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6,591 stories from Stage and Cinema

Theater Review: FALSETTOS (Court Theatre & Timeline Theatre) by Emma S. Rund

AN INCREDIBLE SCORE; A FINE PRODUCTION; A FUNNY AND POIGNANT FRACTURED FAMILY PORTRAIT; WHY, THEN, DOES THIS REVIVAL NOT EMOTIONALLY RESONATE? Court Theatre and Timeline Theatre's joint prod…

SOURCE: Stage and Cinema at 2:50am on November 28, 2024

Theater Review: NOISES OFF (Lyric Stage Boston) by Lynne Weiss

NOISES OFF, LAUGHS ON Just in time for the holiday season, Lyric Stage Company of Boston has something for audiences eager for some silly fun. Written by Michael Frayn the quintessential far…

SOURCE: Stage and Cinema at 12:50am on November 28, 2024

Theater Review: HENRY IV, PARTS 1 and 2 (The Porters of Hellsgate in North Hollywood) by Spencer Porter

THE PORTERS SHARE WITH US IN GLORY HENRY IV There is a danger of critical indulgence when considering a company like the Porters of Hellsgate; their ambition to produce all of Shakespeare's …

SOURCE: Stage and Cinema at 7:05pm on November 27, 2024

Theater Review: GALILEO'S DAUGHTER (Central Square Theater and WAM Theatre in Cambridge, MA by Lynne Weiss

GALILEO'S THEORIES WOULD PROVE THAT THE SUN DOESN'T MOVE " GALILEO'S DAUGHTER ALSO DOESN'T MOVE It's an intriguing notion: the ground-breaking scientist and astronomer Galileo Galilei, who d…

SOURCE: Stage and Cinema at 2:23pm on November 27, 2024

Off-Broadway Review: THE BLOOD QUILT (Mitzi E. Newhouse Theater at Lincoln Center) by Paola Bellu

A QUILT BLANKETED BY PREDICTABLE STITCHING Quilts always intrigued me; for millennia, women took scraps of fabric from discarded items and made quilts to be used for warmth or decorative pur…

SOURCE: Stage and Cinema at 2:59am on November 27, 2024

Theater Review: LITTLE WOMEN: THE BROADWAY MUSICAL (Moxie Theatre in San Diego) by Milo Shapiro

LITTLE WOMEN WITH A BIG PRESENCE Allen Knee took on a daunting task in creating a play from Louise Mae Alcott's hefty 1868"69 two-volume novel, but he also cuts back the narrative for the mu…

SOURCE: Stage and Cinema at 6:11pm on November 26, 2024

Broadway Review: DEATH BECOMES HER (Lunt-Fontanne) by Gregory Fletcher

DEATH BECOMES HER BECOMES BROADWAY I had opposite opinions this week between the opening of the film version of Wicked and the new Broadway musical comedy Death Becomes Her. Wicked outsoared…

SOURCE: Stage and Cinema at 10:41pm on November 25, 2024

Off-Broadway Review: NUTCRACKER ROUGE (Company XIV) by Paola Bellu

GET READY TO CRACK SOME NUTS WIDE OPEN Christmas can be very sexy if you step into the sumptuous world of Théâtre XIV in trendy Bushwick, and catch Company XIV's neo-Baroque classic Nutc…

SOURCE: Stage and Cinema at 9:07pm on November 24, 2024

Broadway Review: ELF: THE MUSICAL (Marquis Theatre) by Paulanne Simmons

THE BEST HOLIDAY GIFT ISN'T UNDER THE TREE, IT'S ELF AT THE MARQUIS Elf, the charming story of Buddy, the orphan who crawled into Santa's sack one Christmas Eve and was raised at the North P…

SOURCE: Stage and Cinema at 2:50am on November 24, 2024

Theater Review: HEXEN: AN ANCESTRAL WITCH PLAY (Tour at El Portal Theatre in North Hollywood) by Spencer Porter

CONFRONTING THE CURSE It is a signal accomplishment to produce 70 minutes of solo theater which are all the things Hexen manages to be: solemn, playful, enchanting, insightful, and finally, …

SOURCE: Stage and Cinema at 1:18pm on November 23, 2024

Concert Review: ONE NIGHT ONLY: AN EVENING WITH MAX VON ESSEN (New York Pops at Carnegie Hall) by Charles Kruger

MAX VON ESSEN HAS A KNOCKOUT CARNEGIE HALL DEBUT Max von Essen is no spring chicken, having made his Broadway debut in the 2000 revival of Jesus Christ Superstar. Nevertheless, when he bounc…

SOURCE: Stage and Cinema at 2:59am on November 23, 2024

Broadway Review: SWEPT AWAY (Longacre Theatre) by Paola Bellu

PREPARE TO BE SWEPT AWAY What happens when we are faced with extreme necessity? The 1884 tragic wreck of the yacht Mignonette was a cause célèbre in late 19th-century Britain, but not beca…

SOURCE: Stage and Cinema at 2:02am on November 23, 2024

Theater Review: SUMMER, 1976 (Studio Theatre in D.C.) by Lisa Troshinsky

A POIGNANT LOOK AT FEMALE FRIENDSHIP What are the makings of female friendships? What holds them together and what causes them to shift off course? These are just two of the philosophical qu…

