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2,031 stories from The Theatre Times

Shoebox Musicals: A Story of TikTok, The Pandemic, "Ratatouille The Musical", And The Wizard Conquering Them All by Michael Schweikardt

Recently a friend sent me a message that read, "I'm not sure if you have TikTok, but something has been going around. Users are making a Ratatouille musical and I thought you'd appreci…

SOURCE: thetheatretimes.com at 6:58am on December 1, 2020

All You Need to Know About the 5th Sharm El-Sheikh Int'l Theatre Festival for Youth by Ati Metwaly

The management of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY) revealed details about its 5th edition during the press conference that took place on 9 November at the…

SOURCE: thetheatretimes.com at 4:20pm on November 30, 2020

21st Century Dreamin': Theater " a Major Job Sector by Heather Waters

Once the COVID-19 pandemic finally relinquishes its control of the world economy, the impact of artificial intelligence on the job market will no doubt earn its way into news headlines as a …

SOURCE: thetheatretimes.com at 2:16am on November 28, 2020

Theater in Translation at the Institute of Translating and Interpreting by Charlie Gobbett

The annual International Literary Translation & Creative Writing Summer School is delivered in Norwich, UK by the British Centre for Literary Translation in partnership with the National…

SOURCE: thetheatretimes.com at 2:00am on November 28, 2020

"Break" by Monia Sander Haj-Mohamed by Af Anika Marschall

Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? I have probably asked and practiced to ask this question about a zillion times over the last fe…

SOURCE: thetheatretimes.com at 3:36pm on November 27, 2020

It's Okay Not To Be Okay: A Conversation with Irish Playwright Lee Coffey by Ashley Steed

It's been six years since Leper and Chip played to sold-out Dublin audiences with critical success. Not bad for first-time playwright and Dublin native Lee Coffey. His next two plays,Å

SOURCE: thetheatretimes.com at 4:47pm on November 25, 2020

Audience Development " Empowering Youth Through Theatre: Theatre Not Only For, But With the Youth by Lasse Scheiba

Youth Theatre " Audience Development A Conversation with the Youth Council of the Deutsches Theater Berlin Productions and theatre projects with young people are staged every season at the D…

SOURCE: thetheatretimes.com at 4:40pm on November 25, 2020

About "A Coin In Someone Else's Pocket" by Aleks Sierz

Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three plays exploring racism, censorship, power and identity from the Theatre Uncut archive, in a …

SOURCE: thetheatretimes.com at 1:03am on November 25, 2020

A Big Small Story by Katarzyna Lemańska

Subdued browns, grays and black dominate the stage. The impression of a vast empty space is amplified by the clocks dotted around the stage. They stand on the floor, creep into the scenery a…

SOURCE: thetheatretimes.com at 11:02pm on November 24, 2020

"The Prom": The Challenges of Adapting The Stage to The Screen by Christopher Wiley

There is growing excitement for the star-studded release of the Netflix film adaptation of the award-winning musical, The Prom. Inspired by a true story, the musical comedy follows a g…

SOURCE: thetheatretimes.com at 11:50pm on November 23, 2020

Audience Development " Empowering Youth Through Theatre: "Democrisis" by Jules Buchholtz

Why democracies are not about doing the right thing, but about how the right thing is always being done in the right way. Politics as a Narrative and the Problems Therein The starting point …

SOURCE: thetheatretimes.com at 11:53pm on November 22, 2020

Vsevolod Meyerhold: The Revolutionary Communist Director Executed By Stalin by Valeria Paikova

Vsevolod Meyerhold was a personality of great contradictions, and one of the movers and shakers in the 20th-century theatre. It's not an exaggeration to say that he influenced the art of per…

SOURCE: thetheatretimes.com at 5:57pm on November 22, 2020

Transnational Chinese Theatres in Pandemic Times by Rossella Ferrari

I have hesitated for a while to engage with the increasingly ubiquitous "[insert own subject field] in times of Covid-19" catchphrase, or variations thereof. This is because of some personal…

