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1,483 stories from ArtsATL

Review: Synchronicity's "Diary of a Madman" reveals a descent with sly, dark humor by Andrew Alexander

The most unreliable of unreliable narrators is one who can't actually distinguish truth from fiction. So it is with Poprishchin, who famously loses his grip on reality in the great Russian w…

SOURCE: ArtsATL at 2:01pm on May 25, 2016

Review: Superb cast, sharp dialogue mark Horizon's "City of Conversation" by Jim Farmer

Anthony Giardina's The City of Conversation is a period piece not only for its era (the play starts in the late Seventies), but for its fond recollection of a time when Republicans and Democ…

SOURCE: ArtsATL at 1:01pm on May 25, 2016

Review: Atlanta Ballet closes season in hope and gratitude with "MAYhem: Kissed" by Kathleen Wessel

In a final tribute to John McFall's 21-year legacy as Atlanta Ballet's artistic director, the company's 2015-16 season closed with MAYhem: Kissed, a triple bill that proved as eclectic and e…

SOURCE: ArtsATL at 3:09pm on May 24, 2016

Preview: Rebecca LaChance gets role of lifetime as songwriter/singer Carole King by Christopher Daniel

As singer and actress Rebecca LaChance prepares to run through a quick sound check, she sits upright at the edge of a stool behind a glistening onyx black Yamaha piano. Her fingers dance and…

SOURCE: ArtsATL at 1:15pm on May 23, 2016

Essay: One dancer's loving tribute to the Zen and artful life of Atlanta Ballet's John McFall by Alessa Rogers

(Editor's note: Atlanta Ballet company dancer Alessa Rogers earned her stripes in 2012 when she was noticed by legendary choreographer Twyla Tharp during rehearsals and plucked into the lead…

SOURCE: ArtsATL at 1:25pm on May 20, 2016

Review: Aurora concludes season with often charming restaging of "I'm Not Rappaport" by Jim Farmer

It's not often that actors can reunite in a play 27 years later and portray the same roles, but that is what's happening currently with Aurora Theatre's new rendition of I'm Not Rappaport. K…

SOURCE: ArtsATL at 1:01pm on May 18, 2016

Review: Fern Theatre's all-female "Lear" brings unexpected dimension to classic Bard by Andrew Alexander

Shakespeare may have created some of the most memorable female characters of all time, but acting in Elizabethan England was strictly a male profession. Probably due to the aesthetic limitat…

SOURCE: ArtsATL at 11:01am on May 18, 2016

Video: A day in the studio of Dr. Gregg van Laningham at the Center for Puppetry Arts by Bartram Nason

In 2013 the Center for Puppetry Arts partnered with Texas A&M University‘s Department of Mechanical Engineering, which was awarded a four-year grant from the National Science Found…

SOURCE: ArtsATL at 9:00am on May 12, 2016

Review: "Stones in His Pockets" uses its humor to also uncover a lot of truth by Andrew Alexander

The setting of Marie Jones' 1996 comedic play Stones in His Pockets (through May 22) may be Ireland, but its subject has never felt closer. Its sense of humor, as well as its touches of s…

SOURCE: ArtsATL at 1:01pm on May 11, 2016

Review: OnStage's "The Tribute Artist" is campy and decidedly fun drag queen fluff by Andrew Alexander

A drag queen who can flawlessly mimic almost any woman's mannerisms and — with a little help from the right wig and a lot of make-up — her looks, as well, is hanging out in the f…

SOURCE: ArtsATL at 10:02am on May 11, 2016

Review: The Atlanta Opera uses a strong cast for new twists on "Romeo and Juliet" by Mark Gresham

This past Saturday evening at the Cobb Energy Performing Arts Centre, the Atlanta Opera opened its final production of the season, Romeo and Juliette, by 19th-century French composer Charles…

SOURCE: ArtsATL at 1:01pm on May 9, 2016

Preview: Giwayen Mata brings its dance of a different drummer to Spelman stage by Gillian Anne Renault

“When Giwayen Mata first started, people were taken aback by the fact that we, as women, were drumming,” says Omelika Kuumba, founder and artistic director of the Atlanta ense…

SOURCE: ArtsATL at 1:01pm on May 5, 2016

Preview: Rupaul's Bob the Drag Queen comes home for Mother's Day, and a Heretic drag show by Matthew Terrell

Nobody calls Christopher Caldwell by his real name except for his mother and bill collectors. Everyone else refers to him as Bob, which is short for Bob the Drag Queen " his stage name. This…

