Working on Broadway shift By GORDON COX
'9 to 5' musical premieres in New York
'9 to 5' musical premieres in New York
Actress shares thoughts on stage, screen
Christina Aguilera will make her screen debut for Screen Gems in "Burlesque," a contemporary musical that Steven Antin will direct.
Actor to star in 'Wolverine' sequel, 'Carousel'
Total sales fall to $18.1 million
In Everyday Rapture, Sherie Rene Scott refers to herself with typical self-effacement as "one of Broadway's biggest, brightest semi-stars." Based solely on the evidence of this bewitching not-quite-solo show, she could flesh out that job description to include storyteller, singer, dramatic actress, standup comedian, philosopher, and magician, just for starters. Smart, funny, and deftly balanced in its blend of self-exposure and theatrical artifice, this musical autobiography is an unpredictable voyage of spiritual reflection that charts the path of a Kansas Mennonite in New York with charming candor.
Road Grosses
Given America's recently heightened respect for racial equality, what could be more appropriate than a revival of 1998 tuner "Ragtime" in the nation's capital? The Kennedy Center has shrewdl…
Dutton makes Willy Loman nothing less than an American Lear, though it's left not to him but to the audience to understand his tragedy. But as harrowing and haunting as the lead perf is, the…
Musical boards Oasis cruise ship in December
'Quadrophenia' to open May 9 in London
If the material showcasing the trio is an uneven cut-and-paste job that struggles to recapture the movie's giddy estrogen rush, plenty of folks will nonetheless find this a nostalgic crowd-p…
Samuel Beckett's 1953 play has been absent from Broadway for more than 50 years, and the current climate of pervasive anxiety makes the timing ideal for a comedy of existential despair -- ev…
Designer, director taught at USC
David Hyde Pierce's effortless timing makes this antiquated comedy tick by painlessly enough.
Whoopi, Martin Short to host comedy fest's Gala
Is there another actor breathing who's as sweetly charming as John Lithgow?
Throw in a quasi-comic subplot about rival gay psychiatrists and a guest appearance by Sigmund Freud and the play's premise about a family's need to resolve its unfinished history begs to ha…
Gunderson and helmer David Emmes cross the line from celebration into hagiography, robbing the lady of sympathy. This cerebral, anemic pageant could use a little Force Vive itself.
Tidbits on Banderas, Pet Shop Boys, Woody
Transferring from Chicago's Goodman Theater, where it was the centerpiece of a Eugene O'Neill festival, the staging is grimly overwrought, with an intensity that never quite translates into …
Government pumps funds into tourist attractions
Tourism winds down on Great White Way
Director David Grindley had a hit in 2005 with his Donmar Warehouse revival of Christopher Hampton's The Philanthropist, its cast headed by Simon Russell Beale, an actor who could locate the emotional undertow in even the most distancing role. There's no reason to question the endorsement of London critics, but every reason to suppose the change of venue and lead actor must have taken a dire toll on Grindley's production. With Matthew Broderick reducing the title character to a cartoon, performing in his own hermetic space that excludes everyone else onstage, the play sits inertly, its poignancy lost and its clever dialogue hollowed into empty banter.
Who'd have guessed the freshest act in town would be a decades-old staging of century-old material?