SOURCE: thetheatretimes.com at 5:45pm on November 22, 2020

Philip Ridley's "The Poltergeist" at the Southwark Playhouse: High-Powered Tour de Force by Aleks Sierz

Playwright Philip Ridley has had a very productive lockdown. Despite the constraints of the pandemic he has been exceptionally creative. In March, when all theatres in Britain were closed, h…

SOURCE: thetheatretimes.com at 1:39pm on November 21, 2020

Perspectives on the Internationalization of Theatre: An Interview with Thomas Irmer by Ivanka Apostolova Baskar

Thomas Irmer is a scholar, dramaturg, and critic regularly contributing to Theater der Zeit, Theater Heute, and Shakespeare (Norway). He has also worked for various international festivals, …

SOURCE: thetheatretimes.com at 11:08pm on November 20, 2020

Performance Pugilism in the Pandemic " The Social Distance Showdown by Meron Langsner

The first Social Distance Showdown International Virtual Stage Combat Workshop took place on May 16-17 2020, several months into the Covid-19 Pandemic.  The second, SDS 2.0, was held on O…

SOURCE: thetheatretimes.com at 10:23pm on November 20, 2020

Interview: Disabled Artists Reinterpreting the Wellcome Collection by Natasha Sutton Williams

From ancient tattooed skin to dental mouth gags, Unlimited's latest collaboration with the Wellcome Collection sees Unlimited artists excavating themes of Work and Beauty through medical art…

SOURCE: thetheatretimes.com at 3:43am on November 20, 2020

The Art and Skills of Theater Festival Selections: An Interview with Slobodan Savic by Ivanka Apostolova Baskar

Slobodan Savić (born in Požarevac in 1964) is an author, theatre critic, writer, and journalist. He has a degree in General Literary Studies and Literary Theory from the University of…

SOURCE: thetheatretimes.com at 3:36am on November 19, 2020

New European Drama Repertory for Young People: "Before Tomorrow" by János Antal Horváth

As the generation known by the final letters of the alphabet continues to grow up and become adults in the early twenty-first century, a contradictory situation becomes ever more evident as …

SOURCE: thetheatretimes.com at 2:37pm on November 18, 2020

Avignon 2020 Announces its Program: The History of Theaters Rethought Within the Framework of New Partnerships by Capital Critics Circle

IRET days in Avignon Biannual event since 2015 bringing together IRET researchers, doctoral students, and associate members around shows chosen within the official festival and analyzed in s…

SOURCE: thetheatretimes.com at 3:53am on November 16, 2020

Privileges of the Imagination by Olga Katafiasz

When, nearly three years ago, I wrote about the first Teatroteka (Didaskalia, No. 142), I looked at the language and narratives of what I then referred to as "plays/films". I also mentioned …

SOURCE: thetheatretimes.com at 3:34am on November 16, 2020

Young European Voices Exploring Hopes and Dreams by Lasse Scheiba

Young Europe III Raising young people's voices across Europe, exploring their hopes and dreams, their fears and insecurities, and developing a new European theatre repertory inspired by this…

SOURCE: thetheatretimes.com at 12:28am on November 16, 2020

On Screen And On Stage, Disability Continues To Be Depicted In Outdated, Cliched Ways by Magda Romanska

The #MeToo and Black Lives Matter movements have forced Hollywood and other artists and filmmakers to rethink their subject matter and casting practices. However, despite an increased sen…

SOURCE: thetheatretimes.com at 2:46am on November 15, 2020

"Keely and Du" at The Seeing Place by Rhiannon Ling

Keely and Du, Jane Martin's seminal work from 1993, is a piece often touted for its emotional impact and educational effect. Its story"that of a pregnant rape victim kidnapped by an extremis…

SOURCE: thetheatretimes.com at 2:39am on November 15, 2020

Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19 by Nobuko Tanaka

Maybe 13 is an unlucky number? Contemporary theater's annual Festival/Tokyo is known for its focus on young artists and edgy productions, but, for its 13th edition, it has had to deal wit…

SOURCE: thetheatretimes.com at 3:17am on November 14, 2020
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