DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
38,757 stories from The New York Times

Review: 'The Front Page' Is Diverting, but Don't Stop the Presses by Ben Brantley

Nathan Lane and a deep cast star in this revival of a 1928 stage classic about journalism, now at the Broadhurst Theater.

SOURCE: The New York Times Subscription at 11:50am on October 21, 2016☆⚑

Economic View: I Paid $2,500 for a 'Hamilton' Ticket. I'm Happy About It. by N. Gregory Mankiw

High prices are a natural reflection of great demand and scant supply. In a free market, they are inevitable until demand subsides or supply expands.

SOURCE: The New York Times Subscription at 11:12am on October 21, 2016☆⚑

What's on TV Friday: 'Hamilton's America' and 'Black Mirror' by Kathryn Shattuck

"Great Performances" captures Lin-Manuel Miranda in the process of creating "Hamilton." And "Black Mirror" returns bigger than ever.

SOURCE: The New York Times Subscription at 1:00am on October 21, 2016☆⚑

Review: 'Tick, Tick…Boom!' Is Jonathan Larson's Run-Up to 'Rent' by Alexis Soloski

The musical, being revived by the Keen Company, finds some affection in this early work by Mr. Larson.

SOURCE: The New York Times Subscription at 7:15pm on October 20, 2016☆⚑

Review: When the Penguins Come Home to Roost by Laurel Graeber

"Mr. Popper's Penguins," at the New Victory Theater, stars life-size puppets as the creatures that upend a sedate couple's lives " and warm their hearts.

SOURCE: The New York Times Subscription at 7:03pm on October 20, 2016☆⚑

Movie Listings for Oct. 21-27

A guide to movies playing at theaters in the New York City area, as well as select festivals and film series. A complete list of new releases is at nytimes.com/intheaters.

SOURCE: The New York Times Subscription at 6:36pm on October 20, 2016☆⚑

Theater Listings for Oct. 21-27

A critical guide to productions in New York City, including shows in previews.

SOURCE: The New York Times Subscription at 6:34pm on October 20, 2016☆⚑

'Bandstand,' From 'Hamilton' Choreographer, Heads to Broadway by Michael Paulson

Andy Blankenbuehler, who has won Tonys for choreography of "In the Heights" and "Hamilton," will direct this production, slated for an April opening.

SOURCE: The New York Times Subscription at 1:36pm on October 20, 2016☆⚑

Therapy Becomes Theater in 'Wilderness' by Laura Collins-hughes

The new multimedia piece, at the Abrons Arts Center, was based on the producer Anne Hamburger's experience with placing her son in wilderness therapy.

SOURCE: The New York Times Subscription at 10:24am on October 20, 2016☆⚑

Review: In 'Love, Love, Love,' All You Need Is Selfishness. by Ben Brantley

A pair of soul mates obliviously advance from the ages of 19 to 64 in Mike Bartlett's play, set in London.

SOURCE: The New York Times Subscription at 10:32pm on October 19, 2016☆⚑

Review: New York Cabaret Convention Slips In Modern Flourishes by Stephen Holden

It represents the conservative uptown wing of a field whose downtown avant-garde is merging music with performance art, political satire and gender and genre bending.

SOURCE: The New York Times Subscription at 7:08pm on October 19, 2016☆⚑

Three Words Lead to a Battle Over 'Great Comet' on Broadway by Michael Paulson

The nonprofit theater Ars Nova and the commercial producers of "Natasha, Pierre & the Great Comet of 1812" are battling over the billing of the show.

SOURCE: The New York Times Subscription at 6:08pm on October 19, 2016☆⚑

They Write Plays for a Living. But How's Their Handwriting? by Erik Piepenburg

We gave handwriting samples from five playwrights to a graphologist. Here's what she saw, and how the writers reacted.

SOURCE: The New York Times Subscription at 4:49pm on October 19, 2016☆⚑

Two A. R. Gurney One-Acts at the Flea Theater by Steven McElroy

His "Ajax" and "Squash," billed together as "Two Class Acts," will be the last shows at the Flea's White Street home.

SOURCE: The New York Times Subscription at 11:45am on October 19, 2016☆⚑

Where to See Celebrities Onstage This Fall by Erik Piepenburg

Our guide to some of the TV, film and pop stars appearing in plays and musicals in New York.

SOURCE: The New York Times Subscription at 11:45am on October 19, 2016☆⚑

Review: 'Sell/Buy/Date,' Sarah Jones's Futuristic Look at Sex Workers by Charles Isherwood

This absorbing solo show is an eerily timely offering by a gifted writer and performer.

SOURCE: The New York Times Subscription at 10:28pm on October 18, 2016☆⚑

Review: A Portrait of Living With Mental Illness in 'The Pen' by Laura Collins-hughes

The highlight of "Inner Voices," a program of three musical monologues presented by Premieres at TBG Theater, is "The Pen," sung by Nancy Anderson.

SOURCE: The New York Times Subscription at 6:12pm on October 18, 2016☆⚑

Allison Janney to Return to Broadway in 'Six Degrees of Separation' Revival by Michael Paulson

The play, by John Guare, will be directed by Trip Cullman, and will be Ms. Janney's fourth Broadway show.

SOURCE: The New York Times Subscription at 2:20pm on October 18, 2016☆⚑

National Theater of Scotland to Bring 'Prudencia Hart' to New York by Andrew R. Chow

The musical theater fable will arrive at the McKittrick Hotel in November.

SOURCE: The New York Times Subscription at 12:43pm on October 18, 2016☆⚑

A $4.36 Million Gift to Boost Dance Education by Michael Cooper

The donation will allow Teachers College at Columbia University to establish a new doctoral program to train those who train dance teachers.

SOURCE: The New York Times Subscription at 7:30pm on October 17, 2016☆⚑

Review: In 'The Loon,' the Birds Can Coo. Can You? by Laura Collins-hughes

The new piece from the dance and theater company Witness Relocation is a meditation on middle age that does not want to go gentle.

SOURCE: The New York Times Subscription at 5:56pm on October 17, 2016☆⚑

Review: 'The Maids' in Puerto Rico, With Shifts in Power and Gender by Laura Collins-hughes

This adaptation of the Jean Genet play puts two pairs of actors " one male, one female " in the title roles as servants yearning for freedom.

SOURCE: The New York Times Subscription at 5:56pm on October 17, 2016☆⚑

Andrew Lloyd Webber Names Producer to Oversee North American Shows by Michael Paulson

Mr. Lloyd Webber announced Monday that his company had hired the Broadway producer Ken Davenport to the new post of executive producer.

SOURCE: The New York Times Subscription at 2:01pm on October 17, 2016☆⚑

Review: All's Not Well in This 'Cherry Orchard' by Ben Brantley

Diane Lane stars in this terminally confused production of Chekhov's play, about a woman who faces a changing reality when she returns to her childhood home.

SOURCE: The New York Times Subscription at 10:46pm on October 16, 2016☆⚑

Review: A Dynamic Actor Redeems 'Orwell in America' by Ken Jaworowski

Jamie Horton gives a strong performance as George Orwell in an otherwise standard play at 59E59 Theaters that imagines Orwell promoting "Animal Farm" in the United States.

SOURCE: The New York Times Subscription at 6:02pm on October 16, 2016☆⚑
« Previous 25   Page 460 of 1,551   Next 25 »