BalletBoyz, Fourteen Days, Sadler's Wells, London, review: The company dance with assurance by Zoë Anderson, Zoë Anderson

BalletBoyz return with their original project - four pieces created in only 14 days

SOURCE: The Independent at 1:54pm on October 11, 2017☆⚑

Victory Condition, Royal Court, London, review: A fairly chilly theatrical encounter by Holly Williams, Holly Williams

Both monologues are delivered in a monotone that makes it hard to stay tuned in Chris Thorpe's short two-hander

SOURCE: The Independent at 12:48pm on October 11, 2017☆⚑

Young Frankenstein, Garrick Theatre, London, review: Silly and shameless from start to finish by Paul Taylor, Paul Taylor

Mel Brooks' new musical version of his 1974 comedy horror movie has no agenda other than to make you laugh

SOURCE: The Independent at 11:36am on October 11, 2017☆⚑

Heisenberg: The Uncertainty Principle, Wyndham's Theatre, London, review: The two actors have superb chemistry by Paul Taylor, Paul Taylor

Anne-Marie Duff and Kenneth Cranham star in this two-hander by Simon Stephens in the first production of director Marianne Elliott's new theatre company

SOURCE: The Independent at 11:42am on October 10, 2017☆⚑

Company Wayne McGregor, Sadler's Wells, London, review: There's a new breadth and intimacy to this choreography by Zoë Anderson, Zoë Anderson

McGregor's latest work 'Autobiography', which explores dance and genetics, breaks fresh ground

SOURCE: The Independent at 2:48pm on October 9, 2017☆⚑

Northern Ballet, Bradford Alhambra, review: A warm tribute to Kenneth MacMillan by Zoë Anderson, Zoë Anderson

Northern Ballet celebrate the master choreographer MacMillan with a triple bill - the first time this company has performed his work

SOURCE: The Independent at 1:48pm on October 9, 2017☆⚑

Macbeth, Barbican, London, review: It's beautiful but this Macbeth never grabbed me by Holly Williams, Holly Williams

A revival of the late Japanese director Yukio Ninagawa's 'Macbeth', which sets the action in a 16th century samurai world, is performed in Japanese with English surtitles

SOURCE: The Independent at 8:54am on October 9, 2017☆⚑

The Lie, Menier Chocolate Factory, London, review: French farce on fidelity sits uncomfortably between tragedy and comedy by Joe Vesey-byrne, Joe Vesey-byrne

Florian Zeller's follow up play to 'The Truth', directed by Lindsay Posner, contains affecting performances, but the overall result was not entertaining enough to be a light f…

SOURCE: The Independent at 4:33am on October 9, 2017☆⚑

Labour of Love, Noel Coward Theatre, London, review: It's rare that five minutes go past without a proper roar of laughter by Holly Williams, Holly Williams

James Graham, who also wrote 'Ink' about 'The Sun' newspaper, pulls it off again with his latest play, a political rom-com, which stars Martin Freeman and Tamsin Greig

SOURCE: The Independent at 4:54am on October 6, 2017☆⚑

Ink, Duke of York's, London, review: Truly thought-provoking by David Lister, David Lister

Following a sell-out season at the Almeida, James Graham's play about a young Rupert Murdoch and his acquisition of The Sun newspaper in 1969 , has now transferred to the West End

SOURCE: The Independent at 6:42am on October 4, 2017☆⚑

King Lear, Minerva Theatre, Chichester, review: Ian McKellen's extraordinarily moving portrayal of King Lear by Paul Taylor, Paul Taylor

Jonathan Munby's compelling chamber version of 'King Lear' in the Minerva Studio, allows McKellan to play-around with the beat and tempo of the verse

SOURCE: The Independent at 11:48am on October 2, 2017☆⚑

Turkey, Hope Theatre, London, review: An exhilarating anti-romance about how babies are made by Joe Vesey-byrne, Joe Vesey-byrne

This richly written debut play takes the audience inside a realistically fragile relationship, all to watch it crumble tragically before them.

