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3,981 stories from http://www.theaterscene.net

Suffs by Joseph Pisano

Unfortunately, while Wells (Nikki M. James) and Mary Church Terrell (Cassondra James), another renowned Black suffragist, occasionally pop up to offer intersectional insights, they mostly c…

SOURCE: www.theaterscene.net at 12:09pm on April 30, 2022

Hangmen by Victor Gluck, Editor-in-chief

Taking the law into your own hands can be a risky business as Harry Wade and friends find out in Martin McDonagh's hilarious dark comedy "Hangmen" which finally made its Broadway debut after…

SOURCE: www.theaterscene.net at 3:34pm on April 29, 2022

Funny Girl by Darryl Reilly

Beanie Feldstein's clunky rendition of "I'm the Greatest Star" crystalizes the absurdist dimension of this off-kilter first Broadway revival of the 1964 musical, "Funny Girl." With her nasal…

SOURCE: www.theaterscene.net at 11:43am on April 29, 2022

Bloom by Christopher Caz

Direction by Victoria Pérez could have better negotiated the script transitions and emotional shaping of the piece; however, script, director and actors, as well as lighting design by Migue…

SOURCE: www.theaterscene.net at 2:43pm on April 26, 2022

The Limón Dance Company (Spring 2022) by Joel Benjamin

The final work was the world premiere of "Only One Will Rise," a work by a new choreographer Olivier Tarpaga to a colorful score he co-wrote with Tim Motzer who was one of the three on stage…

SOURCE: www.theaterscene.net at 11:46am on April 25, 2022

The Minutes by Victor Gluck, Editor-in-chief

Tracy Letts' "The Minutes" is both a fine political comedy as well as an indictment of how most Americans live today. It ultimately asks us to look at our values as well as our connection to…

SOURCE: www.theaterscene.net at 11:52pm on April 24, 2022

Robert Morse: An Appreciation by Chip Deffaa, Editor-at-large

He won a Tony Award starring in the Broadway masterwork "How to Succeed in Business Without Really Trying."  And fortunately his performance was captured well in the film adaptation of th…

SOURCE: www.theaterscene.net at 1:36pm on April 22, 2022

How I Learned to Drive by Darryl Reilly

A lure of this Broadway premiere revival is 25 years later experiencing the acclaimed performances of much of its original cast. Being a memory play, their current ages are irrelevant, espec…

SOURCE: www.theaterscene.net at 12:16pm on April 22, 2022

Cyrano de Bergerac by Victor Gluck, Editor-in-chief

Playwright Martin Crimp, an adherent of the "in-yer-face" school of British playwriting, has taken Edmond Rostand's turn-of-the-last century verse drama, Cyrano de Bergerac, and not only blo…

SOURCE: www.theaterscene.net at 11:31pm on April 19, 2022

The Little Prince by Joseph Pisano

Essentially, Mouron boils the story down to a couple lines about love and beauty, while eliding any sense of the loss, isolation, and dread that the novella also poetically conveys. Her litt…

SOURCE: www.theaterscene.net at 11:27pm on April 18, 2022

Harmony by Victor Gluck, Editor-in-chief

Although 25 years have gone by since "Harmony" first tried out at the La Jolla Playhouse in San Diego, the Barry Manilow/Bruce Sussman musical about the Comedian Harmonists is still relevant…

SOURCE: www.theaterscene.net at 11:28am on April 18, 2022

Songs About Trains by Christopher Caz

As a piece of theater, "Songs About Trains" is earnest and unique. Lead author (and performer) Beto O'Byrne, along with contributing authors Eugenie Chan, Reginald Edmund, Jay B Muskett and …

SOURCE: www.theaterscene.net at 9:11pm on April 16, 2022

Birthday Candles by Victor Gluck, Editor-in-chief

"Birthday Candles" also has an unusual theatrical device: we follow Ernestine Ashford from 17 to 107 meeting her on her various birthdays that are depicted.  The other characters come and…

