38,758 stories from The New York Times
Kate Shindle will travel with the Tony-winning play while simultaneously leading Actors' Equity. It's a complicated juggling act.
Mr. Davidson helped establish Los Angeles as a West Coast capital of regional theater.
Joan Plowright & Amanda Plummer played "Jo" to great acclaim, add REBEKAH BROCKMAN to that list since her memorable & assured performance is the chief attraction of Austin Pendleton's produc…
A take on a classic by Jules Verne at the New Victory Theater uses actors, props and projections to teach children and adults about threats to ocean life.
Brandon and Jason Dirden discuss how their different strengths go into playing Levee, the angrily striving trumpeter in Wilson's "Ma Rainey's Black Bottom."
The Kingston Rose Theater in London says it'll present the first stage adaptation of the novels that made the mysterious Ms. Ferrante a global name.
"Afterplay," in its New York debut, could seem slight were it not for the superb pairing of Dermot Crowley and Dearbhla Molloy.
This spectacle combines the troupe's familiar pinpoint precision with surprises and a dash of exoticism.
Organizers of the summer festival, which has been produced for 20 years, say the hiatus will be used to reconsider the festival's mission.
The Oregon Shakespeare Festival has challenged playwrights to translate Shakespeare into modern English, while hewing to the rule "Do no harm."
Peter Brook brings his follow-up to "Mahabharata" to the Brooklyn Academy of Music.
Karina Longworth is the host of the popular show "You Must Remember This," which covers the golden age of cinema.
The show, a hybrid of physical theater and cinema directed by Lars Jan, at New York Live Arts, offers a musical window on a silent couple.
Simon McBurney's astonishing one-man show, from the British troupe Complicite, immerses the audience in an aural landscape where time and space collapse.
Rosemary Myers's hybrid of film and children's theater follows Greta, a young wallflower whose social woes turn surreal when she runs into the woods behind her home.
A woman and a man conjure ever-morphing, wildly different ideas in this show from Forced Entertainment, part of the Crossing the Line Festival.
A critical guide to productions in New York City, including shows in previews.
Song of the Goat Theater from Poland presents an impressionistic and sung version of "King Lear" at BAM.
The Mayor's Office of Media and Entertainment will create the fund, administered over five years, to help with projects "by, for, or about women."
"The Dead, 1904" will be staged at a townhouse and will accommodate 42 people a night, at $300 each for the play, dinner and drinks.
Helder Guimarães brings his mastery of illusion to "Verso," a one-man show directed by Rodrigo Santos at New World Stages.
Judith Light performs this Neil LaBute monologue about a schoolteacher racked with regret over an inadvisable decision.
In her show at Café Carlyle, a self-assured and humorous Ms. Benanti displayed a powerful voice as she took on songs from her idols.
Despite his international fame, Mr. Castellucci has never had his work seen in New York City until now, at the Crossing the Line Festival.
This year's Provincetown Tennessee Williams Theater Festival featured works by Williams and Eugene O'Neill, including a searing "Desire Under the Elms."
