17,555 stories from mytheatremates.com
Funny, sensitive and honest play Two Fingers Up effectively explores the gaps in sex education in schools.
Wish List is an urgently contemporary piece from New Celts and Bone Struck Theatre, dealing with young carers, mental health and the gig economy in a way that never preaches and is always be…
New audio play Making Massinger by Simon Butteriss is filled with drama and intrigue but feels as though it could use a little editing in places.
I had a flash of a thought, 'Oh please don't let this be an anti-climax', and in the safe hands of the Donmar Warehouse production team, I needn't have worried. In fact, Constellations was m…
Streaming now on the Summerhall Online platform at the Edinburgh Festival Fringe, Fow is a very clever and engaging love story from a deaf-led perspective.
After fascinating discussions around Feel and At Last, Terri Paddock is back with Proforca Theatre company to discuss Lately, a third new play by James Lewis as well as exciting future plans…
Magic Goes Wrong is a highly entertaining comedy play, created through the combined talents of Mischief Theatre and Penn and Teller. It's part of Mischief Theatre's 'Goes Wrong' series of pl…
Medicine, Landmark Productions and Galway International Arts Festival's production for the International Festival at the Traverse, is a troubling, funny, emotionally devastating and brillian…
There are some very nice ideas in Polka Theatre's Maanika and the Wolf which make it far from an ordinary telling of Little Red Riding Hood.
Have you ever wondered how an undertaker can stay in business when they operate in small villages, with limited populations? Corpsing might be able to answer some of these questions.
Still at the Traverse is in many ways a tough watch, with themes of death and loss offset by excellent performances and perceptive writing.
Not a lot happens, yet everything happens, as Big Big Sky's premise is about ordinary people living ordinary lives. Under Tessa Walker's direction " she has collaborated with Wells before " …
Discover what critics had to say about the Shakespeare's Globe production of Twelfth Night, directed by Sean Holmes.
In keeping with its nuanced writing, Colour shows how people of all backgrounds are susceptible to feigning civility, using acts of 'kindness', 'politeness' and even smiling to hide their in…
An all-female cast and creative team bring Chloe Yates' electric new play A Rat, A Rat to the stage at south London's new Golden Goose Theatre, in association with mental health theatre comp…
Filmed entirely on Zoom, whether depicting calls or trips in the car or out into the garden. Regina Frod's production of Nana and Paige is now streaming in the Online@TheSpace platform at th…
At the Lion & Unicorn Theatre, the autumn/winter season launches with the Covid-postponed premiere of James Lewis' Lately. We talked to artistic director about the play and life after lo…
The world premiere of Penetration by Carolyn Lloyd-Davies, a sensitive piece inspired by seven true stories of accusations and acquittals from 2014 to 2019, comes The Cockpit this autumn fro…
One-woman show Colour, exploring how racism gains ground in younger generations, makes its Edinburgh Fringe debut as part of The Space UK's online programme. It's already caught the eye of M…
A Grand Night For Singing as part of the Edinburgh International Festival is done with such grace and skill that it is difficult to feel much but warmth towards it.
Timothy Sheader's revival of Carousel at the Open Air Theatre Regent's Park has made me reconsider the musical, and the ways difficult subjects can be repositioned, but it hasn't made me lov…
Hjem at the Greenhouse Theatre is suffused with tenderness and has the potential to magnify the characters and their songs to embark on a more extensive, profound journey.
Olivier Award nominee Rosemary Ashe and 'Allo 'Allo!'s Richard Gibson headline a rare revival of Irving Berlin's 1950 Tony Award-winning Broadway musical Call Me Madam in September at Upstai…
Spectra, a double bill of two short plays depicting the intricacies of female relationships in opposing contexts, gets its premiere care of an all-female team at the Etcetera Theatre.
The writing of Plasters at the Edinburgh Fringe Festival shows much depth into relationship break ups and how "we" see love. Emma Tadmor delivers a moving and heartfelt performance. Especial…