SOURCE: Stage and Cinema at 2:00am on November 23, 2024

Theater Review: LIFE & TIMES OF MICHAEL K (Handspring Puppet Company and Baxter Theatre at The Wallis) by Christopher Lloyd Bratten

A LIVING PORTRAIT Regular patrons of the theatre are accustomed to passively sitting back, letting the story flow off the stage and course through them. Life & Times Of Michael K is not …

SOURCE: Stage and Cinema at 1:49pm on November 22, 2024

Theater Review: THE MURDER OF ROGER ACKROYD (Theatre 40 in Beverly Hills) by Shari Barrett

DEAD ON ARRIVAL The Murder of Roger Ackroyd, adapted for the stage by Mark Shanahan from Agatha Christie's 1926 novel, premiered at the Alley Theatre in Houston, Texas in 2023. It's no surpr…

SOURCE: Stage and Cinema at 2:53am on November 22, 2024

Theater Review: OUR DEAR DEAD DRUG LORD (Moxie Theatre) by Milo Shapiro

A PLAY THAT RAISES THE ESCOBAR Pablo Escobar was a Colombian drug lord, narcoterrorist, and corrupt politician who founded and ran the deadly Medellín Cartel. Known as "the king of cocain…

SOURCE: Stage and Cinema at 2:52am on November 22, 2024

Theater Review: THE 39 STEPS (Masquers in Point Richmond) by Barry Willis

MASQUERS KNOWS THE STEPS TO A SUCCESSFUL, MAGICAL COMEDY Alfred Hitchcock gets a good-natured but thorough pummeling in The 39 Steps at Masquers Playhouse in Point Richmond, through December…

SOURCE: Stage and Cinema at 8:59pm on November 21, 2024

Broadway Review: DEATH BECOMES HER (Lunt-Fontanne) by Paulanne Simmons

DEATH BECOMES HER IS NOT FOR PURITANS OR VICTORIAN GRANDMOTHERS. BUT HOW MANY OF THEM ARE AROUND TODAY? Death Becomes Her, the new musical based on the eponymous 1992 black comedy/fantasy an…

SOURCE: Stage and Cinema at 6:49pm on November 21, 2024

Off-Broadway Review: BABE (The New Group) by Paola Bellu

A GENERATIONAL GAP AND A PLAYWRITING GAP As a result of the #MeToo movement, there has been much brought to light about women working in America. But here's a note to the younger generations…

SOURCE: Stage and Cinema at 10:23pm on November 20, 2024

Theater Reviews: LA CAGE AUX FOLLES; JOAN; FIRST DATE; CAROL COOKE DIED FOR MY SINS; BEING PIAF; RENT; A GOING AWAY PARTY PLAY (various theaters throu by Tony Frankel

WHAT'S YOUR STORY? In the "It's Not the Story, It's in How You Tell It" Department, an incredible number of shows I saw in the last month have incredible tales to tell, but falter in their c…

SOURCE: Stage and Cinema at 2:59am on November 20, 2024

Highly Recommended Dance Theater: THE TRAGEDY OF HAMLET: PRINCE OF DENMARK (U.S. Premiere at The Harris Theater, Chicago, November 23 & 24, 2024) by Emma S. Rund

THE REAL TRAGEDY WOULD BE MISSING THE TRAGEDY OF HAMLET Legendary director Robert Lepage and dancer/choreographer Guillaume Côté reunite to re-imagine theatre's most timeless, persistent…

SOURCE: Stage and Cinema at 2:58am on November 20, 2024

Theater Review: LA CAGE AUX FOLLES (Pasadena Playhouse) by Michael M. Landman-karny

LA CAGE: STRIPPED OF ITS FEATHERS In Sam Pinkleton's well-intentioned but ultimately discordant revival of La Cage aux Folles at the Pasadena Playhouse, that old showbiz maxim about the show…

SOURCE: Stage and Cinema at 3:43pm on November 19, 2024

Theater Review: HILLARY AND CLINTON (Dezart Performs in Palm Springs) by Gilmore Rizzo

THE ALTERNATE UNIVERSE OF POLITICS When you hear the name Hillary Diane Rodham Clinton there are three visceral reactions that may occur. The first is deep respect for a woman who gave her e…

SOURCE: Stage and Cinema at 2:13pm on November 19, 2024

Theater Review: LOOT (Desert Ensemble Theatre, Palm Springs) by Jason Mannino

LOOT IS A HOOT Loot is Joe Orton's darkly comic masterpiece that eviscerates societal norms and exposes the hypocrisies of authority figures with razor-sharp wit. Two young men, Hal and Denn…

SOURCE: Stage and Cinema at 12:14pm on November 19, 2024

Theater Review: EMMA (Actors Shakespeare Project at the Multicultural Arts Center in Cambridge, MA) by Lynne Weiss

A TIME-TRAVELING JANE AUSTEN What if Jane Austen had managed to read The Feminine Mystique, Betty Friedan's groundbreaking 1963 exploration of why well-educated and prosperous women were so …

SOURCE: Stage and Cinema at 10:05pm on November 18, 2024
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