9,532 stories from American Theatre
Stanford will depart the organization after more than 30 years of service to young audiences in the DMV area and beyond.
The upcoming season was the first planned by artistic director Jeanette Harrison, who was appointed in 2022.
Two new books consider the possibilities and limits of documentary theatre in a polarized nation.
Two books come not to bury the Bard but to bring his writing down to the common ground we share.
Priscilla Gilman's memoir portrays her father, Richard Gilman, as a passionate, difficult figure who bequeathed her life lessons, many unwittingly.
Patti Hartigan's excellent new biography gives us a rich portrait of the playwright's life and art, and a measure of his significance.
A reporter and critic who knew Wilson nearly from the start of his playwriting peak, she wrote the biography she wanted to see.
In serving constellations of disability, this growing program within Chicago Children's Theatre builds confidence, celebrates joy, and fills a gap in support networks.
On this episode we talk to playwright Mike Lew and director Moritz von Stuelpnagel about taking 'tiny father' from audio to audience and catch up with critic J. Wynn Rousuck about the Contem…
A 19-year veteran of the FAC's Theatre Company, Sheley succeeds Pirronne Yousefzadeh in the role.
Now in its third year, the theatre's youth program offers young artists a chance to create art at the intersection of performance and social change.
Sheridan, a former World Irish Dance Championships finalist, assumes her role this week.
SB12, which would go into effect Sept. 1, would ban drag and similar performances.
With artistic director A.J. Allegra's departure, Leslie Claverie and Pamela D. Roberts have been named associate artistic directors and Monica R. Harris interim managing director.
He will co-lead the theatre with artistic director Jessica Kubzansky, who co-founded the new-play-focused company in 2003.
Chris Lane, Emma Yarbrough, John Clarence Stewart, and Thulani Vereen will each develop a new work with the Atlanta company.
A rising Chicago director closes the door on a chapter of growth, and on the company that had been her artistic home, while opening up new possibilities.
The program will allow young artists to be cast in a Maryland Ensemble Theatre production.
The Off-Off-Broadway artist-impresario reflects on 30-plus years of downtown experimentation.
The San Francisco-based company will work with next-generation theatre leaders from its hometown as well as from Los Angeles, New York, and Chicago.
Their styles may differ, but these Chicago-hailing brothers have honored their history and innovated for the future with works made together and apart.
An experienced entertainment attorney, she will join the leadership team at the MENA/SWANA-focused NYC company.
The artistic director and managing director of Pittsburgh Public Theater make the case for programming that is uniquely fresh and local.
The winners are advocates for women and nonbinary playwrights over the age of 40.
Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
