Ageing at the Fringe
At a festival that can feel like a celebration of youth, three shows are exploring old age. Kate Wyver talks to their creators about loneliness, dementia, and unexpected laughter. The post A…
At a festival that can feel like a celebration of youth, three shows are exploring old age. Kate Wyver talks to their creators about loneliness, dementia, and unexpected laughter. The post A…
Francesca Peschier discovers polyamory and queer domesticity in a current-feeling revival of Kevin Elyot's 1982 play. The post Review: Coming Clean at the King’s Head Theatre appeared …
Strindbergian in intensity: Chris McCormack reviews Donnacha Dennehy and Enda Walsh's new opera. The post Review: The Second Violinist at Galway International Festival appeared first on Exe…
Lively, non-stop and irreverent: Louise Jones reviews the HandleBards high energy take on As You Like It. The post Review: As You Like It at The Merchant Adventurers’ Hall, York appear…
Rachel Bagshaw talks to Rosemary Waugh about creating The Shape of Pain, a new piece of theatre about living with chronic pain. The post "Can we ever really understand someone else's pain?" …
Drink and dullness: Corrie Tan reviews John Tiffany's revival of Jim Cartwright's Road. The post Review: Road at the Royal Court appeared first on Exeunt Magazine.
Stuff " just " happens: Miriam Gillinson reviews Conor McPherson's new play based around Bob Dylan songs. The post Review: Girl from the North Country at the Old Vic appeared first on Exeun…
Diana Damian Martin writes on how Porto's international theatre festival FITEI explores ideas of community, memory, and the past. The post FITEI: Community and Memory appeared first on Exeu…
Rattles along like high heels on a city sidewalk: Tracey Sinclair reviews Tori Scott performing in Brighton. The post Review: Thirsty at the Marlborough Theatre, Brighton appeared first on …
Laura Kressly writes about her fortnight at the Eugene O'Neill Theater Center's development programme for critics. The post Critic’s Camp appeared first on Exeunt Magazine.
A magical flourish: Chris McCormack reviews Collapsing Horse's production of a surreal Chekhovian comedy. The post Review: The Water Orchard at Project Arts Centre, Dublin appeared first on …
Order, order: Rosemary Waugh reviews Lucy Kirkwood's new play at the National Theatre The post Review: Mosquitoes at the National Theatre appeared first on Exeunt Magazine.
A question of responsibility: Maddy Costa reviews Josette Bushell-Mingo performing at the Young Vic. The post Review: Nina – A Story About Me and Nina Simone at the Young Vic appeared …
A bold, bright, and boisterous show: Emily Holyoake reviews a circus-themed version of Shakespeare's comedy. The post Review: The Comedy of Errors at Rougemont Gardens, Exeter appeared first…
Magical drifts between fiction and reality: Ella Parry-Davies reviews Compagnie Le Bruit de la Rouille. The post Review: Assoiffés at Festival d’Avignon appeared first on Exeunt Magaz…
Let them eat cake: Brendan Macdonald reviews Oliver Cotton's new play. The post Review: Dessert at Southwark Playhouse appeared first on Exeunt Magazine.
'An injury to one is the concern of all': Francesca Peschier reviews Kieran Hurley's new show. The post Review: An Injury at Ovalhouse appeared first on Exeunt Magazine.
Beach combing: Rosemary Waugh reviews the 2017 Made in Bristol production. The post Review: Lego Beach at 1532 Performing Arts Centre, Bristol appeared first on Exeunt Magazine.
Jackie Montague explores what three performances at Latitude say about how we relate to our heroes, our homes, and our own identities. The post Latitude Festival: Playing Ourselves appeared …
Maracas 'n' all: Sally Hales reviews Matthew Dunster's Mexican Much Ado About Nothing. The post Review: Much Ado About Nothing at Shakespeare’s Globe appeared first on Exeunt Magazine.
Homecoming: Rosemary Waugh reviews a night of four work-in-progress plays by Welsh playwrights. The post Review: Chippy and Scratch Does The Diff at Chapter Arts, Cardiff appeared first on E…
The isolation of the young and the lost: Gillian Greer reviews the 20th anniversary production of Enda Walsh's first play. The post Review: Disco Pigs at the Trafalgar Studios appeared first…
Trying to be part of the gang: Chris White reviews Sleeping Trees at the Boat Shed in Exeter. The post Review: Mafia? at the Boat Shed, Exeter appeared first on Exeunt Magazine.
Ella Parry-Davies discusses a selection of physical and object theatre shows at Avignon OFF. The post Review: The best of physical and object theatre at Avignon OFF appeared first on Exeunt …
"Rater encore. Rater mieux". Ella Parry-Davies explores how performances at 2017's Avignon Festival make bold attempts to navigate contemporary politics. The post Avignon Festival: On Failur…