SOURCE: The Independent at 2:33pm on September 29, 2017☆⚑

Debut, Acosta Danza, Sadler's Wells, London, review: a new company launched with energy and panache by Zoë Anderson, Zoë Anderson

Combining ballet and contemporary dance, Carlos Acosta's new company balances Cuban roots with a sense of adventure

SOURCE: The Independent at 8:12am on September 29, 2017☆⚑

After the Rehearsal/Persona, Barbican, London, review: Ivo van Hove's fascinating double bill of Bergman by Paul Taylor, Paul Taylor

Toneelgroep Amsterdam artfully pair two Bergman screenplays about the phoniness of the theatre

SOURCE: The Independent at 8:18am on September 28, 2017☆⚑

Alice's Adventures in Wonderland, Royal Opera House, London, review: more spectacle than ballet by Zoë Anderson, Zoë Anderson

Christopher Wheeldon's Alice dazzles, but both dance and characterisation have to fight to make it through the whirl

SOURCE: The Independent at 7:18am on September 28, 2017☆⚑

Doctor Foster star Bertie Carvel and playwright James Graham on staging Rupert Murdoch by Roslyn Sulcas, Roslyn Sulcas

Carvel plays Rupert Murdoch in the West End transfer of Graham's acclaimed play, which looks at the 1969 takeover of The Sun

SOURCE: The Independent at 9:42am on September 26, 2017☆⚑

Ramona Tells Jim, The Bush, London, review: fizzes with talent by Paul Taylor, Paul Taylor

Sophie Wu's play captures the excruciating awkwardness of teenage love, but lacks plausibility when revisiting characters in adulthood

SOURCE: The Independent at 5:04am on September 26, 2017☆⚑

The Revlon Girl, Park Theatre, London, review: A rich drama about grief, greed, and make-up by Joe Vesey-byrne, Joe Vesey-byrne

Four mothers grieve the loss of their children in the Aberfan disaster in a remarkably warm, sorrowful, and times even funny drama about survivors, small-town bickering, and make-up.

SOURCE: The Independent at 4:48am on September 22, 2017☆⚑

Wings, Young Vic, London, review: A remarkable performance by Juliet Stevenson by Paul Taylor, Paul Taylor

The actress is aerially suspended in a void playing a stroke victim in this revival of Arthur Kopit's play

SOURCE: The Independent at 4:48am on September 22, 2017☆⚑

Oslo, National Theatre, London, review: There is a Byzantime complexity that gives the show the grip of an intellectual thriller by Paul Taylor, Paul Taylor

Bartlett Sher's fast-paced and quick-witted staging of J T Rogers's new play is so much more than a slog through three hours of argument about the Middle East

SOURCE: The Independent at 11:54am on September 19, 2017☆⚑

Amalia Hernandez: The woman whose spectacular folk ballet brought Mexican culture to the world stage by Joe Sommerlad, Joe Sommerlad

Latest Google Doodle celebrates a choreographer instrumental in popularising the proud musical traditions of her homeland with international audiences

SOURCE: The Independent at 6:42am on September 19, 2017☆⚑

The Royal Ballet, Hull New Theatre reopening, review: Virtuoso dazzle with homecoming warmth by Zoë Anderson, Zoë Anderson

Stars of The Royal Ballet reopened Hull New Theatre with performances by Marianela Nuñez and Thiago Soares as well as local dancers including the Mariinsky Ballet's Xander Parish

SOURCE: The Independent at 12:42pm on September 18, 2017☆⚑

Boudica, Shakespeare's Globe, London, review: Gina McKee commands the stage by Paul Taylor, Paul Taylor

Tristan Bernays's new historical play starring Mckee as Boudica closes the Globe's summer season

SOURCE: The Independent at 7:42am on September 18, 2017☆⚑

Prism, Hampstead Theatre, London, review: Robert Lindsay gives a superb performance by Paul Taylor, Paul Taylor

Terry Johnson's play about the Oscar-winning cinematographer Jack Cardiff with dementia is sensitively directed by the author

SOURCE: The Independent at 7:42am on September 18, 2017☆⚑

Nick Hornby's Fever Pitch has become an opera by Clarisse Loughrey, Clarisse Loughrey

The stage version features 16 original songs, integrating popular football chants into the chorus

SOURCE: The Independent at 11:04am on September 17, 2017☆⚑