SOURCE: ArtsATL at 1:50pm on April 28, 2016

Changing of the Guard: Q&A with new Atlanta Ballet artistic director Gennadi Nedvigin by Scott Freeman

San Francisco Ballet principal dancer Gennadi Nedvigin begins his new job as Atlanta Ballet's artistic director on August 1 as just the fourth leader the ballet has had since its inception i…

SOURCE: ArtsATL at 2:01pm on April 27, 2016

Review: Alliance's "BeBe Winans Story" has its charms but lacks cohesive narrative by Jim Farmer

Now having its world premiere at the Alliance Theatre, Born for This: The BeBe Winans Story is very much a family affair. Charting the journey of the Grammy Award-winning recording artist an…

SOURCE: ArtsATL at 1:02pm on April 27, 2016

Review: With "Inside I," 7 Stages poignantly tackles autism and the need for connection by Andrew Alexander

Autism is, almost by definition, not an easy affliction to dramatize. The neurological disorder manifests itself as impaired social functioning and limited verbal communication, and drama is…

SOURCE: ArtsATL at 9:01am on April 27, 2016

Changing of the Guard: For Susan Booth and the Alliance, a new theater space begins a new era by Jim Farmer

While the Alliance Theatre is not one of Atlanta’s core arts institutions under new leadership, with Susan Booth continuing to serve as the artistic director, the Alliance is still afl…

SOURCE: ArtsATL at 9:01am on April 22, 2016

News: Atlanta Ballet 2016-17 season introduces the vision of new artistic director Gennadi Nedvigin by Scott Freeman

Atlanta Ballet will have one foot in the past and one foot in the future for the 2016-17 season, the first under new artistic director Gennadi Nedvigin. Nedvigin, who fills the shoes of t…

SOURCE: ArtsATL at 1:46pm on April 21, 2016

Review: Aurora Theatre's "Sotto Voce" suffers from incongruity of using a young actress to play an older character by Andrew Alexander

A sense of old-fashioned, if somewhat unusual, romance should beat at the heart of Pulitzer Prize-winning playwright Nilo Cruz's 2014 play Sotto Voce, currently having its Atlanta premiere a…

SOURCE: ArtsATL at 3:00pm on April 20, 2016

Review: With "The Light in the Piazza," Theatrical Outfit turns on one of the year's best musicals by Jim Farmer

As most theater companies in town near the end of their respective seasons, almost all have some sort of heavy hitter (or heavy hitter wannabe) in their lineup. It's an incredibly busy time …

SOURCE: ArtsATL at 2:00pm on April 20, 2016

Profile: New Atlanta Ballet artistic director Gennadi Nedvigin seen as an exacting dancer, fantastic teacher by Gillian Anne Renault

Dance critics, fans and members of San Francisco Ballet agree — Gennadi Nedvigin, Atlanta Ballet's incoming artistic director, is a magnificent dancer. Alistair MaCauley of The New Yor…

SOURCE: ArtsATL at 1:00pm on April 20, 2016

Review: Atlanta Ballet touches its inner child in spellbinding fairy tale "Twyla Tharp's The Princess and the Goblin" by Kathleen Wessel

Five years after its much-anticipated world premiere, Twyla Tharp's The Princess and the Goblin has returned home. Created for Atlanta Ballet in 2012 and co-commissioned by the Royal Winnipe…

SOURCE: ArtsATL at 1:39pm on April 19, 2016

Changing of the Guard: Fresh leadership marks a new era and opportunities for Atlanta's core art institutions by Doug Deloach

In the last few months, new directors have taken the reins at three of the five core arts institutions in Atlanta: Rand Suffolk at the High Museum of Art, Jennifer Barlament at the Atlanta S…

SOURCE: ArtsATL at 9:00am on April 18, 2016

Review Round-Up: Latest from Poem 88, Hodgepodge, Sasha Fletcher, Whitespec and Horizon by ArtsATL Staff

VISUAL ART Parts 1 and 2 of Hormuz Minina's three-part series Hop Skip Jump at Poem 88 “Journeys,” Part 1 of 3, April 2, 2016

SOURCE: ArtsATL at 11:05am on April 14, 2016

Review: Full of song and sequins, "Dreamgirls" delivers a glamorous and sweetly nostalgic punch by Kelundra Smith

Whatever happened to glamour?  Glamour is different from The Fabulous Life Of television show or the product placement opportunity that red carpets have become, but

SOURCE: ArtsATL at 2:26pm on April 13, 2016
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