38,757 stories from The New York Times
Student builders, painters, riggers, stage managers and costumers have worked for months on the musical's set, which opens at the high school next month.
Coastal elites missed the Trump Revolution. Maybe they should have gone to the theater more.
In the latest quarter, the company earned $1.10 per share, missing analysts' $1.16 consensus. But the stock shot up after executives's comments.
A critical guide to productions in New York City, including shows in previews.
A guide to movies playing at theaters in the New York City area, as well as select festivals and film series.
Elizabeth Eaton Converse's story and heartbreakingly fragile songs form the backbone of Howard Fishman's play with music.
A look at this duo's songwriting, told through videos.
Meet the songwriters Benj Pasek and Justin Paul of "Dear Evan Hansen" and "La La Land."
The playwrights Jess Barbagallo, MJ Kaufman and Basil Kreimendahl discuss attitudes toward transgender artists, and their own recent works.
Puppet designers and actors talk about the zany challenges of creating and manipulating an ever-more-maniacal puppet onstage in productions of "Hand to God."
James Monroe Iglehart, best known for his Tony-winning role as the Genie in "Aladdin," takes audiences on a genial journey in his show at Feinstein's/54 Below.
Wuzhen, drawing millions of tourists each year, has become a wildly successful example of importing arts and theater into selfie-ready backdrops of flowing canals and stone bridges.
An early work by Ms. Parks, "The Death of the Last Black Man in the Whole Entire World, a.k.a. The Negro Book of the Dead," opens Signature's season.
Richard Nelson's "Women of a Certain Age," Part 3 of a cycle, at the Public Theater, focuses on a family gathering on the night of voting, and what comes next.
John Fleck veers into gothic horror spoof in his solo show, "Blacktop Highway," at Dixon Place. With video and puppetry, it is gory and gleefully dark.
"Women of a Certain Age," about this year's presidential election, has its premiere on Tuesday. We spoke with the playwright hours before the actors got his final changes.
Athol Fugard has directed his own masterwork at the Signature Theater, which returns to the stage at a time when it feels painfully pertinent.
The characters in Caroline V. McGraw's play run up against a problem that makeup can't fix.
In this program of two one-act plays at Here, the company Eagle Project examines how natural disasters take their greatest toll on minority residents.
Jordan Seavey's play follows a couple who comes together, breaks apart and just about everything in between.
Melissa Errico stars in an adaptation of this midcentury musical that includes elements of thievery, racism and whimsy.
At 80, the Oscar winner has rejoined her profession after decades, much of them spent as a Labour member of Parliament, in Deborah Warner's Old Vic production.
Mr. Steiner worked a broad variety of jobs and was, among other things, a poker champion.
Kristin Chenoweth's concert show, "My Love Letter to Broadway," displayed her enthusiasm, playfulness, superb voice and entertaining choice of material.
In "Kings of War," the director Ivo van Hove adapts five history plays into a conflagration of corruption, factionalism and political viciousness.
