Quiz, Noel Coward Theatre, London, review: In James Graham's Who Wants to Be a Millionaire play, the audience is the jury of the 'coughing m by Paul Taylor, Paul Taylor

With its mix of populism, personal tragedy, politics, and even a pub quiz, this is sure to be another hit for a playwright on a roll

SOURCE: The Independent at 7:05am on April 11, 2018☆⚑

Pericles, Barbican, London, review: Shakespeare as modern psychodrama by Paul Taylor, Paul Taylor

Declan Donnellan's French version of Shakespeare's lesser-performed romance is fitfully very interesting, but not vintage Cheek by Jowl

SOURCE: The Independent at 7:46am on April 10, 2018☆⚑

National Youth Dance Company, Sadler's Wells, London, review: verve and polish by Zoë Anderson, Zoë Anderson

A company of 41 young dancers perform Sharon Eyal's club style work

SOURCE: The Independent at 7:31am on April 9, 2018☆⚑

Olivier Awards 2018, winners list in full: Hamilton sweeps ceremony with seven gongs by Roisin O'Connor, Roisin O'Connor

Hamilton matched Matilda's 2012 record for the most Olivier Awards won by a musical

SOURCE: The Independent at 3:01am on April 9, 2018☆⚑

Historical musical Hamilton dominates Olivier Awards by Jill Lawless, Jill Lawless

The hit US production won awards for sound, lighting, music and choreography

SOURCE: The Independent at 7:25pm on April 8, 2018☆⚑

Royal Shakespeare Company accuses theatre critic Quentin Letts of being 'blatantly racist' in play review by Jacob Stolworthy, Jacob Stolworthy

The journalist suggested that an actor in a new production was only cast because he is black

SOURCE: The Independent at 7:04am on April 8, 2018☆⚑

Devil with the Blue Dress, The Bunker, London, review: Monica Lewinsky meets #MeToo in this new play by Paul Taylor, Paul Taylor

A timely look at Bill Clinton's relationship with his intern, Kevin Armento's play puts the stories of five women centre stage " with the former president played by a saxophone

SOURCE: The Independent at 6:00am on April 5, 2018☆⚑

Secret Cinema Blade Runner - Final Cut review: Long live the king of immersive cinema by Clarisse Loughrey, Clarisse Loughrey

Cinema has always been celebrated as a peak of escapism - Secret Cinema lives only to take that idea and run with it

SOURCE: The Independent at 4:41am on April 5, 2018☆⚑

Cathy, Soho Theatre, London, review: a galvanising update of Cathy Come Home by Paul Taylor, Paul Taylor

Cardboard Citizens' visceral show reminds audiences how easy it would be to become homeless

SOURCE: The Independent at 6:53am on April 3, 2018☆⚑

Manon, Royal Opera House, London, review: Francesca Hayward brings a fresh spontaneity by Zoe Anderson, Zoe Anderson

One of Kenneth MacMillan's most popular works returns to The Royal Ballet as part of a season marking the 25th anniversary of the choreographer's death

SOURCE: The Independent at 5:41am on April 2, 2018☆⚑

Does Going To Concerts Improve Your Health? by Artsjournal

To determine the results of the study, test subjects participated in "psychometric testing and heart rate tests" as they did activities that were positive for their health including attendin…

SOURCE: The Independent at 4:02pm on March 30, 2018☆⚑

The Inheritance, Young Vic, London, review: Extraordinarily accomplished acting by Paul Taylor, Paul Taylor

Stephen Daldry directs Matthew Lopez's play about gay life in New York, a generation after the AIDS crisis, which is inspired by E.M. Forster's novel 'Howards End'

SOURCE: The Independent at 6:53am on March 29, 2018☆⚑

Misty, Bush Theatre, London, review: A tremendous performance by Arinzé Kene by Kaleem Aftab, Kaleem Aftab

The playwright and actor Kene stars in his own play that blends gig theatre, comedy, spoken work, live art and rap

SOURCE: The Independent at 10:44am on March 26, 2018☆⚑

Mid Century Modern, Sadler's Wells, London, review: A vivid celebration of Richard Alston's work by Zoë Anderson, Zoë Anderson

