Purple reigns at SHN's Orpheum
When I originally reviewed the musical version of The Color Purple based on Alice Walker's Pulitzer Prize-winning novel and the Steven Spielberg's 1985 movie version, I felt the production w…
When I originally reviewed the musical version of The Color Purple based on Alice Walker's Pulitzer Prize-winning novel and the Steven Spielberg's 1985 movie version, I felt the production w…
There's some epic myth-making happening on the stage of American Conservatory Theater's Father Comes Home from the Wars (Parts 1, 2 & 3). Playwright Suzan-Lori Parks " one of those great…
Anyone who laments the lack of spectacular new Broadway stars need look no further than Annaleigh Ashford, a bona fide star if ever there was one. A Tony Award-winner for You Can't Take It w…
Angels in America is back in the Bay Area, this time at Berkeley Repertory Theatre, where it is directed by Tony Taccone, who, with Oskar Eustis helped bring this play into the world when it…
Taylor Iman Jones as Mopsa (center) and the company perform "We Got the Beat," the opening number of the new musical Head Over Heels, which features songs by the Go-Go's. (below) Peppermint …
Bold, irreverent, and laugh-out-loud funny, Qui Nguyen's Vietgone, at American Conservatory Theater's Strand Theater, can also be frustratingly scattershot and amateurish. Continue reading Ã…
Julia Cho is exactly the kind of playwright I crave. She's thoughtful, adventurous and fanciful in a way that relates directly to reality (she's not a fantasist " her flights mean something …
In this version of the story, adapted by Dan Moses and Kate Kilbane, the horrible things aren't quite as godawful as they are in Ovid (the cannibalism, for instance, is absent), but they're …
George Bernard Shaw's Widowers' Houses last played Berkeley's Aurora Theatre Company more than 20 years ago, and though the theater company has come up on the world (bigger, spiffier theater…
What an incredible talent to balance the dark weight of tragedy and the electrifying light of hope. That's what playwright Dominique Morisseau does in Skeleton Crew, a powerful play now at M…
There's a lot to love about American Conservatory Theater's The Birthday Party, a funny, slightly freaky Harold Pinter. The cast is uniformly strong, director Carey Perloff (essaying her las…
If you're a theater fan, 2017 was a very good year. If you're an American, depending on your point of view, 2017 was a terrifying year. Quite often, it seemed, the theatrical stage and the n…
The thing I can't stand about 24-hour cable news networks is that it's 5% news and 95% talking heads spouting opinions and fighting over those opinions. The thing I loved about Lillian Hell…
The Bay Area finally gets to see Shakespeare in Love on stage thanks to Marin Theatre Company, and while the cast boats some of the Bay Area's best actors " Stacy Ross, Lance Gardner, Megan …
Steve Martin and Edie Brickell's Bright Star is a beautiful musical, especially if you have a penchant for bluegrass music and florid stories with twists, turns and not-so-surprising surpris…
Thirteen years ago " such an appropriate number of years " American Conservatory Theater made some sort of deal with the devil to get The Black Rider onto the stage of the Geary Theater. Now…
Robert O'Hara is one of those playwright/directors who, when his name is attached to a project in any way, you pay attention. He's smart, funny and has a keen eye for theatrical disruption. …
Just when it seems the news can't get any worse, it gets worse. This weekend in Virginia we saw some of the worst of humanity, with terror, death, hatred and ignorance all on full display. A…
Except for the flying cars, we are pretty much living The Jetsons, and we take it in stride. Playwright Madeleine George attempts to knock some wonder " and perspective " into us in her play…
There are so many great moments in The Making of a Great Moment, the new play from the scintillating San Francisco playwright Peter Sinn Nachtrieb, that it's hard to decide if the best ones …
Let us all take a moment to praise the national treasure that is Jerry Herman, the musical theater maestro behind three massive hits: Hello, Dolly!, Mame and La Cage aux Folles. It's an oppo…
Think about how often you've seen the Asian-American experience represented in a piece of musical theater. Perhaps Flower Drum Song comes to mind or a sliver of Miss Saigon. A more serious r…
Except for large proscenium frame, the stage of California Shakespeare Theater's Bruns Amphitheater is mostly bare. There's no back wall to the stage, so the light from the setting sun on th…
EXTENDED THROUGH JULY 29 Lance Gardner is George, a new plantation owner, in the West Coast premiere of An Octoroon by Branden Jacobs-Jenkins at Berkeley Repertory Theatre. Below: Afi Bijou …
That a play about challenges faced by a 15-year-old boy with autism spectrum disorder (just what he's dealing with is never detailed) has become a worldwide phenomenon is surprising only if …