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38,751 stories from The New York Times

How to Master an Accent by Erik Piepenburg

Listen as the actress Sarah Jones offers tips to help you sound like someone else.

SOURCE: The New York Times Subscription at 9:02am on November 23, 2016☆⚑

Critic's Notebook: Watching Postelection, So Much Feels Different by Alexis Soloski

Wherever we fall on the political spectrum, we're going to see our desires and fears reflected in the art we encounter, especially in theater.

SOURCE: The New York Times Subscription at 7:36pm on November 22, 2016☆⚑

Long Before 'Hamilton' Brouhaha, Theater Was Anything but Polite by Elizabeth Maddock Dillon

Attending the theater before 1850 or so in the United States was far more akin to attending a football game today than to attending contemporary theater.

SOURCE: The New York Times Subscription at 7:36pm on November 22, 2016☆⚑

Front Burner: Dinner and James Joyce in New Adaptation of 'The Dead' by Florence Fabricant

In this production, the audience will join the performers in eating a turn-of-the-century feast.

SOURCE: The New York Times Subscription at 7:18pm on November 22, 2016☆⚑

Eugene O'Neill in a Drill Hall: Park Avenue Armory's New Season by Joshua Barone

The first season at the armory programmed by its new artistic director, Pierre Audi, also includes works by Ai Weiwei and Pierre Boulez.

SOURCE: The New York Times Subscription at 3:18pm on November 22, 2016☆⚑

Review: 'This Day Forward,' a Weird Wedding Night and What Comes After by Ben Brantley

At the Vineyard Theater, Nicky Silver shows a pair of newlyweds, their damaged gay son almost a half-century later and growing empathy for mothers.

SOURCE: The New York Times Subscription at 11:18pm on November 21, 2016☆⚑

Review: 'My Name Is Gideon: I'm Probably Going to Die, Eventually' by Ken Jaworowski

Gideon Irving, who has performed in hundreds of homes in six countries, brings his one-man show of songs, jokes and surprises to Rattlestick Playwrights Theater.

SOURCE: The New York Times Subscription at 9:02pm on November 21, 2016☆⚑

Review: 'Among the Dead' Deals in War and Family Mysteries by Laura Collins-hughes

This Hansol Jung play, set from the 1940s through the mid-1970s, centers on a woman with an urn of her father's ashes and includes Jesus in disguise.

SOURCE: The New York Times Subscription at 7:18pm on November 21, 2016☆⚑

Review: 'Furry!/La Furia!' Goes Inside the Head of a Times Square Elmo by Elisabeth Vincentelli

In a new version of William Burke's play, at the Bushwick Starr in Brooklyn, Elmo hates the Naked Cowboy, and the Cookie Monster has a box cutter.

SOURCE: The New York Times Subscription at 6:12pm on November 21, 2016☆⚑

Review: A Thoroughly Modern 'Sweet Charity' Who Abandons Hope by Ben Brantley

Sutton Foster's Charity is vaguely aware that becoming a doormat for men was a bad career choice in this revival at the Pershing Square Signature Center.

SOURCE: The New York Times Subscription at 11:24pm on November 20, 2016☆⚑

Review: Innocuous Remarks Double as Cutting Commentary in 'Abigail's Party' by Ken Jaworowski

This deft revival of a Mike Leigh play, set at a drunken suburban soiree, lays bare the disappointment behind seemingly self-satisfied guests.

SOURCE: The New York Times Subscription at 7:02pm on November 20, 2016☆⚑

Critic's Notebook: 'Hamilton' Duel: Addressing the President-Elect on His Own Blunt Terms by Ben Brantley

In delivering his plea to Mike Pence after the show, the Broadway actor Brandon Victor Dixon was also speaking to Donald J. Trump, meeting directness with directness.

