146 stories from Theatre Notes
I've been dithering over this post for days, trying to find a way in to writing about this extraordinary show. As with Back to Back's Food Court, which remains one of the most compelling exp…
Your faithful blogger has been shanghaied by the day job lately, dealing with an editing deadline for my forthcoming novel. (Forthcoming Christmas 2012, that is - lead times are long in the …
Bangarra Dance Theatre's Belong demonstrates, once again, why Bangarra is one of our leading dance companies (and why it has such a huge international reputation). It consists of two dances:…
In the past few years, adaptations of classic plays have become more the norm than otherwise in Australian innovative theatre. Two directors in particular wrenched opened the Pandora's box. …
I will be seeing very little of the Fringe Festival this year. This is because Life is getting in the way. To wit: the edits for my novel Black Spring (coming out late next year, but the lea…
The Australian Theatre Forum. Where to begin? For the past two days, I've been locked in a box with 260 theatre makers - performers, directors, designers, composers, writers, critics, arts f…
For four decades, Michael Leunig's savage and wistful universe has been one of the constants of Australian popular culture. His cartoons were a ubiquitous part of my childhood. Back in the 1…
NB: This review contains spoilers
"Shakespeare," says Jan Kott, "is truer than life. One can play him only literally." It might seem counter-intuitive to some, perhaps, …
"Complaining," said Rilke, almost a century ago. "The eternal vice of poets." But consider the poet in the 21st century! The digital age has amplified whingeing to a rema…
A quick heads up for tomorrow's Melbourne Writers Festival panel on independent theatre. I'll be chairing a discussion on our fertile independent scene with Declan Greene, Angus Cerini and A…
I was looking for a picture of my brain on the internet, but I couldn't find anything grotesque enough. Sorry everybody: especially to those young people at that excellent event, MUDFEST, wh…
The notion of "authenticity" in art has whiskers all over it. Art, by definition, is artifice, mimicry, representation: at its most achieved, it can perhaps aspire to be authentica…
Your Humble Blogger continues at a low ebb this week. As is probably clear to regular readers, Ms TN hasn't managed to control her wont to vastly overestimate her ability to do things, which…
I wish I could adequately explain the irrational joy that The Rabble's latest work, Special, invoked in me when I saw it last week. There is something in it of pure theatre, unafraid act, th…
I've never seen a work by Pina Bausch. As with those of us who come too late, who miss the boat, who weren't there, my knowledge of her work with Wuppertal Tanztheater has been limited to th…
The Melbourne Writers Festival, which opens later this month, is bearing down like some kind of benign leviathan. And this year there are a few events that might appeal to theatrenauts. Ther…
We all know some variation or other of this feeling. You are alone, it is dark. You hear an almost inaudible sound, just on the edge of hearing, that you can't quite identify. Your body is s…
For the first ten minutes or so, I was completely transfixed by Matthew Lutton's theatrical extrapolation of Schubert's late song cycle, Die Winterreise. It is a beautiful idea: the juxtapos…
Back in another age, when dinosaurs roamed the earth and I was a copygirl in the Finance section of that long-gone afternoon daily the Melbourne Herald, I found myself unexpectedly fascinate…
Watching Rawcus's superb new production Small Odysseys was an oddly personal experience. For me, it was the psychological equivalent of that optical test in which, when a bright light is sho…
Launches have their conventions: they are the events where those interests, state and corporate, who invest lavishly in an event get to stand in the spotlight and be thanked. And the Melbour…
If in art we are comparing a cat with another cat, or a flower with another flower, the artistic form as such is not constructed solely of the moment of cross-breeding; those are merely deto…
Right now, just after the winter solstice, Ms TN is struggling. The skies have been grey for too long, the news has been bleak for too long, and human beings have been stupid and destructive…
*Spoiler alert*In A Golem Story, Michael Kantor and Lally Katz reach into Judaeic folklore and mystic traditions, fashioning a work of theatre which is at once outstandingly beautiful and fr…
Last Wednesday, Lally Katz's A Golem Story and Robert Reid's The Joy of Text premiered at the Malthouse and the MTC. The same week, the Malthouse opened its remount of Declan Greene's 2010 h…
