9,626 stories from American Theatre
August theatre history brings the heat of protest, rolling blackouts, the creation of two new companies, and the less-than-stellar U.S. premiere of a literary star.
The company's current finance and HR director, she will succeed Joel Ruark after his 26 years in the executive role.
This month Woodzick talks to writer and educator Seayoung Yim about self-love, care-filled casting, and America's recent obsession with Korean culture.
Weeks after stepping into the role on an interim basis after Tim Bond's departure, Sardelli and the board have made the leadership transition official.
The Pulitzer-winning author of 'English' and the Pulitzer finalists for 'On Sugarland' and 'The Far Country' gather to talk craft, language, expectation, and optimism.
New works from six finalists will take the stage over two weekends this fall.
Working alongside Cynthia Flowers, they will succeed Sarah Benson and Meropi Peponides as co-directors, continuing the theatre's shared leadership model.
Currently co-leading Geva Theatre Center in Rochester, N.Y., Mannelli wiill follow Michael Maso's 41-year term in the Boston post.
The twelve-month residency, which begins in September, features monthly workshops and culminates in new play development readings produced by the Geffen.
Her leadership, which spanned the Great Recession, recovery, COVID, and other ups and downs, focused on audiences and equity, diversity, and inclusion.
With experience in marketing and audience engagement, Beardsley joins a leadership that includes producing artistic director Paul Daigneault and new board co-chair Constance Gist Guindo.
Maltais suceeds Bernadine C. Griffin, who retired after 21 years at the Seattle company.
The WP Producers Lab alumna succeeds Rebecca Martinez after three years in the role.
This month Brian talks to MJ Kaufman, the co-writer of 'A Transparent Musical,' about their evolving sense of home, their creative instincts, and their dog, Milkshake.
The annual commission partners an emerging playwright, director, and Method-trained actors to develop an ensemble play.
This month we host a special conversation about the search process that led NYC's Rattlestick Theatre to hire its new artistic director, Will Davis.
The former leader of Portland, Ore.'s Artists Repertory Theatre, he takes the reins of the theatre, and its already booked next season, from Braden Abraham.
The theatre will showcase new works from Deb Hiett, Ivan R. Lopez, and F.J. Hartland.
In her new version for Cincinnati Playhouse in the Park and the Guthrie, Karen ZacarÃas and a resourceful team stage the classic tale the way she always imagined it.
During a difficult time in Chicago theatre, we look at the current struggles of local theatres and the promise of theatre sustaining moving forward.
A look at this extraordinary moment of contraction for the U.S. theatre field, including a complete list of closures since March 2020.
A recent Yale MFA grad, she succeeds Adam J. Frank as co-leader, with artistic director Lee Sunday Evans, of the civic-oriented NYC theatre.
TCG's recent virtual gathering convened theatres of color to offer stories of hope, share practices and critiques, and build collective understanding.
The Cherry Arts artistic director talks with leaders at other companies programming works in translation about what a more global approach could mean for the U.S. theatre.
The author reflects on a theatre's sudden closure and what it means for the field and the future.
