Edinburgh Fringe Review: salt. at Summerhall
How do you mourn someone you have never met? - Hannah Greenstreet reviews Selina Thompson's powerful interrogation of the legacy of slavery. The post Edinburgh Fringe Review: salt. at Summer…
How do you mourn someone you have never met? - Hannah Greenstreet reviews Selina Thompson's powerful interrogation of the legacy of slavery. The post Edinburgh Fringe Review: salt. at Summer…
Suitable for lactose intolerances: Dylan Coburn Gray's new romcom about online dating is sharp, satisfying and utterly cheese free. The post Edinburgh Fringe Review: Black Catfish Musketeer …
The trouble with human progress: Crystal Bennes reviews New Diorama Theatre's inspired take on Yuval Harari's Sapiens. The post Edinburgh Fringe Review: Secret Life of Humans at Pleasance Co…
The suffering of one or the agony of the many? Crystal Bennes on the complex moral dilemmas of Argonaut's new play. The post Edinburgh Fringe Review: Action at a Distance at Zoo appeared fir…
Dance in the age of climate change: Diana Damian Martin discusses this year's Ravnedans festival in Norway. The post Ravnedans appeared first on Exeunt Magazine.
Lighting up: Rosemary Waugh reviews a new adaptation of Anton Chekhov's On the Harmful Effects of Tobacco. The post Edinburgh Fringe Review: Tobacco at Assembly George Square appeared first…
Snap your shag bands and dance to Steps: Rosemary Waugh reviews the Wardrobe Ensemble's new show about New Labour. The post Edinburgh Fringe Review: Education, Education, Education at Pleasa…
Puzzling but enjoyable: Hannah Greenstreet on Antler's bouncing tragi-comedy. The post Edinburgh Fringe Review: LANDS at Summerhall appeared first on Exeunt Magazine.
Watching through my fingers - Hannah Greenstreet on Milly Thomas's new plays and theatre's duty of care. The post Edinburgh Fringe Review: Brutal Cessation + Dust appeared first on Exeunt Ma…
"A surprisingly tender theatrical experiment": Hannah Greenstreet reviews YESYESNONO's exploration of intimacy. The post Edinburgh Fringe Review: Five Encounters on a Site Called Craigslist …
'Excellent', 'astonishing', 'devastating' and all the rest: Rosemary Waugh reviews the return of Yael Farber's Mies Julie to the Edinburgh Fringe. The post Edinburgh Fringe Review: Mies Juli…
Lyrical, joyous and vital - Hannah Greenstreet on the National Theatre of Scotland's two stories about trans experience. The post Edinburgh Fringe Review: Adam and Eve at Traverse Theatre ap…
Have you tried...? Rosemary Waugh reviews Rachel Bagshaw and Chris Thorpe's show about living with chronic pain. The post Edinburgh Fringe Review: The Shape of the Pain at Summerhall appear…
A performative preview: the members of Barrel Organ explore debt, friendship and grief ahead of their Edinburgh Fringe show. The post Anyone’s Guess How We Got Here appeared first on E…
Forces you to slow down: Hannah Greenstreet reviews Zinnie Harris's new work inspired by the myth of Orpheus and Eurydice. The post EIF Review: Meet Me at Dawn at Traverse Theatre appeared …
A crash, or a stubbornness: Rosemary Waugh reviews Zinnie Harris's new version of Eugène Ionesco's Rhinoceros at the EIF. The post EIF Review: Rhinoceros at the Royal Lyceum, Edinburgh appe…
Monica Dolan's one woman show is a deliberately un-sensationalised exploration of how children are sexualised. The post Edinburgh Fringe Review: The B*easts at Underbelly appeared first on E…
Dissonance and vocal fry " Hannah Greenstreet on a performance that explores gendered speech. The post Edinburgh Fringe Review: Mouthpiece at Summerhall appeared first on Exeunt Magazine.
Miriam Gillinson discovers some intriguing beginnings at The Yard's festival of bold, untested new work. The post First Drafts at The Yard Theatre appeared first on Exeunt Magazine.
A laboured metaphor for mercilessness: Francesca Peschier reviews a new production of Morgan Lloyd Malcolm's The Wasp. The post Review: The Wasp at Jermyn Street Theatre appeared first on E…
Rachel Elderkin talks us through the dance shows being performed at this year's Wilderness festival. The post Wilderness 2017 appeared first on Exeunt Magazine.
A long and arduous country ramble: Chris White reviews Jessica Barker-Wren's rural tragicomedy. The post Review: Cow at The Boat Shed, Exeter appeared first on Exeunt Magazine.
Space for freethinking: Chris McCormack reviews the Abbey Theatre's adaptation of a Ken Loach film. The post Review: Jimmy’s Hall at the Abbey Theatre, Dublin appeared first on Exeunt…
Exeunt's review team sort through the chaos of this year's Edinburgh line-up to present some lovingly themed recommendations. The post Exeunt’s 2017 Edinburgh Fringe Picks appeared fir…
Dreaming of a new destination: Chris McCormack reviews a double bill of two short plays by Tennessee Williams. The post Review: Talk to Me like the Rain at Bewley’s Café Theatre @ Pow…