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38,747 stories from The New York Times

'Zoot Suit,' a Pioneering Chicano Play, Comes Full Circle by Robert Ito

After opening at the Mark Taper Forum in Los Angeles nearly 40 years ago, Luis Valdez's production is revived at its home theater.

SOURCE: The New York Times Subscription at 10:33am on January 26, 2017☆⚑

Critic's Notebook: 'La La Land' Is Stuck in Its Own Time by Jon Caramanica

The film moves through the present moment " political, racial, representational " with blinders on, our critic writes.

SOURCE: The New York Times Subscription at 5:17pm on January 25, 2017☆⚑

Mary Tyler Moore, Who Incarnated the Modern Woman on TV, Dies at 80 by Virginia Heffernan

Ms. Moore was best known as the spunky professional Mary Richards on "The Mary Tyler Moore Show" and as Laura Petrie, the wife of a comedy writer, on "The Dick Van Dyke Show."

SOURCE: The New York Times Subscription at 3:54pm on January 25, 2017☆⚑

Drama as Protest: 'Our Complacency Is Dangerous' by Alexis Soloski

For actors in the American premiere of Wallace Shawn's 2015 play, much changed after the election.

SOURCE: The New York Times Subscription at 3:54pm on January 25, 2017☆⚑

This Time, It's Dear Dad, Not Evan Hansen by Jason Zinoman

Steven Levenson, who wrote "Dear Evan Hansen," now has a play Off Broadway, "If I Forget."

SOURCE: The New York Times Subscription at 11:54am on January 25, 2017☆⚑

A Scholarly Scrapbook for Taylor Mac by Jennifer Schuessler

A newly announced scholarly collection will analyze, and chronicle, Mr. Mac's epic "24-Decade History of Popular Music."

SOURCE: The New York Times Subscription at 6:33pm on January 24, 2017☆⚑

BroadwayCon Resolves Dispute with Actors' Equity Association by Andrew R. Chow

Singers will no longer perform in two sessions at the fan convention.

SOURCE: The New York Times Subscription at 3:18pm on January 24, 2017☆⚑

Review: 'Peer Gynt' as Punk, With Soundtrack to Match by Alexis Soloski

This updated version of Henrik Ibsen's 1867 verse drama includes rock and pop songs as it centers on an adventurous Scandinavian lad.

SOURCE: The New York Times Subscription at 2:04pm on January 24, 2017☆⚑

Oscar Nomination Puts Lin-Manuel Miranda One Step Closer to an E.G.O.T. by Jonah Engel Bromwich

Only 12 performers have won an Emmy, a Grammy, an Oscar and a Tony. Mr. Miranda is poised to become the next.

SOURCE: The New York Times Subscription at 11:33am on January 24, 2017☆⚑

Watching: Oscars 2017: Where to Stream the Nominated Movies by Scott Tobias

Several Oscar-nominated films are still in theaters. Here's where you can stream the rest.

SOURCE: The New York Times Subscription at 10:11am on January 24, 2017☆⚑

Oscar Nominations 2017: 14 for 'La La Land,' and a Diverse Slate by Brooks Barnes

The academy seeks to rebound from two years of #OscarSoWhite with nods for "Moonlight," "Fences" and others.

SOURCE: The New York Times Subscription at 8:49am on January 24, 2017☆⚑

Review: 'Tell Hector I Miss Him' Sketches Love and Addiction in Puerto Rico by Charles Isherwood

Paola Lázaro's play, at the Atlantic Theater Company, assembles a crew of vivid characters on a San Juan street corner.

SOURCE: The New York Times Subscription at 10:18pm on January 23, 2017☆⚑

'Pinocchio' Heading to London Stage by Christopher D. Shea and Michael Paulson

The adaptation, approved by Disney Theatrical Productions, will have songs from the 1940 film, and is to open at the National Theater in December.

SOURCE: The New York Times Subscription at 3:48pm on January 23, 2017☆⚑

Poster Perfect: The Art of James McMullan by Erik Piepenburg

Mr. McMullan unearths some of his never-before-seen theater posters to demonstrate how he created each work, from early studies to final versions.

SOURCE: The New York Times Subscription at 1:18pm on January 23, 2017☆⚑

Review: An 'Orange Julius' Bond Is Complicated by Laura Collins-hughes

Memory, gender and fantasy blend in this play about a Vietnam veteran and his offspring.

SOURCE: The New York Times Subscription at 10:42pm on January 22, 2017☆⚑

Review: 'The Oregon Trail' Traverses Tough Terrain in Two Different Eras by Alexis Soloski

This play by Bekah Brunstetter ("Oohrah!") follows a teenager in the 1990s through early adulthood, and a pioneer girl in the 1800s. Both are named Jane.

SOURCE: The New York Times Subscription at 10:42pm on January 22, 2017☆⚑

BroadwayCon Faces Dispute With Actors' Equity Association by Andrew R. Chow

The union is asking its members not to perform at BroadwayCon until an agreement is reached.

SOURCE: The New York Times Subscription at 5:18pm on January 22, 2017☆⚑

Tilt Kids Festival Returns With 8 Premieres by Joshua Barone

This event, a collaboration between the French Institute Alliance Française and Cultural Services, will run from March 4 through April 16.

SOURCE: The New York Times Subscription at 4:33pm on January 22, 2017☆⚑

Distraught Yet Upbeat, Broadway Stars Give Concert of Hope by Michael Paulson

On Inauguration Day, performers in New York looked to the future and raised money for causes like civil liberties and women's health.

SOURCE: The New York Times Subscription at 10:33pm on January 20, 2017☆⚑

Review: 'Albatross' Has an Ancient Mariner but Modern Technology by Laura Collins-hughes

This solo show, written by Matthew Spangler and Benjamin Evett and starring Mr. Evett, is based on the poem by Samuel Taylor Coleridge.

SOURCE: The New York Times Subscription at 10:18pm on January 19, 2017☆⚑

Review: August Wilson's 'Jitney' Magnifies Marginalized Souls by Ben Brantley

With soaring language and an improvisatory jazz spirit, Ruben Santiago-Hudson's revival brings lives shaped by privation to throbbing life.

SOURCE: The New York Times Subscription at 10:18pm on January 19, 2017☆⚑

Alexander Hamilton Documents Fetch $2.6 Million at Auction by Jennifer Schuessler

Hundreds of manuscripts and letters held by Hamilton descendants for 200 years " some of them previously unknown " were sold at auction on Wednesday.

SOURCE: The New York Times Subscription at 3:04pm on January 19, 2017☆⚑

A Playwright Who Puts Her Demons, and Family, to Work by Elysa Gardner

In "Tell Hector I Miss Him," the young Puerto Rican playwright Paola Lázaro draws on intense personal experiences to create very human characters.

SOURCE: The New York Times Subscription at 11:33am on January 19, 2017☆⚑

Review: In 'The Tempest,' Liberation and Exhilaration by Ben Brantley

Set in a women's prison, this production is the third and last installment of the director Phyllida Lloyd's series of Shakespeare plays for Donmar Warehouse.

SOURCE: The New York Times Subscription at 10:18pm on January 18, 2017☆⚑

'The Liar' at Classic Stage: Old French Humor in New York Now by Charles Isherwood

The playwright David Ives delivers an adaptation of the Pierre Corneille comedy.

SOURCE: The New York Times Subscription at 5:04pm on January 18, 2017☆⚑
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