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1,898 stories from The New Yorker

Caged Heat by Hilton Als

"La Cage aux Folles" and "Sondheim on Sondheim."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Festering by John Lahr

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

THE BOARDS: Home Again by Peter Stevenson

For Christopher Walken, Astoria is the old neighborhood.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Escape Artist by John Lahr

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

High Hopes by Joan Acocella

Twyla Tharp's "Come Fly Away."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Telling It Like It Isn't by John Lahr

"The Glass Menagerie" re-staged.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

SPRING PREVIEW: Night Life

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

SPRING PREVIEW: The Theatre

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Family Guy by Hilton Als

David Cromer's latest staging.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Don't Ask Me by Paul Rudnick

As a gay man, I naturally spend much of my time debating casting issues involving the musical theatre, although, thankfully, I can't share such thoughts with my unit. Instead, when I spot a …

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Underhanded by Hilton Als

Martin McDonagh's slap in the face.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Critic's Notebook<br> Let the Sunshine In by Hilton Als

Melba Moore is a New York City girl, Harlem-born.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Life and Death Matters by Anthony Lane

"Edge of Darkness" and "The Red Shoes."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

A CRITIC AT LARGE<br> The Pathfinder by John Lahr

Sam Shepard and American manhood.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Love Hurts by Hilton Als

David Ives takes on sado-masochism.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Modern Mickey by Paul Rudnick

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Feminine Wiles by Hilton Als

A Lear-less "King Lear."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Pee-wee Redux by Michael Schulman

The comeback of Paul Reubens.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK: Unspoiled Victor by Hilton Als

Victor Garber in "Present Laughter."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Sideshow by Hilton Als

Deconstructing "Romeo and Juliet."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

LEGENDS<br> Diller at 92 by Tad Friend

The art parties of Phyllis Diller.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

THE BOARDS<br> Norse Goddess by Rebecca Mead

The inimitable Liv Ullmann.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

The Top Ten Moments in Theatre of 2009 by John Lahr

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Free and Uneasy by Anthony Lane

"Nine," "The Imaginarium of Dr. Parnassus," "The Young Victoria," "A Single Man."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

Dept. of Lodging<br> Plummer's Pad by Ian Parker

Christopher Plummer returns to the Algonquin Hotel.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015
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