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38,766 stories from The New York Times

Critic's Notebook: 'Sweeney Todd' and 'The Crucible': Not New, but Darkly Up-to-Date by Zachary Woolfe

Operatic performances of these works highlight the Glimmerglass Festival, while "Iris" serves as a kind of preview of the Bard Music Festival.

SOURCE: The New York Times Subscription at 5:50pm on July 25, 2016☆⚑

'Lazarus,' a Musical by David Bowie and Enda Walsh, to Open in London by Christopher D. Shea

The production, which includes a mix of old and new songs from Mr. Bowie, opened in New York last year.

SOURCE: The New York Times Subscription at 12:08pm on July 25, 2016☆⚑

Marni Nixon, the Voice Behind the Screen, Dies at 86 by Margalit Fox

Ms. Nixon was the ghost singer for actresses in many of Hollywood's most famous musicals, from "The King and I" to "West Side Story" to "My Fair Lady."

SOURCE: The New York Times Subscription at 7:34am on July 25, 2016☆⚑

What Did It Take to Make 'Equity,' a Film About Women on Wall Street? by Melena Ryzik

The budget for the financial thriller, which stars Anna Gunn of "Breaking Bad" and opens on July 29, was raised from 25 female investors.

SOURCE: The New York Times Subscription at 3:19pm on July 24, 2016☆⚑

What I Love: What I Love | Linda Emond

The actress has long lived in a tiny studio on the Upper East Side.

SOURCE: The New York Times Subscription at 6:18pm on July 22, 2016☆⚑

What I Love: A Big Life in a Tiny Home by Joanne Kaufman

How the actress Linda Emond made the most of her 200-square-foot studio on the Upper East Side.

SOURCE: The New York Times Subscription at 6:18pm on July 22, 2016☆⚑

Spotlight | Huntington: A One-Man Show About Jack Lemmon, Performed by His Son by Karin Lipson

Chris Lemmon brings a story born out a "search for catharsis" about the man he called Pop to the Cinema Arts Center on July 28.

SOURCE: The New York Times Subscription at 6:18pm on July 22, 2016☆⚑

Blue Man Group Is Sued in Royalties Case by Lorne Manly

Ian Pai, who composed music used by the global theatrical brand, contends that he has been underpaid for decades.

SOURCE: The New York Times Subscription at 6:18pm on July 22, 2016☆⚑

Review: A 'Macbeth' at Ease in the Dark and Noisy City by Neil Genzlinger

Outdoors at Marcus Garvey Park, a Shakespeare classic plays out in a free production that's enhanced by its urban surroundings.

SOURCE: The New York Times Subscription at 6:18pm on July 22, 2016☆⚑

In 'Golem,' the Troupe 1927 Shares a Stage With a Claymation Co-Star by Eric Grode

A fanciful adaptation of this ancient Jewish legend fits well with this company's dependence on useful, risky technology.

SOURCE: The New York Times Subscription at 6:18pm on July 22, 2016☆⚑

Review: 'The Merchant of Venice' With Extra Fog, Moral and Atmospheric by Charles Isherwood

At the Lincoln Center Festival, Jonathan Pryce stars as Shylock in a production filled with scorn, violence and anti-Semitism.

SOURCE: The New York Times Subscription at 6:18pm on July 22, 2016☆⚑

Theater Listings for July 22-28

A critical guide to productions in New York City, including shows in previews.

SOURCE: The New York Times Subscription at 11:39pm on July 21, 2016☆⚑

'Motown: The Musical' to Close for Second Time on Broadway by Michael Paulson

The show is abruptly ending its return engagement on Broadway, just 19 days after it began.

SOURCE: The New York Times Subscription at 11:39pm on July 21, 2016☆⚑

Nonprofit Theater Plans to Build New Stage in Hell's Kitchen by Michael Paulson

Ensemble Studio Theater's new street-level main stage on West 52nd Street will be financed primarily by the City of New York.

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016☆⚑

'Come From Away,' a Musical About Sept. 11 Connections, Is Coming to Broadway by Michael Paulson

The show, based on the events in Gander, Newfoundland, when flights were grounded because of the terrorist attacks, is to begin performances in February.

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016☆⚑

The Week Ahead: Two Tastes of Welty's Mississippi for the Summer Swelter by Ben Brantley

Eudora Welty's "Why I Live at the P.O." and the memoir "One Writer's Beginnings" are being staged at the Studio Theater at Theater Row.

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016☆⚑

Review: In Takarazuka's 'Chicago,' the Midwest Looks a Lot Like Japan by Charles Isherwood

The celebrated all-female Japanese theater company Takarazuka performed as part of the Lincoln Center Festival.

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016☆⚑

Review: 'Motown: The Musical' Offers Easy Nostalgia and a Jolt of Racial Relevance by Charles Isherwood

This celebratory jukebox musical, with a book by Berry Gordy, who founded the Motown record label, has returned to Broadway for a limited run.

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016☆⚑

Review: Rich, Crude and Craving Acceptance in 17th-Century France by Elisabeth Vincentelli

"Le Bourgeois Gentilhomme," Molière's 1670 comedy, is being presented as part of the Lincoln Center Festival by a French company.

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016☆⚑

The Drama of Ted Cruz: A Little Bit of Shakespeare in That Speech? by Michael Paulson

The senator's address to the Republican National Committee reminded some of Marc Antony's funeral speech in "Julius Caesar."

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016☆⚑

Laura Benanti on Her Transformation Into Melania Trump on Colbert's 'Late Show' - The New York Times by Dave Itzkoff

From the moment that an online journalist first called attention to the striking, word-for-word similarities between a speech given by Melania Trump on Monday night at the Republican Nationa…

SOURCE: The New York Times Subscription at 8:00pm on July 20, 2016☆⚑

Review: Gender, Shakespeare and a Search for Her Father by Laura Collins-hughes

Lisa Wolpe's one-woman show, "Shakespeare and the Alchemy of Gender," weaves together memoir and passages from the playwright's work.

SOURCE: The New York Times Subscription at 5:40pm on July 20, 2016☆⚑

Laura Benanti on Her Transformation Into Melania Trump on Colbert's 'Late Show' by Dave Itzkoff

Ms. Benanti, a Broadway actress, entered the political satire arena when she appeared on "The Late Show With Stephen Colbert" to impersonate Ms. Trump.

SOURCE: The New York Times Subscription at 5:40pm on July 20, 2016☆⚑

If at First You Succeed (on Broadway), Why Not Do It Again? by Michael Paulson

Three directors talk about returning with revivals of plays that they directed earlier in their careers.

SOURCE: The New York Times Subscription at 11:43am on July 20, 2016☆⚑

Just Say 'Cats,' and Watch the Fur Fly by Lisa Birnbach

The return of "Cats" to Broadway inspires loathing and rejoicing, but rarely indifference, the defining attribute of its title characters.

SOURCE: The New York Times Subscription at 11:43am on July 20, 2016☆⚑
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