38,764 stories from The New York Times
In this musical about the complex relationship between four singers, the actors raise most of the characters above the level of the script.
Encores! revives the 1979 musical "Kurt Vonnegut's God Bless You, Mr. Rosewater," a convoluted road trip that sends up capitalism.
A pop-up booth, opening Aug. 2, is an experiment by the Theater Development Fund to see if more locals would buy tickets there, far from Times Square.
Some artists and fans had expressed concern on social media about how the musical was being cast, although no long-term casting commitments were made.
This play is part comedy, part historical drama and part biography, as Major General Butler, a Union officer, weighs the fate of escaped slaves.
This summer, these four performers will play roles they might not get a chance to tackle otherwise.
In Venice, a mock trial had the added appeal of seeing a production of "The Merchant of Venice" featuring Justice Ginsburg's grandson.
This visually dazzling, mind-pinching production from the British company 1927 combines live performance, animation and music.
Ben Brantley is covering what's happening on British stages during the next few weeks and is looking for input from audience members.
The actor and singer acknowledges the passing of years in his show "Standards & Stories" at Feinstein's/54 Below.
To mark the return of "Cats" on Broadway, we asked readers to send in their renditions of "Memory."
The play by J.T. Rogers, about the unusual back story to the 1993 peace accords, will keep the same cast.
Her three short works will explore the American obsession with the unattainable, the narcissism behind gentrification and our fear of the unknown.
The beloved New York nonprofit circus has announced that it is ending its public performances after failing to raise the $2 million it said it needed to stay viable.
The Broadway musical had announced that it would close on Jan. 1, but on Tuesday the producers told the cast that it would instead close on Oct. 9.
The man who built a theater empire was frequently a producer of shows as well.
Ms. Harris's Jamaican-accented character entered America's pop culture zeitgeist in the late '90s, with the catchphrase, "Call me now!"
A critic revisiting Cape Cod in the high season muses about "The Kritik," a satire about theater, criticism and the nature of community in a small town.
This operetta, guided by the trademark silliness of Gilbert & Sullivan, takes the audience along for a buoyant trip on the high seas.
The Bay Street Theater announced plans to hold a concert performance of the developing show in a Sag Harbor park next month; concerns have come up about the composition of the cast.
Time is a crucial element in this drama, which captures the narrative grip of J.K. Rowling's prose in a staging at the Palace Theater in London.
Michael Counts's newest adventure mixes theatrical flourishes with the escape-room fad.
"A Scythe of Time," "Icon" and "Eh Dah? Questions for My Father" investigate themes of death, love and cultural identity in funny and moving ways.
Operatic performances of these works highlight the Glimmerglass Festival, while "Iris" serves as a kind of preview of the Bard Music Festival.
The production, which includes a mix of old and new songs from Mr. Bowie, opened in New York last year.
