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38,746 stories from The New York Times

'Vanity Fair' at the Pearl Theater Brings William Makepeace Thackeray to the Stage by Laura Collins-hughes

Kate Hamill and Eric Tucker team up for another Off Broadway adaptation, this time taking on a novel of social satire.

SOURCE: The New York Times Subscription at 12:18pm on March 15, 2017☆⚑

Tim Minchin Puts Emotion on Broadway. Just Don't Call Him Sentimental. by Elisabeth Vincentelli

The Australian composer and performer on his career and the music and lyrics he wrote for "Groundhog Day."

SOURCE: The New York Times Subscription at 5:36am on March 15, 2017☆⚑

Disney Says It Won't Edit 'Beauty and the Beast' for Malaysian Censors by Richard C. Paddock

Government censors had ordered that a brief, gay-themed scene be cut, and the studio's refusal means the film will not open Thursday in Malaysia as scheduled.

SOURCE: The New York Times Subscription at 4:11am on March 15, 2017☆⚑

Review: Songs Say What a Family Can't in 'Sundown, Yellow Moon' by Ben Brantley

Voices are seldom raised in Rachel Bonds's beautifully acted play, and big, confrontational truths mostly remain unspoken.

SOURCE: The New York Times Subscription at 10:12pm on March 14, 2017☆⚑

A $5 'Snow Special' for Dance, and Plenty of Theater Discounts by Michael Cooper, Randy Kennedy, Michael Paulson and Erik Piepenburg

Check out the theater, dance and museum deals we found for snow-drenched tourists and families with cabin fever.

SOURCE: The New York Times Subscription at 5:36pm on March 14, 2017☆⚑

Steven Levenson: The First Time I Attended a Political Protest by Steven Levenson

The playwright Steven Levenson recalls how a Supreme Court decision awakened the activist inside him.

SOURCE: The New York Times Subscription at 5:36pm on March 14, 2017☆⚑

Review: In 'The Gravedigger's Lullaby,' Death Is His Living by Ken Jaworowski

This Jeff Talbott play tells of the exhaustion a cemetery laborer encounters as he navigates his relationships at work and at home.

SOURCE: The New York Times Subscription at 5:18pm on March 14, 2017☆⚑

CBS Announces 'The Big Bang Theory' Spinoff, 'Young Sheldon' by Sara Aridi

The prequel will star Iain Armitage as a 9-year-old Sheldon Cooper, with Jim Parsons of "Big Bang" providing narration as the adult Sheldon.

SOURCE: The New York Times Subscription at 3:36pm on March 14, 2017☆⚑

Review: In 'The Moors,' Where Heathcliff Fears to Tread by Ben Brantley

This whimsical exploration of the world created by the writing of Charlotte, Emily and Anne Brontë gets an alternately intriguing and irritating production.

SOURCE: The New York Times Subscription at 10:32pm on March 13, 2017☆⚑

Review: For 'Judas Iscariot,' a Courtroom Drama of Epic Proportions by Laura Collins-hughes

In Stephen Adly Guirgis's play, directed by Estelle Parsons at La MaMa, Satan's arrival unleashes magic.

SOURCE: The New York Times Subscription at 10:32pm on March 13, 2017☆⚑

Review: Big Dreams, Bright Ideas in 'The Light Years' by Ben Brantley

The Debate Society's leisurely and copiously detailed production contemplates two Chicago World's Fairs, and everything in between.

SOURCE: The New York Times Subscription at 10:32pm on March 13, 2017☆⚑

An Incisive Play About Hasidism, With Actors Who Lived It by Corey Kilgannon

Five performers who separated from strict Hasidic enclaves are drawing on their pasts in the New Yiddish Repertory's production of a 1907 work, "God of Vengeance."

SOURCE: The New York Times Subscription at 9:18am on March 13, 2017☆⚑

Review: 'Villa' Dramatizes a Plot of Chilean Land With a Dark Past by Alexis Soloski

In this play, three women try to figure out a suitable purpose for a site behind a former prison associated with Augusto Pinochet.

