STALKERS AND TALKERS by JOHN LAHR
Sondheim and Stoppard on Broadway.
Sondheim and Stoppard on Broadway.
Studies in psychology and slickness.
Initmate Apparel, Match.
Comedy and collapse in “Twentieth Century” and “Well.”
“Frozen” and “Embedded.”
Two leaders dethroned at Lincoln Center.
“Fiddler on the Roof” and “Bridge and Tunnel.”
A death-wish trifecta.
LONDON POSTCARD: DARK MATERIAL by Louis Menand
Adam Guettel’s Italian romance.
Richard Foreman takes on the ghosts of imperialism.
Savion Glover at the Joyce Theatre.
Adam Green meets the last of the great press agents.
Wallace Shawn’s "Aunt Dan and Lemon."
Tracey Scott Wilson on race, ambition, and journalistic ethics.
Love and tap in “Never Gonna Dance.”
This article on Kushner, by Arthur Lubow, appeared in The New Yorker in November, 1992, shortly before "Angels in America" opened in New York.
Mike Nichols and an all-star cast tackle Tony Kushner’s masterwork.
There are moments in the history of theatre when stagecraft takes a new turn. I like to think that this happened for the American musical last week, when "Caroline, or Change" bushwhacked a …
Seducing the citizens and the señoritas.
Henry IV, Anna in the Tropics.
How to become a star, nineteen-eighties style.
"Taboo" and "Fame."
Fawcett has tried to be staunch, but it is clear that the early death of “Bobbi Boland” is a torment.
Love triangles by Harold Pinter and Richard Greenberg.
Ulterior motives in “Cat on a Hot Tin Roof” and “Wicked.”
A marriage dissolves in “The Retreat from Moscow.”
The life and times of Australia’s pluckiest son.