The choreographer celebrates 50 years of creating dances with a programme spanning his career

SOURCE: The Independent at 10:01am on March 26, 2018☆⚑

Black Men Walking, Royal Court, London, review: This production has a wow factor by Kaleem Aftab, Kaleem Aftab

Testament delves into his hip-hop repertoire to delightfully mix melody with syncopated dialogue in his play about the image of British black men

SOURCE: The Independent at 1:53pm on March 23, 2018☆⚑

Kiss of the Spider Woman, Menier Chocolate Factory, London, review: A focused, bitter-sweet adaptation by Paul Taylor, Paul Taylor

Set in an Argentine prison cell, this adaptation of Manuel Puig's novel, brings out the emotional delicacy of what the pair discover about themselves about the nature of love and power

SOURCE: The Independent at 6:56am on March 22, 2018☆⚑

Macbeth, Royal Shakespeare Theatre, Stratford-upon-Avon, review: A powerful take on the Macbeth marriage by Paul Taylor, Paul Taylor

The death cries of Macduff's slaughtered children are accidentally relayed to Lady Macbeth's mobile phone in this modern-dress production of 'Macbeth' starring Christophe…

SOURCE: The Independent at 11:04am on March 21, 2018☆⚑

Ballet Black, Barbican Theatre, London, review: An evening of triumphant ambition by Zoë Anderson, Zoë Anderson

The company, which celebrates dancers of black and Asian descent, perform a double bill with Cathy Marston's new ballet 'The Suit' and Arthur Pita's 'A Dream Within …

SOURCE: The Independent at 8:45am on March 20, 2018☆⚑

The Great Wave, National Theatre, London, review: It sensitively intertwines the intimacies of private pain and the pressures of international politic by Paul Taylor, Paul Taylor

Family tragedy about a girl who apparently drowns on a Japanese beach takes on a political dimension in Francis Turnley's epic new thriller

SOURCE: The Independent at 8:05am on March 20, 2018☆⚑

Old Fools, Southwark Playhouse, London, review: Dementia drama with heart by Joe Vesey-byrne, Joe Vesey-byrne

Tristan Bernays has created a dementia parable that somehow moves and finds light in the deterioration of the mind - through love

SOURCE: The Independent at 2:48pm on March 18, 2018☆⚑

Bernstein Centenary, Royal Opera House, London, review: The greatest celebration is of the dancers by Zoë Anderson, Zoë Anderson

To celebrate the centenary year of composer Leonard Bernstein's birth, The Royal Ballet's leading choreographers Wayne McGregor and Christopher Wheeldon have created new works

SOURCE: The Independent at 1:18pm on March 18, 2018☆⚑

Vivaldi's The Four Seasons: A Reimagining, The Sam Wanamaker Playhouse, London, review: Isn't wildly gripping by Holly Williams, Holly Williams

'Vivaldi's 'The Four Seasons' comes to theatrical life with puppetry and a newly arranged score for the Sam Wanamaker Playhouse

SOURCE: The Independent at 12:53pm on March 18, 2018☆⚑

Brilliant Jerks at Vaults, London, review: An exhilarating Uber-inspired ride through the modern workplace by Kaleem Aftab, Kaleem Aftab

While never named, the taxi-hailing app has clearly inspired Joseph Charlton's fast-paced new play

SOURCE: The Independent at 5:24am on March 17, 2018☆⚑

Brief Encounter, Empire Cinema, Haymarket, London, review: It comes across as dated rather than romantic by Kaleem Aftab, Kaleem Aftab

This award-winning Kneehigh production returns to the West End after 10 years, having toured the globe and triumphing on Broadway

SOURCE: The Independent at 7:06am on March 15, 2018☆⚑

Buggy Baby, Yard Theatre, London, review: A play full of ideas but without a central tenet by Kaleem Aftab, Kaleem Aftab

Ned Bennett's directed comedy-horror, which focuses on a baby, a single mother, and a traumatised refugee, embraces every hot-topic subject that it can find

SOURCE: The Independent at 7:19am on March 14, 2018☆⚑