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1,898 stories from The New Yorker

Theatre's Superpower by Michael Schulman

The theatre has the power"more like the prerogative"to warp reality to suit its own ends, exiting the literal world through whatever trapdoors it creates. Why does an angel crash through a g…

SOURCE: The New Yorker Subscription at 5:34pm on November 17, 2015

Bodies in Space: James Welling's "Choreograph" by Andrew Boynton

The veteran photographer James Welling has long used architecture as a source of inspiration, beginning with images of Los Angeles, in the late seventies, and continuing through his pictures…

SOURCE: The New Yorker Subscription at 7:24am on November 10, 2015

What Kind of Novels Did Shakespeare Write? by Daniel Pollack-pelzner

In October, the publisher Hogarth rolled out the first in its ambitious new line of Shakespeare plays retold by contemporary novelists. The pairings are promising: Margaret Atwood, a master …

SOURCE: The New Yorker Subscription at 7:24am on November 10, 2015

Opera on Location by Alex Ross

Jonah Levy, a thirty-year-old trumpet player based in Los Angeles, has lately developed a curious weekend routine. On Saturday and Sunday mornings, he puts on a white shirt, a black tie, bla…

SOURCE: The New Yorker Subscription at 8:24am on November 9, 2015

Agnes De Mille's Artistic Justice by Joan Acocella

Of the choreographer Agnes de Mille it has been said that she was a better writer than she was a choreographer. That's not the way she planned it. She made twenty-one ballets and the dances …

SOURCE: The New Yorker Subscription at 5:02pm on November 5, 2015

Flatley Steps Down by Joan Acocella

Michael Flatley is retiring! This is terrible news. But you can see why he'd want to go home. He started Irish step dancing when he was eleven, as he was growing up on Chicago's South Side, …

SOURCE: The New Yorker Subscription at 8:37am on October 30, 2015

A Play That Confronts the Horror of Solitary Confinement by Andrea Denhoed

On a recent Thursday evening, a small crowd gathered in a sweaty upstairs room in a Lutheran church in Bed Stuy for "Mariposa and the Saint," a short play composed entirely from the text of …

SOURCE: The New Yorker Subscription at 8:37am on October 19, 2015

Talking Trash by Hilton Als

Robert O'Hara's new play, "Barbecue" (directed with vigor and understanding by Kent Gash, at the Public), is my idea of an American classic, or the kind of classic we need. Although its fecu…

SOURCE: The New Yorker Subscription at 6:34am on October 19, 2015

Theatre Laid Bare by Rebecca Mead

When Tony Kushner's "Angels in America: Millennium Approaches" opened on Broadway, in 1993, in a production directed by George C. Wolfe, the play ended with a winged angel crashing into a dy…

SOURCE: The New Yorker Subscription at 6:34am on October 19, 2015

Why Donald Trump and Jeb Bush should see "Hamilton" by Rebecca Mead

Hillary Clinton is, so far, the only declared Presidential candidate known to have seen "Hamilton": she attended a performance of the show at the Public Theatre, in March, to which she respo…

SOURCE: The New Yorker Subscription at 1:35pm on September 25, 2015

This Week

Nine years before "Hamilton," the 2006 musical "Spring Awakening" gave the American stage a fresh sound. Duncan Sheik and Steven Sater's adaptation of the 1891 Frank Wedekind drama set the r…

SOURCE: The New Yorker Subscription at 10:01am on August 28, 2015

Fall Preview by Michael Schulman

Movie stars crash-landing on Broadway seems de rigueur, but last season "Fun Home" and "The Curious Incident of the Dog in the Night-Time" led the pack without famous names. This fall, star …

SOURCE: The New Yorker Subscription at 6:35am on August 21, 2015

Better Living Through Podcasts by Sarah Larson

One of the pleasures of the portrait-in-greatness podcast""WTF with Marc Maron" and many dozens of others, multiplying all the time"is the dual presentation of culture and character, the ins…

SOURCE: The New Yorker Subscription at 4:56pm on August 17, 2015

Shakespeare's Lost Weed Sonnets by Anthony Lydgate

South African scientists have discovered that 400-year-old tobacco pipes excavated from the garden of William Shakespeare contained cannabis, suggesting the playwright might have written som…

SOURCE: The New Yorker Subscription at 11:27am on August 14, 2015

His Royal Hipness by Hilton Als

I first heard the poet and comedian Lord Buckley's sui-generis, incredible music-as-talk during a dance performance by Karole Armitage. This was a number of years ago, but sometimes, when I …

SOURCE: The New Yorker Subscription at 11:27am on August 14, 2015

The Women of "Hamilton" by Michael Schulman

Lin-Manuel Miranda's rightfully lauded hip-hop musical "Hamilton," which has just opened on Broadway after a smash run at the Public, is about many things, among them men: how they fight, wr…

SOURCE: The New Yorker Subscription at 6:45am on August 7, 2015

E. L. Doctorow in The New Yorker by David Haglund

E. L. Doctorow died on Tuesday in Manhattan. He was eighty-four. Widely celebrated for his often formally adventurous historical novels""The Book of Daniel," "Ragtime," "Billy Bathgate,"Å

SOURCE: The New Yorker Subscription at 1:17pm on July 22, 2015

Save SubCulture by Russell Platt

"A Dynamic Home for Artists and New Music of All Kinds," the home page says on the Web site for National Sawdust, a cutting-edge venue in Williamsburg that opens, after much anticipation,…

SOURCE: The New Yorker Subscription at 9:14pm on July 16, 2015

A Musical Set in the Mind of Sergei Rachmaninoff by Hilton Als

I want to say a special word about Dave Malloy's "Preludes," because it is the work of an artist who is not afraid to try things, or to create worlds that haven't necessarily been seen befor…

SOURCE: The New Yorker Subscription at 2:52am on June 26, 2015

The Shakespeare Algorithm by Alastair Gee

In 1727, a writer and editor named Lewis Theobald was preparing to unveil "Double Falsehood," a tragicomedy that he said was based on manuscripts of a lost play by Shakespeare. "The good old…

SOURCE: The New Yorker Subscription at 2:19pm on June 19, 2015

Movie of the Week: "Grey Gardens" by Richard Brody

Movies change over the years. Decades ago, I saw "Grey Gardens" as a story of a festering delusion of the American aristocracy and the closed circles of high society decaying into inanition …

SOURCE: The New Yorker Subscription at 1:23pm on June 18, 2015

The Best Broadway Musical That Doesn't Exist by Michael Schulman

Broadway loves a messy, washed-up diva who cleans up (only so much) for a comeback, and on Monday night that diva was "Smash." It's been two years since NBC cancelled the series, a musical d…

SOURCE: The New Yorker Subscription at 7:22pm on June 10, 2015

The Tony Awards Phone Home by Michael Schulman

The Tony Awards broadcast is an act of contortion, in which one medium (live theatre) simultaneously puffs itself up and scrunches itself down to fit into another (television). Every once in…

SOURCE: The New Yorker Subscription at 3:46pm on June 8, 2015

On Broadway by David Owen

In the late nineteen-nineties, Elise Engler asked an upstairs neighbor a vexing philosophical question: Is a safety pin a thing? Engler is an artist, and she was working on a sequence of dra…

SOURCE: The New Yorker Subscription at 10:15am on June 1, 2015

SOLOS AND SOLITARIES by JOHN LAHR

Telling it like it was and wasn't.
"Woman Before a Glass"; "Primo"; "Orson's Shadow."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015
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