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3,981 stories from http://www.theaterscene.net

sandblasted by Darryl Reilly

A woman's arm falls off soon into playwright Charly Evon Simpson's engrossing allegory, "sandblasted." Ms. Simpson's tone beautifully mixes the comic with the wistful, her dialogue is glorio…

SOURCE: www.theaterscene.net at 6:28pm on February 27, 2022

First Down by Joel Benjamin

A plea for understanding the pain of being Muslin-American, Sevan's First Down at the 59E59 Theaters focuses on the plight of an adored football player who decides to kneel and pray during t…

SOURCE: www.theaterscene.net at 2:27pm on February 27, 2022

The Daughter-in-Law by Victor Gluck, Editor-in-chief

The Mint Theater Company which gave the first New York production of "The Widowing of Mrs. Holroyd," Lawrence's best play and one of the great British tragedies of modern drama, has revived …

SOURCE: www.theaterscene.net at 3:33pm on February 24, 2022

The Music Man by Victor Gluck, Editor-in-chief

Because of changing social mores, some Broadway musicals are assumed to make audiences uncomfortable today. Take for example Rodgers and Hammerstein's "Carousel" whose protagonist is a wife-…

SOURCE: www.theaterscene.net at 11:39pm on February 22, 2022

A Few Thoughts on Those Needless Changes to "The Music Man" by Chip Deffaa, Editor-at-large

I want to be clear.  "The Music Man" is such a masterfully written musical that making some changes here and there can't really ruin it; but changes are not needed in this show and they c…

SOURCE: www.theaterscene.net at 8:59pm on February 21, 2022

The Same by Darryl Reilly

Lisa and The Other Lisa are the two characters in acclaimed Irish playwright Enda Walsh's haunting short play, "The Same." The conceit that The Other Lisa is Lisa 10 years ago is soon discer…

SOURCE: www.theaterscene.net at 7:40pm on February 20, 2022

Black No More by Victor Gluck, Editor-in-chief

"Black No More," the new musical inspired by George S. Schuyler's 1931 Afrofuturist novel, is the most exciting and inventive new show to be seen so far this season in New York though it is …

SOURCE: www.theaterscene.net at 11:49pm on February 19, 2022

Made by God by Joseph Pisano

It's just that, as the fictional Eva supplants the non-fictional Ann onstage, the play reverses course and sacrifices its human scale back to the rhetorical, with pro-life Eva and pro-choice…

SOURCE: www.theaterscene.net at 10:29pm on February 17, 2022

The Merchant of Venice (Theater for a New Audience) by Victor Gluck, Editor-in-chief

Arin Arbus, resident director at Theatre for a New Audience, staging her tenth classic for them took a great risk with her new production of Shakespeare's The Merchant of Venice: not only pu…

SOURCE: www.theaterscene.net at 4:51pm on February 16, 2022

Why Robert De Niro's New Film Studio Matters by Chip Deffaa, Editor-at-large

De Niro's goal is to lure more film and television production from Hollywood to New York, and that can only be a plus for New York-based actors. A brand new studio, created for the needs of …

SOURCE: www.theaterscene.net at 10:08pm on February 15, 2022

Wolf Play by Victor Gluck, Editor-in-chief

Hansol Jung's "Wolf Play" is a fantasy on several levels but it is also rather confusing in its details. Inspired by the true case of an Asian adoptee who was "re-homed" on the Internet when…

SOURCE: www.theaterscene.net at 1:55pm on February 15, 2022

Barococo by Christopher Caz

Mandell's costume and wig design are exquisite, perfectly defining each character in their own distinct look and style with numerous fabrics and colors and without overlap. Each of the actor…

SOURCE: www.theaterscene.net at 11:55am on February 14, 2022

Four Quartets by Joel Benjamin

In her selection of the movements and structure of "Four Quartets," Tamowitz chose to ignore the depth and imagery of the poems, producing a cool Merce Cunningham-like ballet that glided alo…

SOURCE: www.theaterscene.net at 10:27am on February 14, 2022

Intimate Apparel by Victor Gluck, Editor-in-chief

The new opera, "Intimate Apparel" is a very impressive, accessible work. If it has a fault, it is completely humorless but then the original play did not include comic relief either. Unlike …

SOURCE: www.theaterscene.net at 4:17pm on February 11, 2022

MJ by Joel Benjamin

Wheeldon and Pulitzer Award-winning playwright Lynn Nottage make every effort to hide the fact that MJ is a jukebox musical, despite the fact that the first notes of every song elicited loud…

SOURCE: www.theaterscene.net at 3:59pm on February 10, 2022

Specially Processed American Me by Joel Benjamin

Who knew that SPAM has figured so importantly in Korean and Korean-American cuisines?  Jaime Sunwoo's "Specially Processed American Me" tells that story and much more. "Specially Processe…

SOURCE: www.theaterscene.net at 12:55am on February 9, 2022

Tambo and Bones by Darryl Reilly

The dynamic W. Tré Davis and Tyler Fauntleroy deliver rousing performances as Tambo and Bones. Each is possessed of a limber physicality, superior comic timing and dramatic depth. Their imm…

SOURCE: www.theaterscene.net at 6:56pm on February 8, 2022

Prayer for the French Republic by Victor Gluck, Editor-in-chief

Joshua Harmon's latest play, the dense, untidy, brilliant and timely Prayer for the French Republic, is his most ambitious, epical play covering five generations of one French Jewish family …

SOURCE: www.theaterscene.net at 1:12pm on February 8, 2022

Long Day's Journey into Night by Joseph Pisano

But, again, O'Hara does these actors no favors, forcing them to contend with incongruous historical information while also depriving them of the greatest acting benefit O'Neill's four-act pl…

SOURCE: www.theaterscene.net at 4:27pm on February 7, 2022

Shhhh by Victor Gluck, Editor-in-chief

Warning: "Shhhh," a world premiere commissioned by Atlantic Theater Company from Clare Barron, Susan Smith Blackburn Prize-winner for "Dance Nation," may just be the most visceral play you w…

SOURCE: www.theaterscene.net at 4:44pm on February 6, 2022

The Tap Dance Kid by Joel Benjamin

Let's start with the best:  The great Joshua Henry's 11 o'clock number, "William's Song," a gut-wrenching revelatory song sung by the title character's emotionally distant father.  Hen…

SOURCE: www.theaterscene.net at 4:31pm on February 4, 2022

The Garden of the Finzi-Continis by Victor Gluck, Editor-in-chief

While Gordon has said in interviews that his model for the music was Puccini, in fact, the atonal orchestral score sounds more like operas by Gian Carlo Menotti, Carlisle Floyd and Dominick …

SOURCE: www.theaterscene.net at 6:14pm on January 31, 2022

The Collision / The Martyrdom by Christopher Caz

Throughout these plays there resonates an overarching message of female empowerment, a message that provides depth to the otherwise light comedy being served up. Nuns are habit forming, that…

SOURCE: www.theaterscene.net at 8:00pm on January 30, 2022

Skeleton Crew by Darryl Reilly

Set in the breakroom of a stamping plant in 2008, Ms. Morisseau achieves a high level of dramatic writing with this well observed exploration of Black working-class life. Each of the short s…

SOURCE: www.theaterscene.net at 10:29pm on January 29, 2022

The Hang by Darryl Reilly

After a grand Pippin-style introductory opening, one exhilarating number follows another in acclaimed theater maker Taylor Mac's "The Hang." Derived from jazz and opera, this vibrant musical…

SOURCE: www.theaterscene.net at 2:58pm on January 25, 2022
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