SOURCE: The New York Times Subscription at 1:18pm on November 20, 2016☆⚑

'Hamilton' Cast's Appeal to Pence Ignites Showdown With Trump by Patrick Healy

Donald Trump took to Twitter to demand an apology from the cast of "Hamilton," which directly addressed Vice President-elect Mike Pence after a performance on Friday.

SOURCE: The New York Times Subscription at 5:36pm on November 19, 2016☆⚑

Mike Pence Saw 'Hamilton.' The Cast Had Something to Say. by Christopher Mele and Patrick Healy

With the vice president-elect attending the show, the cast used the opportunity to make a statement emphasizing the need for the new presidential administration to work on behalf of all Amer…

SOURCE: The New York Times Subscription at 12:18am on November 19, 2016☆⚑

Off Broadway Equity Actors and Stage Managers Win Pay Increase by Michael Paulson and Jennifer Schuessler

After contentious contract talks, the Actors' Equity Association and the Off-Broadway League have reached an agreement to raise pay for actors and stage managers.

SOURCE: The New York Times Subscription at 8:18pm on November 18, 2016☆⚑

Review: Cooking Their Way Out of the '50s, Singing by Neil Genzlinger

In "A Taste of Things to Come," a breezy musical at York Theater Company, four friends navigate the 1950s, the 1960s and the inevitability of change.

SOURCE: The New York Times Subscription at 4:36pm on November 18, 2016☆⚑

Review: 'Memory Rings.' Forget About It. by Charles Isherwood

This whimsical dance-theater work from Phantom Limb, at the Brooklyn Academy of Music, is part of a trilogy focused on "environmental concerns."

SOURCE: The New York Times Subscription at 3:36pm on November 18, 2016☆⚑

Review: Maybe Later, Santa. The Holidays Are for High Kicking. by Elisabeth Vincentelli

The 2016 "Christmas Spectacular Starring the Radio City Rockettes" has put the Music Hall dance troupe's name in the title with good reason.

SOURCE: The New York Times Subscription at 3:24pm on November 18, 2016☆⚑

Review: 'Dead Poets Society,' Starring Jason Sudeikis as the Idealistic Teacher by Ben Brantley

Stripped of its cinematic distractions, this Off Broadway adaptation directed by John Doyle comes across as blunt and bland.

SOURCE: The New York Times Subscription at 10:32pm on November 17, 2016☆⚑

Theater Listings for Nov. 18-24

A critical guide to productions in New York City, including shows in previews.

SOURCE: The New York Times Subscription at 6:54pm on November 17, 2016☆⚑

Review: Merrily (and Ruefully) Recalling an Epic Broadway Flop by Stephen Holden

"Best Worst Thing That Ever Could Have Happened," a documentary by Lonny Price, examines the buildup and collapse of "Merrily We Roll Along" in 1981.

SOURCE: The New York Times Subscription at 5:54pm on November 17, 2016☆⚑

Review: Molly Ringwald Now Plays a Granny in 'Terms of Endearment' by Charles Isherwood

At 59E59 Theaters, a stage version of the novel and its Oscar-winning 1980s movie version includes most of the film's memorable moments and more sexual frankness.

SOURCE: The New York Times Subscription at 5:54pm on November 17, 2016☆⚑

Zoe Kazan on Overcoming an Eating Disorder by Zoe Kazan

"Dragging the terrible thing into the light can strip it of its potency."

SOURCE: The New York Times Subscription at 10:18am on November 17, 2016☆⚑

Review: Salieri's Anguish Continues in a New 'Amadeus' in London by Matt Wolf

Peter Shaffer's play about the relationship between Mozart and his rival gains a few tweaks at the National Theater.

SOURCE: The New York Times Subscription at 9:36am on November 17, 2016☆⚑

Q AND A: What to See in Hawaii? Ask Auli'i Cravalho of Disney's 'Moana' by Diane Daniel

The actress recommends Lanikai Beach, Iolani Palace and a Koko Head hike.

SOURCE: The New York Times Subscription at 6:00am on November 17, 2016☆⚑
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