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38,749 stories from The New York Times

Review: 'The Dead, 1904' Brings Existential Unease to the Party by Charles Isherwood

An opulent setting, tinkling crystal and perfectly cooked beef is on tap for guests of this intimate production based on a James Joyce Story.

SOURCE: The New York Times Subscription at 9:18pm on December 8, 2016☆⚑

Review: A 'Rudolph' for Inclusion (at Least if You're a Guy) by Laurel Graeber

"Rudolph the Red-Nosed Reindeer: The Musical," at the Theater at Madison Square Garden, has bucks as well as does, but its message of equality is not fully realized.

SOURCE: The New York Times Subscription at 5:31pm on December 8, 2016☆⚑

Review: Beat a New Path Down a Familiar Yellow Brick Road in 'Elements of Oz' by Charles Isherwood

This loose, loopy and enjoyable seminar on the making of "The Wizard of Oz" combines live video and performance.

SOURCE: The New York Times Subscription at 5:31pm on December 8, 2016☆⚑

Review: 'Can I Get a Witness?' Takes James Baldwin's Message to Church by Charles Isherwood

In Meshell Ndegeocello's show at Harlem Stage, "The Fire Next Time" might as well be the Bible. And the big question is, "How are you surviving 2016?"

SOURCE: The New York Times Subscription at 5:24pm on December 8, 2016☆⚑

'Hairspray Live!' Is NBC's Lowest-Rated Live Musical by John Koblin

"Hairspray Live!" received good reviews but it had only nine million viewers, about 2.5 million fewer than last year's production of "The Wiz Live!"

SOURCE: The New York Times Subscription at 3:31pm on December 8, 2016☆⚑

Critic's Notebook: Seven TV Musicals. Five Lessons Learned. by Neil Genzlinger

"Hairspray Live!" and its musical predecessors have shown us what works in these TV productions. And what doesn't.

SOURCE: The New York Times Subscription at 1:36pm on December 8, 2016☆⚑

Review: 'Hairspray Live!' Had Power Voices but Still Lacked Power by Neil Genzlinger

The latest live musical from NBC sabotaged itself with distracting side business.

SOURCE: The New York Times Subscription at 8:18am on December 8, 2016☆⚑

Review: Ryan Gosling and Emma Stone Aswirl in 'La La Land' by A. O. Scott

Ms. Stone and Mr. Gosling sing and dance their way to art and love in Damien Chazelle's new movie.

SOURCE: The New York Times Subscription at 5:00am on December 8, 2016☆⚑

Anatomy of a Scene: Damien Chazelle Narrates a Scene From 'La La Land' by Mekado Murphy

The director discusses a musical sequence from his film featuring Ryan Gosling and Emma Stone.

SOURCE: The New York Times Subscription at 4:50am on December 8, 2016☆⚑

Anatomy of a Scene | 'La La Land'

Damien Chazelle narrates a sequence from his film featuring Ryan Gosling and Emma Stone.

SOURCE: The New York Times Subscription at 4:40am on December 8, 2016☆⚑

Review: Dear Audiences of 'Tiny Beautiful Things,' Prepare to Cry by Ben Brantley

This play at the Public Theater, based on Cheryl Strayed's book, is a handkerchief-soaking meditation on pain, loss, hope and forgiveness.

SOURCE: The New York Times Subscription at 10:36pm on December 7, 2016☆⚑

What's New in NYC Theater

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 6:48pm on December 7, 2016☆⚑

Vintage 'Glass Menagerie' Performance Will Return to Air by James Barron

A museum researcher has unearthed a performance of "The Glass Menagerie" starring Shirley Booth, that will be broadcast on Turner Classic Movies.

SOURCE: The New York Times Subscription at 6:48pm on December 7, 2016☆⚑

An Unbendable Golda Meir, Onstage and in Vinyl by Erik Piepenburg

An interview with the designer of a Golda Meir action figure that's being given away as part of benefit performances of the play "Golda's Balcony" in New York.

SOURCE: The New York Times Subscription at 6:24pm on December 7, 2016☆⚑

Review: In This 'Winter's Tale,' the King Is Insane. It's as Simple as That. by Ben Brantley

In Declan Donnellan's production at the Brooklyn Academy of Music, the homicidal protagonist's motives are all too clear.

SOURCE: The New York Times Subscription at 5:24pm on December 7, 2016☆⚑

Review: 'Alligator' Wallows in a Lurid Florida Pit of Sex and Murder by Alexis Soloski

This play by Hillary Bettis, about a fictitious Florida tourist attraction, sits uneasily somewhere between gritty naturalism and magical realism.

SOURCE: The New York Times Subscription at 5:24pm on December 7, 2016☆⚑

The Best Performances of 2016 by Wesley Morris

This list includes feats of acting and core strength, performances that made the author happy even when they raised his blood pressure or made him cry.

SOURCE: The New York Times Subscription at 2:24pm on December 7, 2016☆⚑

An Evening of Song, Dance and the Devil in a Barroom by Ben Brantley

"The Strange Undoing of Prudencia Hart," at the McKittrick Hotel, is a rambunctious yarn imported from Scotland.

SOURCE: The New York Times Subscription at 1:36pm on December 7, 2016☆⚑

'Prince of Broadway' Set for Broadway, Finally by Andrew R. Chow

After years of fits and starts, this project about the director and producer Harold Prince is to open next summer at the Samuel J. Friedman Theater.

SOURCE: The New York Times Subscription at 1:06pm on December 7, 2016☆⚑

What's on TV Wednesday: 'Hairspray Live!' and 'Shut Eye' by Kathryn Shattuck

Unleash your dancin' feet to "Hairspray Live!," the latest musical spectacular from NBC. And Jeffrey Donovan plays a fake psychic who starts having real visions after a bonk to the head in "…

SOURCE: The New York Times Subscription at 1:00am on December 7, 2016☆⚑

Review: 'Rancho Viejo,' Where Banality and Trouble Cohabitate by Ben Brantley

Dan LeFranc's sweet and scary, lackadaisical and hypnotic play centers on a pending divorce and baby-boomer couples with a lot of time on their hands.

SOURCE: The New York Times Subscription at 10:42pm on December 6, 2016☆⚑

Review: In the Din of 'Clover,' Voices of Loss, Hope and Emmett Till by Laura Collins-hughes

Erik Ehn's sprawling experimental drama at La MaMa, directed by Glory Kadigan, means to be obscure, though probably not to the degree that it is.

SOURCE: The New York Times Subscription at 6:06pm on December 6, 2016☆⚑

The Best Theater of 2016 by Ben Brantley and Charles Isherwood

Selections by Ben Brantley and Charles Isherwood.

SOURCE: The New York Times Subscription at 6:54am on December 6, 2016☆⚑

Review: Waiting to Connect in Levittown in 'The Babylon Line' by Ben Brantley

Writers-in-training swap tales in Richard Greenberg's unresolved new comedy.

SOURCE: The New York Times Subscription at 10:36pm on December 5, 2016☆⚑

Review: For 'The Wolves,' the Goal Is to Win and to Be Heard by Ben Brantley

In this play, ideas and emotions jostle for position as a soccer team of teenage girls chatter and loosen up before playing.

SOURCE: The New York Times Subscription at 10:36pm on December 5, 2016☆⚑
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