1,623 stories from exeuntmagazine.com
A way of performing live music as theatre: Maddy Costa reviews the new KlangHaus show at the Royal Festival Hall.
The post Review: KlangHaus: 800 Breaths at the Southbank Centre appeared fi…
Humans and history books: Rosemary Waugh reviews Taha at the Young Vic as part of the Shubbak Festival.
The post Review: Taha at the Young Vic appeared first on Exeunt Magazine.
How did you get your scar? Hannah Greenstreet reviews a new play about Yarlswood Immigration Removal Centre.
The post Review: The Scar Test at the Soho Theatre appeared first on Exeunt Maga…
Il Pirata and I: Chris White reviews a one-man show about cyclist Marco Pantani.
The post Review: Marco at The Boat Shed, Exeter appeared first on Exeunt Magazine.
A very British dissection of American popular culture: Catherine Love reviews a double bill of works at Flare Festival 2017.
The post Review: Castle Rock and Baardeman at Flare Festival, Ma…
Thrown MacBooks and fragile male egos: Amelia Forsbrook reviews the London transfer of The Mentor.
The post Review: The Mentor at Vaudeville Theatre appeared first on Exeunt Magazine.
Existentialism and farts: Duška Radosavljević reviews Made in China's slime-filled show.
The post Review: Double Double Act at the Unicorn Theatre appeared first on Exeunt Magazine.
As LGBT Pride approaches, Alice Saville asks why London's glut of queer theatre is looking to the past, not the future.
The post Why LGBT Theatre Needs to Start Telling New Stories appeared …
A pairing of the whimsical and the sinister: Catherine Love reviews an eclectic double-bill at Manchester's Flare Festival.
The post Review: ONE and Leopard Murders at Flare Festival, Manche…
Communication breakdown: John Murphy reviews Sheffield Crucible's revival of Nina Raine's Olivier-nominated 2010 play.
The post Review: Tribes at the Sheffield Crucible Studio appeared first…
We couldn't, and yet, we do: Ka Bradley reviews les ballets C de la B performing Alain Platel's work inspired by Gustav Mahler.
The post Review: nicht schlafen at Sadler’s Wells appear…
Despite strong performances by Lili Taylor, Janeane Garofalo and Celia Weston, Alison Walls wonders why Marvin's Room has lost its punch
The post Review: Marvin’s Room at American Airl…
Sharp, zeitgeist-y, and sometimes moving: Gillian Greer reviews the problematic European premiere of Taylor Mac's New York smash-hit Hir.
The post Review: Hir at the Bush Theatre appeared fi…
It's complicated: Sally Hales reviews the world premiere of a chamber musical based on Kids Company.
The post Review: Committee at the Donmar Warehouse appeared first on Exeunt Magazine.
Not with a bang but with a party popper: Catherine Love reviews the world premiere of Nigel Barrett and Louise Mari's immersive apocalypse show.
The post Review: Party Skills at the End of t…
"I am still grappling with finding a work so dispiriting when it's been so widely loved" - Salome Wagaine on Branden Jacobs-Jenkins' reimagining of a historical slave narrative.
The post An …
Sputters and spins like a dodgy Sputnik: Anna Winter reviews the new work by Alexander Whitley combining dance with solar physics.
The post Review: Eight Minutes at Sadler’s Wel…
Cave-man fervour: Francesca Peschier reviews a one-man musical about Fathers4Justice.
The post Review: Superhero at Southwark Playhouse appeared first on Exeunt Magazine.
A holey picture of holiness: Rosemary Waugh reviews Jonathan Church's revival of David Hare's Church of England play.
The post Review: Racing Demon at the Theatre Royal Bath appeared first o…
Engagingly rebellious: Emily Holyoake reviews Tom Ross-Williams and Oonagh Murphy's riotous participatory, patriarchy-smashing show at Exeter's Boat Shed Theatre.
The post Review: Give Me Yo…
Lively and refreshing: Rachel Elderkin reviews the New English Ballet Theatre performing The Four Seasons and Other Modern Ballets.
The post Review: New English Ballet Theatre at SadlerR…
"It's hack-work, pure and simple": Stewart Pringle on Julian Fellowes' insipid musical version of Kenneth Grahame's classic.
The post Review: The Wind in the Willows at the London Palladium…
We too are thieves: Brendan Macdonald reviews Audra McDonald as Billie Holiday.
The post Review: Lady Day at Emerson’s Bar and Grill at Wyndham’s Theatre appeared first on Exeun…
A strange sort of hope: Andrew Edwards reflects on the Glasgow iteration of this collaborative, international, interdisciplinary artwork.
The post Review: Nomanslanding at Tramway, Glasgow a…
A diamond in the rough: Lily James spends a day delving into the delights of Fusion Theatre Festival in Cambridge.
The post Review: Fusion Festival at Cambridge Junction appeared first on Ex…
