matt Wolf

Trevor Nunn presents an uneasy hybrid of the Terence Rattigan work, while a new play about the origins of the S.D.P. is punchy and vibrantly directed by Polly Findlay.

SOURCE: The New York Times Subscription at 8:54am on March 24, 2017☆⚑

What's on TV Friday: Kate del Castillo in 'Ingobernable' and Lady Gaga on 'RuPaul's Drag Race' by Kathryn Shattuck

Ms. del Castillo is the first lady of Mexico in the thriller "Ingobernable," on Netflix. And Lady Gaga opens a season of "RuPaul's Drag Race," on VH1.

SOURCE: The New York Times Subscription at 1:00am on March 24, 2017☆⚑

Review: Return of the Little Copter That Wowed in 'Miss Saigon' by Ben Brantley

The singing scenery of "Miss Saigon" is back on Broadway, with political corrections and a newly proportioned cast.

SOURCE: The New York Times Subscription at 10:32pm on March 23, 2017☆⚑

Review: Encores! Serves a Bathtub Martini in 'The New Yorkers' by Ben Brantley

Cole Porter's lost musical from 1930 raises a glass to the giddy heyday of Prohibition and high (really high) society.

SOURCE: The New York Times Subscription at 6:03pm on March 23, 2017☆⚑

In 'The Play That Goes Wrong,' It's Murder, Strictly for Laughs by Michael Paulson

The three British actors behind this farcical mystery discuss the comedy and the thrill of possible injury in a performance.

SOURCE: The New York Times Subscription at 12:32pm on March 23, 2017☆⚑

Well, Hello, Dollys! by Eric Grode

Carol Channing originated the musical role of Dolly Levi and was considered irreplaceable. Now Bette Midler steps into a long line of her successors.

SOURCE: The New York Times Subscription at 6:18pm on March 22, 2017☆⚑

Manhattan Theater Club Announces Two New Plays by Women by Christopher D. Shea

'In the Body of the World' and 'Actually' will be part of this theater's 2017-18 season and part of the discussion about gender imbalance on Broadway.

SOURCE: The New York Times Subscription at 3:36pm on March 22, 2017☆⚑

His Idea for Fighting Terrorism? Funny Plays by Rachel Donadio

The Belgian playwright Ismaël Saidi writes comic plays that tour France and Belgium, and offer a message of multicultural tolerance.

SOURCE: The New York Times Subscription at 1:12pm on March 22, 2017☆⚑

Travel Ban Threatens a Lincoln Center Festival Play by Michael Cooper

The center is seeking visas for several artists with Syrian passports for Mohammad al-Attar's "While I Was Waiting."

SOURCE: The New York Times Subscription at 12:32pm on March 22, 2017☆⚑

'The Little Foxes': A Reconsideration by Jason Zinoman

Does Lillian Hellman rank alongside Tennessee Williams and Arthur Miller?

SOURCE: The New York Times Subscription at 12:03pm on March 22, 2017☆⚑

Two Female Playwrights Arrive on Broadway. What Took So Long? by Michael Paulson

Lynn Nottage and Paula Vogel, both Pulitzer winners, will finally make their Broadway debuts this spring. What does that say about the plight of women writing for the stage?

SOURCE: The New York Times Subscription at 5:36am on March 22, 2017☆⚑

Review: In 'Spill,' an Oil Disaster Seems Too Big for the Stage by Alexis Soloski

An impassioned and overloaded documentary drama by Leigh Fondakowski explores the Deepwater Horizon disaster of 2010.

SOURCE: The New York Times Subscription at 9:42pm on March 21, 2017☆⚑

Review: Shakespeare Meets Black Power in 'Caesar/X' by Elisabeth Vincentelli

"Julius Caesar" and "X: Or, Betty Shabazz v. The Nation" illuminate each other as they run in rep.

SOURCE: The New York Times Subscription at 7:32pm on March 21, 2017☆⚑

Review: Instead of a 'War Horse,' This Time a Lost Cat Opens a Child's Eyes by Laura Collins-hughes

In "946: The Amazing Story of Adolphus Tips," Emma Rice directs a fanciful adaptation of another novel by Michael Morpurgo, the author of "War Horse."

SOURCE: The New York Times Subscription at 5:48pm on March 21, 2017☆⚑
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