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1,898 stories from The New Yorker

James Levine's Accomplishment at the Met by Alex Ross

No one who follows classical music can have been remotely surprised by the announcement that came in from the Metropolitan Opera earlier today: James Levine, who has been the dominant artist…

SOURCE: The New Yorker Subscription at 7:57pm on April 14, 2016

Young Turks by Lauren Collins

Last week, the German newspaper Süddeutsche Zeitung and the International Consortium of Investigative Journalists published the Panama Papers, implicating thousands of people in a global sc…

SOURCE: The New Yorker Subscription at 11:55am on April 11, 2016

Donald Trump Performs Shakespeare's Soliloquies by Aryeh Cohen-wade

“Hamlet”

SOURCE: The New Yorker Subscription at 3:10pm on April 6, 2016

Opera Startups by Alex Ross

Last year, the British critic Philip Clark had a provocative response to the perennial question of how to save classical music from its so-called image problem"the perception that it is stuf…

SOURCE: The New Yorker Subscription at 7:23am on March 28, 2016

The Room Where It Happens by Michael Schulman

Of the many allusions woven throughout Lin-Manuel Miranda's score for "Hamilton"""The Pirates of Penzance," the Notorious B.I.G."one of the funniest comes in Act II, when Alexander Hamilton …

SOURCE: The New Yorker Subscription at 8:44am on March 25, 2016

My Old Sweetheart by Hilton Als

I have so many complicated responses to David Harrower's 2005 play, "Blackbird" (at the Belasco), that trying to separate what I feel about the subject tangentially and what Harrower achieve…

SOURCE: The New Yorker Subscription at 9:27pm on March 14, 2016

Betrothed by Hilton Als

All this talk about diversity"in newspapers, on college campuses, at the Oscars"can be hard on a liberal white guy. How's a sensitive Caucasian man"no Trumpite"supposed to deal with so much …

SOURCE: The New Yorker Subscription at 7:21pm on March 13, 2016

The Night Crawlers by Hilton Als

I'm always somewhat surprised to discover how many of the writers and thinkers I've admired over the years grew up reading Eugene O'Neill with a passion equal to my own. For years, I thought…

SOURCE: The New Yorker Subscription at 7:21pm on March 13, 2016

New Direction by Hilton Als

Directors who have an interest in style are not prevalent in the American theatre. Mostly, directors are there to serve the play and keep the bodies moving in space as clearly, effectively, …

SOURCE: The New Yorker Subscription at 7:21pm on March 13, 2016

How Broadway Imagines Africa by Michael Schulman

Until a few weeks ago, if you wanted to see Africa represented in a Broadway show, you had two options, both ridiculous. There is the colorful puppet wilderness of "The Lion King," in which …

SOURCE: The New Yorker Subscription at 6:07pm on March 13, 2016

Postscript: Liz Swados (1951-2016) by Hilton Als

It was always exciting to see, around town, those lovely posters by Paul Davis announcing a new production at the Public Theatre""our" theatre, over on Lafayette Street, a place that promote…

SOURCE: The New Yorker Subscription at 8:43am on February 13, 2016

"Hamilton" and the Hip-Hop Case for Progressive Heroism by Adam Gopnik

The Broadway musical, to the distress of those of us who think of it as America's own fine form, the thing we made first and still, Andrew Lloyd Webber be damned, make best, isn't really pop…

SOURCE: The New Yorker Subscription at 12:00am on February 5, 2016

The Power of "Grease" by Alexis Okeowo

Sunday night saw the première of "Grease: Live," a television adaptation of the original musical that no one really needed but was wholly entertaining nonetheless. The revival came after…

SOURCE: The New Yorker Subscription at 8:57pm on February 2, 2016

"Tosca" 's Second Chance by Russell Platt

In 1889 Giacomo Puccini wrote to his publisher about getting the operatic rights to Victorien Sardou's melodrama "La Tosca," which the playwright had written for Sarah Bernhardt: "In this 'T…

SOURCE: The New Yorker Subscription at 9:19pm on January 28, 2016

Leap of Faith by Russell Platt

New York City Opera was once a radiant and seemingly indispensable part of New York's cultural life. But ever since its closure, two and a half years ago, the prospect of reviving the compan…

SOURCE: The New Yorker Subscription at 5:37am on January 15, 2016

Songs From My Hit Off-Broadway Musical About Getting Tickets to See "Hamilton" by Jordan Carr

"Sold Out Till When?"

SOURCE: The New Yorker Subscription at 12:27pm on January 2, 2016

A WILDER CHRISTMAS by Alexis Soloski

A Christmas in the company of Thornton Wilder is not exactly merry. The Peccadillo Theatre Company combines two of Wilder's seasonal one acts""The Long Christmas Dinner" and "Pullman Car Hia…

SOURCE: The New Yorker Subscription at 4:45pm on December 28, 2015

Dreamgirls by Hilton Als

Although the civil-rights movement did a lot to change how black life was dramatized on the American stage in the fifties and sixties, white composers and lyricists often still rely on famil…

SOURCE: The New Yorker Subscription at 7:24am on December 28, 2015

The Thrilling Uncertainty of the Understudy by Rebecca Mead

For close observers of the cultural phenomenon that is "Hamilton," a new milestone in the musical's unfolding journey was reached last week: the appearance of the understudy in the title rol…

SOURCE: The New Yorker Subscription at 2:00pm on December 23, 2015

Ask King Richard III: A Political Advice Column by Alex Siquig

Don’t let the fact that he’s been dead for five hundred and thirty years fool you"there isn’t a more astute political mind around today than that of Richard III, the last P…

SOURCE: The New Yorker Subscription at 10:08pm on December 15, 2015

Greetings, Friends! by Ian Frazier

This Christmas we are staying in,Skyping en masse with all our kinAnd friends linked up in cyberspace,Slipping the surly bonds of place,And traffic on the Tappan Zee,Cross Bronx, and Hutch, …

SOURCE: The New Yorker Subscription at 11:00pm on December 13, 2015

Post-Code by William Finnegan

"This is the most Kubrickian room," Lin-Manuel Miranda said the other night, sweeping into the seventh floor of the New Museum, on the Bowery. The room was long, very white, with two glass w…

SOURCE: The New Yorker Subscription at 11:00pm on December 13, 2015

Haute Ticket: Jacqueline de Ribes at the Met by Judith Thurman

More than sixty years ago, the young Viscountess de Ribes, née Jacqueline Bonnin de La Bonninière de Beaumont, stood on the balcony of a friend's Venetian palazzo. She was twenty-two, and …

SOURCE: The New Yorker Subscription at 10:00pm on December 1, 2015

'Tis the Season by Hilton Als

The language around Christmas is usually pretty treacly, as befits the season. But future writers should remember that one of the amazing things about the holiday's ur-text, Charles Dickens'…

SOURCE: The New Yorker Subscription at 9:44am on November 27, 2015

Caryl Churchill's Prophetic Drama by Andrew Dickson

Two things are frequently said about Caryl Churchill: that she is the greatest playwright alive, and that she is one of the most elusive. While she occasionally discusses her work with resea…

SOURCE: The New Yorker Subscription at 10:43am on November 18, 2015
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