'Birdie' soars despite crix reaction
'Bye Bye' revival up 16% at the box office
'Bye Bye' revival up 16% at the box office
The problem with Adam Gwon's musical Ordinary Days lies in its central conceit of being about ordinary people expressing their ordinary thoughts as they go about their ordinary business on an ordinary day in New York. Neither New York nor the New York theater is especially kind to ordinary people—like the show's two young couples struggling to make meaningful connections in an uncaring city of strangers. For all the technical proficiency of Gwon's work and Marc Bruni's staging, the musical is buried under its own banality.
Hats off to the farsighted producers of "The Neil Simon Plays" for taking a risk on their choice of director. While David Cromer's most recent New York hits, Adding Machine and Our Town, mined piercing depths in timeworn texts, they did so in an austere presentational style that seemed a million miles from the warm-hearted humor of Brighton Beach Memoirs. The first installment of a Simon double that continues with Broadway Bound, opening Dec. 10, the revival strikes an exquisite balance between comedy and pathos, its impeccable ensemble landing every laugh while exploring every emotional nuance to build a tremendously moving portrait of family life.
Legit productions to be available for download
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A wholesome tuner in tune with the times, bolstered by winsome melodies.
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