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5,330 stories from The Independent

Romeo and Juliet, Royal Festival Hall, London, review: an uphill struggle by Zoe Anderson, Zoe Anderson

English National Ballet's revival of Rudolf Nureyev's production feels squeezed on this stage, and sidelines its heroine by focusing on the male relationships

SOURCE: The Independent at 6:36am on August 2, 2017

Tom Hiddleston to star in Kenneth Branagh-directed production of Hamlet and tickets are very limited by Jack Shepherd, Jack Shepherd

Three weeks in a 160 capacity theatre

SOURCE: The Independent at 10:32am on August 1, 2017

Sam Shepard's plays eulogized the American West's pioneering spirit by Peter Marks, Peter Marks

The influential playwright was also a movie star - but that never quite fit with his search for authenticity onstage.

SOURCE: The Independent at 6:48am on August 1, 2017

Road, Royal Court, London, review: Not as confrontational as the original by Paul Taylor, Paul Taylor

The Royal Court's revival of Jim Cartwright's protest play about the working class is as relevant as ever 30 years later

SOURCE: The Independent at 6:12am on July 31, 2017

The Secret Diary of Adrian Mole Aged 13 and 3/4 the Musical, Menier Chocolate Factory, London, review: Formidably funny adaptation of an 80s classic by Joe Vesey-byrne, Joe Vesey-byrne

Sue Townsend's 80s hit about the inner struggles of Leicestershire every-teen Adrian Mole is brought to life in brilliant musical numbers, sung by a stellar cast.

SOURCE: The Independent at 1:04pm on July 28, 2017

Swan Lake, Royal Opera House, London, review: Xander Parish reaches stardom by Zoë Anderson, Zoë Anderson

The first British dancer to join the Mariinsky Ballet was promoted to principal after his performance on the opening night of the St Petersburg company's 'Swan Lake'

SOURCE: The Independent at 10:48am on July 28, 2017

Girl from the North Country, Old Vic, London, review: The idea is inspired and the treatment piercingly beautiful by Paul Taylor, Paul Taylor

Conor McPherson was approached by Bob Dylan's team to concoct a project round the songbook - the resulting play set in Depression-era Minnesota, conjures up the world from which Dylan&a…

SOURCE: The Independent at 4:42pm on July 27, 2017

Mosquitoes, National Theatre, London, review: Amazing chemistry between Olivia Coleman and Olivia Williams by Paul Taylor, Paul Taylor

'Chimerica' writer Lucy Kirkwood's new play about sibling rivalry which is directed by Rufus Norris stars Olivia Coleman and Olivia Williams as the two sisters

SOURCE: The Independent at 11:33am on July 26, 2017

Eric Underwood, the American star of the Royal Ballet: 'I never wanted to be the 'black' dancer - I wanted to be a great dancer' by Guy Trebay, Guy Trebay

The ballet star prepared for his life's work by dancing with his mother at home to Al Green and Marvin Gaye but dreams of being a host on a dance show much like 'Strictly Come Danc…

SOURCE: The Independent at 11:33am on July 26, 2017

Summer in London is the trans play actually being told by transgender actors by Yas Necati, Yas Necati

The first play in the UK to feature an entirely trans cast tells the comical story of four homeless men trying to impress their "ideal woman", and teaches some important lessons ab…

SOURCE: The Independent at 11:42am on July 25, 2017

Cat on a Hot Tin Roof, Apollo Theatre, London, review: Sienna Miller reeks glamour, allure, and sexual frustration as Maggie by Paul Taylor, Paul Taylor

Miller stars with Jack O'Connell in Benedict Andrews's Young Vic production following his smash hit 'A Streetcar Names Desire' in 2014 with Gillian Anderson

SOURCE: The Independent at 11:42am on July 25, 2017

The Mariinsky Ballet, Royal Opera House, London, review: I wanted them to turn up the volume, to sell it harder by Zoë Anderson, Zoë Anderson

The Mariinsky Ballet opens its London season with the company's production of Petipa and Gorsky's classic, 'Don Quixote', starring Kimin Kimmas and Viktoria Tereshkina