SOURCE: The New York Times Subscription at 10:18pm on March 12, 2017☆⚑

Review: 'Come From Away,' a Canadian Embrace on a Grim Day by Ben Brantley

This musical pushes emotional buttons as it portrays a town's efforts to accommodate travelers whose planes were diverted to a Canadian town after the 9/11 attacks.

SOURCE: The New York Times Subscription at 10:18pm on March 12, 2017☆⚑

What I Love: From Stage Combat to Hudson Views by Joanne Kaufman

For B.H. Barry, staging fights began as a sideline to acting. Now it's who he is " and how he got that nice penthouse.

SOURCE: The New York Times Subscription at 2:12pm on March 12, 2017☆⚑

The Hills Are Alive With the Sound of Julie Andrews and Henson Puppets by Leah Rozen

Ms. Andrews, her daughter Emma Walton Hamilton and the Jim Henson Company are collaborating on a new Netflix series for kids, "Julie's Greenroom."

SOURCE: The New York Times Subscription at 11:48am on March 11, 2017☆⚑

Table for Three: Glenn Close and Patrick Kennedy on the Weight of Mental Illness by Philip Galanes

The actress, currently in "Sunset Boulevard," and the former congressman discuss psychiatric disorders, addiction, challenging families and more.

SOURCE: The New York Times Subscription at 11:48am on March 11, 2017☆⚑

In London, a Ferocious 'Virginia Woolf' by Matt Wolf

A cast led by Imelda Staunton and Conleth Hill, under the direction of James Macdonald, gives Edward Albee's 1962 masterwork an unforgettable production.

SOURCE: The New York Times Subscription at 11:32am on March 11, 2017☆⚑

Kids Are Getting Older Quicker. And Disney Tries to Adapt. by Brooks Barnes

With "Andi Mack," a comedic drama that's bitter and sweet, Disney Channel stretches its brand. It's part of an effort to lift sinking ratings.

SOURCE: The New York Times Subscription at 1:09pm on March 10, 2017☆⚑

In London, a Ferocious "Virginia Woolf" by Matt Wolf

A cast led by Imelda Staunton and Conleth Hill, under the direction of James Macdonald, gives Edward Albee's 1962 masterwork an unforgettable production.

SOURCE: The New York Times Subscription at 12:17pm on March 10, 2017☆⚑

'Groundhog Day' Offers Repetition, Offers Repetition by Steven McElroy

Based on the 1993 Bill Murray film, the musical begins previews at the August Wilson Theater.

SOURCE: The New York Times Subscription at 12:03pm on March 10, 2017☆⚑

Kurt Weill: How Germany Finally Unearthed a National Treasure by Joshua Barone

With the help of the Weill Festival, the composer's home country has slowly but surely restored the legacy of one of its musical heroes.

SOURCE: The New York Times Subscription at 8:36am on March 10, 2017☆⚑

Review: Dismantling 'The Glass Menagerie' by Ben Brantley

The director Sam Gold and his cast, led by an intrepid Sally Field, have deconstructed the Tennessee Williams classic. But don't expect the pieces to be reassembled.

SOURCE: The New York Times Subscription at 10:36pm on March 9, 2017☆⚑

Review: 'Aging Magician,' a Fable Complete With Complexities by Anthony Tommasini

This hybrid theatrical work, about a children's book author and the story he hopes to finish, combines elements of opera, drama, puppet show and chorus.

SOURCE: The New York Times Subscription at 5:48pm on March 9, 2017☆⚑

Beware, a Notorious Broadway Bomb Is Ticking Again by Erik Piepenburg

From the disco-era " "Rachael Lily Rosenbloom and Don't You Ever Forget It!" " is getting a new turn in the spotlight at Feinstein's/54 Below.

SOURCE: The New York Times Subscription at 5:18pm on March 9, 2017☆⚑
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