1,060 stories from Clyde Fitch Report
Where this all leads is too thought-provoking, too explosive and too outright entertaining.
"...simply having a female leader does not necessarily lead to widespread gender parity."
Is success a double-edged sword? Is popular theater still Art?
Her decline as a Broadway impresario was as sudden as her rise.
Of course I want to pay our people better. But.
New ways of raising capital offer expanded opportunities for nonprofits.
The Oak Ridge Boys won't get them very far.
"I recuse myself on the basis of my past sexual relationship with the subject."
In 1947, Margo Jones called for a theater of new plays. What about today?
What about the other 89 percent?
In an industry without a HR department, a sisterhood is exactly what we need.
Mixing menace with comic mayhem,
Praise her dancing, not her color.
Everyone wants to work with Nambi Kelley, so three companies are joining forces on her latest play.
Aline Lathrop's Merchild presents an academic family grappling with their child's gender identity.
What would you like to discuss about women of color in theatre?
Public arts funding is in danger because politicians simply don't understand art.
Making classic plays relevant for local audiences.
When was the last time you saw a play that thought you were wrong?
Orson Welles didn't fear challenging the status quo -- why do we?
Sometimes what is truly scary is what is left unsaid.
In 1933, the Barter Theatre allowed people to trade food for tickets. What about today?
Contemporary theater should "cut through the numbness, to penetrate the self-deception."
Could branded lists be a new tool for grassroots playwright advocacy?
"I also know that no one wanted to step on my toes and tell me how to live..."
