1,623 stories from exeuntmagazine.com
A vivid plane of toxic femininity: Chris McCormack reviews Druid's revival of Mark O'Rowe controversial play.
The post Review: Crestfall at Galway International Arts Festival appeared first …
Jordan G. Teicher reviews Matt Cox's tribute to the under-celebrated Hogwarts house.
The post Review: Puffs at New World Stages appeared first on Exeunt Magazine.
"A blast of bitter wilderness": Chris McCormack reviews Conall Morrison's chilly musical adaptation of Georg Büchner's unfinished classic.
The post Review: Woyzeck in Winter at Galway Inter…
"Poetically conceived and beautifully realised": Daniel Perks admires the beauty and brevity of LeoÅ¡ JanáÄek classic opera in Olivia Fuchs' staging for Opera Holland Park.
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"The tech doesn't detract from the tap": Anna Winter reviews the "strange and subtle" joy that is Dorrance Dance's technologically and technically innovative ETM: Double Down.
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Tea House Theatre sparked a Twitter storm after its job listing went viral. Here's Lauren Mooney on its unpalatable message about undervalued, often female labour in the arts.
The post Not m…
Patties of human flesh: Hannah Greenstreet can't get the smell of cooking meat out of her nostrils after Sarah Kosar's "visceral, disgust-provoking" two-hander.
The post Review: Mumburger at…
Raucous, colourful and exhilarating: Simon Gwynn reviews Matthew Dunster and Timothy Sheader's al fresco adaptation of Dickens' classic novel.
The post Review: A Tale Of Two Cities at Regent…
Bad sex, jiggly bits, and twenty-something omnishambles: Rosemary Waugh and Gillian Greer conduct an email chat about Touch and young women's sexuality on stage.
The post Touch at the Soho T…
Horror and humour: Geoff Mills reviews Blanche McIntyre's contemporary version of Titus Andronicus.
The post Review: Titus Andronicus at the Royal Shakespeare Theatre appeared first on Exeun…
Heading towards the green light: Chris McCormack reviews an immersive staging of F. Scott Fitzgerald's famous novel.
The post Review: The Great Gatsby at the Gate Theatre, Dublin.ﻅ
A never-ending supply of cheese-based puns: Chris White reviews the Narwhal Ensemble.
The post Review: Whey Down South at The Lab, Theatre Royal Plymouth appeared first on Exeunt Magazine.
Satirical comment beaten into submission: Christine Irvine reviews the Tron Theatre's resurrection of Anthony Neilson's Christmas-time comedy.
The post Review: The Lying Kind at the Tron Th…
Bridget Minamore interviews the genre-defying troupe of Australian women of colour.
The post Hot Brown Honey: “We will spark the revolutionary flame” appeared first on Exeunt Ma…
"A suburban Dublin equivalent of Sartre": Chris McCormack reviews the Abbey Theatre's staging of Roddy Doyle's Facebook dialogues.
The post Review: Two Pints at The Foxhound Inn, Dublin appe…
"Better off at the pub": Chris White laments the lack of peanuts and lager at Pub Talks' Pint Sized Conversation.
The post Review: A Pint Sized Conversation at The Boat Shed, Exeter appeared…
The price of buying a baby: Bridget Minamore reviews Vivienne Franzmann's new play about surrogacy.
The post Review: Bodies at the Royal Court appeared first on Exeunt Magazine.
Catherine Love on a flimsy gig-theatre exploration of the Lancashire Cotton Famine.
The post Review: Cotton Panic! at Manchester International Festival appeared first on Exeunt Magazine.
Going round the houses: Rosemary Waugh reviews Helen Edmundson's play about the British monarch.
The post Review: Queen Anne at the Theatre Royal Haymarket appeared first on Exeunt Magazine.
A very specific evolutionary niche: Ka Bradley reviews Figs in Wigs at the Battersea Arts Centre.
The post Review: Often Onstage at the BAC appeared first on Exeunt Magazine.
Dominique Morisseau takes on the school-to-prison paradigm in her newest play. Cameron Kelsall reviews.
The post Review: Pipeline at Lincoln Center – Mitzi E. Newhouse Theater appeare…
"The best theatre ideas are often remarkably simple": Duska Radosavljevic watches some toddlers crawl about on a giant, animation-filled screen at Imaginart's Sensacional.
The post Review: S…
Part of MIF, Theatre-Rites's new family show uses a cast that includes refugees to explore being different. Aniqah Choudhri speaks to Sue Buckmaster about the complexity behind its storytell…
Extraordinary opportunity, extraordinary risk, ordinary outcome: William Drew reviews Gregory Doran's RSC production of The Tempest, made in collaboration with Imaginarium Studios.
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Patrick Maley reviews The Seeing Place's revival of Caryl Churchill's 1979 play.
The post Review: Cloud 9 at Access Theater appeared first on Exeunt Magazine.