SOURCE: www.theaterscene.net at 10:01pm on April 15, 2022

To My Girls by Darryl Reilly

Lee peppers his worn scenario with plenty of pop, cultural and political references, well-crafted zingers and familiar conflicts. Dating apps, "Dancer from the Dance," "Sex and the City" are…

SOURCE: www.theaterscene.net at 10:59am on April 15, 2022

The Life by Joel Benjamin

The ubiquitous Billy Porter was given command of the most recent New York City Center Encores! presentation, the 1997 musical "The Life."  His direction and re-interpretation of this tawd…

SOURCE: www.theaterscene.net at 4:14pm on April 12, 2022

Confederates by Joel Benjamin

Dominique Morisseau's "Confederates," her second play of her Signature Theatre Residency 5, is a clever, but overly talky dissertation on race, power and family.  She offers the audience …

SOURCE: www.theaterscene.net at 2:02pm on April 12, 2022

The Patsy by Christopher Caz

Greenspan, a six-time Obie Award winner, whirls at breakneck speed through this three-act play in just over an hour, transforming from one character to the next with expert fluidity. He tran…

SOURCE: www.theaterscene.net at 11:30am on April 12, 2022

Take Me Out by Victor Gluck, Editor-in-chief

As the most respected player in baseball, Williams has a quiet dignity and charm as a man of few words and few outward motions. While his wry remarks do not often come through as humor, he i…

SOURCE: www.theaterscene.net at 4:04pm on April 11, 2022

Queens Girl in the World by Darryl Reilly

Whether frenetically dancing, rhapsodizing over Nancy Drew, fretting about when she'll wear a bra or reacting horrified upon learning about sex, Ms. Curry performs with the verve of Lily Tom…

SOURCE: www.theaterscene.net at 11:54am on April 11, 2022

Penelope, Or How the Odyssey Was Really Written by Victor Gluck, Editor-in-chief

The musical gets a great deal of mileage out of its humor particular in its parody of recognizable tropes. "Penelope, Or How The Odyssey Was Really Written" is an entertaining musical comedy…

SOURCE: www.theaterscene.net at 10:51pm on April 7, 2022

On the Town with Chip Deffaa: "Rent" at the Frank Sinatra School of the Arts: An Appreciation by Chip Deffaa, Editor-at-large

This production was an ensemble success"which is what Jonathan Larson was hoping to achieve"so I'd like to mention every member of the company.   Not just the leads, whom I very much e…

SOURCE: www.theaterscene.net at 12:08am on April 7, 2022

Irving Berlin and Me (And a Brush with Death Along the Way) by Chip Deffaa, Editor-at-large

In the past 20 years, I've produced a total of 34 different albums; 16 of them have dealt with Irving Berlin (1888-1989). The newest album in this ongoing Berlin series, "Chip Deffaa's Irvi…

SOURCE: www.theaterscene.net at 1:02pm on April 5, 2022

Take Shape by Darryl Reilly

An astronaut in a space station, a YouTube cooking show, evicted apartment residents and a romance on the rocks are a few of the dramatic and antic incidents depicted in "Take Shape," an ent…

SOURCE: www.theaterscene.net at 9:53am on April 5, 2022

Gong Lum's Legacy by Victor Gluck, Editor-in-chief

On one level, "Gong Lum's Legacy" is revealing in that it demonstrates Southern racism against not only African Americans but also Chinese immigrants who were given the same treatment. On an…

SOURCE: www.theaterscene.net at 12:52pm on April 3, 2022

Plaza Suite by Darryl Reilly

Audience laughter abounds during Matthew Broderick and Sara Jessica Parker's uproarious performances in this splendid first Broadway revival of Neil Simon's 1968 hit comedy, "Plaza Suite." T…

SOURCE: www.theaterscene.net at 12:04am on April 2, 2022
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