SOURCE: The Independent at 11:42am on July 25, 2017

Tanguera, Sadler's Wells, London, review: It's a bright, slick production by Zoë Anderson, Zoë Anderson

The Argentinian tango musical 'Tanguera' is spectacular but lacking in any real depth

SOURCE: The Independent at 11:24am on July 24, 2017

Trajal Harrell: Hoochie Koochie, Barbican Art Gallery, London, review: The clash of genres, and expectations, is exhilarating by Zoë Anderson, Zoë Anderson

After a two-year residency at MoMA, New York, American artist and choreographer, Trajal Harrell, comes to the Barbican to showcase 14 works performed with 18 dancers, including himself

SOURCE: The Independent at 6:54am on July 24, 2017

Andrew Garfield clarifies Angels in America comments after backlash by Matilda Martin, Matilda Martin

Actor said comments he made in an interview about the play were 'twisted' by the media

SOURCE: The Independent at 11:18am on July 20, 2017

Dessert, Southwark Playhouse, London, review: It vents its eloquent anger on economic inequality by Paul Taylor, Paul Taylor

Trevor Nunn directs Oliver Cotton's new play which explores wealth and greed with plenty of twists and turns

SOURCE: The Independent at 7:33am on July 20, 2017

Edinburgh Festival Fringe 2017: Top picks and tips by Sarah Bradbury, Sarah Bradbury

With its 3,398 shows across 300 venues, we guide you through the world's largest arts festival

SOURCE: The Independent at 1:42pm on July 18, 2017

Twilight Song, Park Theatre, London, review: I got the sad impression of an author forced to race against the clock by Paul Taylor, Paul Taylor

'My Night With Reg' playwright Kevin Elyot's final play before he died in 2014, feels unpolished with parts of it more like undeveloped notes

SOURCE: The Independent at 12:36pm on July 18, 2017

The Bolshoi: Under the exacting eye of Makhar Vaziev by Neil Macfarquhar, Neil Macfarquhar

The ballet director of the Bolshoi Ballet took over the job in 2016 at a particularly tense time for the company when his predecessor was partially blinded in an acid attack organised by one…

SOURCE: The Independent at 10:06am on July 18, 2017

Touch, Soho Theatre, London, review: It is like a hard-core variant of Bridget Jones by Paul Taylor, Paul Taylor

From the creators of the international cult hit 'Fleabag', this comedy is filthily funny and stingingly perceptive

SOURCE: The Independent at 2:54pm on July 17, 2017

Dorrance Dance " ETM: Double Down, Sadler's Wells, London, review: electronic tap boards amplify the sounds of dancers' feet by Zoë Anderson, Zoë Anderson

New Yorker Michelle Dorrance brings ETM " electronic tap music " to Sadler's Wells for the first time

SOURCE: The Independent at 10:24am on July 13, 2017

Bodies, Royal Court, London, review: Vivienne Franzmann's play about surrogacy is immensely powerful by Paul Taylor, Paul Taylor

Although fiercely perceptive, the play is too sensitive to settle into a root-and-branch indictment of fertility tourism

SOURCE: The Independent at 8:24am on July 12, 2017

Is it right for artists to demand their work is destroyed after their death? by Michael Paulson, Michael Paulson

Playwright Edward Albee instructed his friends to destroy any unfinished manuscripts - but could the law step in to save them for posterity?

SOURCE: The Independent at 1:18pm on July 11, 2017

Queen Anne, Theatre Royal Haymarket, London, review: Romola Garai gives a vivid turn in a stilted production by Paul Taylor, Paul Taylor

Helen Edmundson's play isn't sharp enough in telling the story of the Stuart monarch

SOURCE: The Independent at 7:42am on July 11, 2017

Displacement, Lilian Baylis Studio, Sadler's Wells, London, review: evokes the experience of war and migration by Zoë Anderson, Zoë Anderson

Syrian dancer and choreographer Mithkal Alzghair's work is part of the Shubbak festival of Arab culture

SOURCE: The Independent at 6:54am on July 10, 2017
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