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2,260 stories from Chicago Theater Beat

Review: The Elaborate Entrance of Chad Deity (Red Theater) by Lauren Whalen

Playwright Kristoffer Diaz takes a hard behind-the-scenes look at the complex world of wrestling: the ruthless producers, the arrogant *champions*, and the workhorses who genuinely love the …

SOURCE: Chicago Theater Beat at 3:36pm on August 21, 2017

Review: Machinal (Greenhouse Theater Center) by Lauren Whalen

Nearly 90 years after it first premiered, Machinal's fast-paced and ruthless exploration of what it means to be a woman trapped in a patriarchal society still rings true. Greenhouse Theater …

SOURCE: Chicago Theater Beat at 12:18am on August 16, 2017

Review: Hair (Mercury Theater Chicago) by Lauren Whalen

Controversial to the point of dangerous in the late 1960s, Hair is still edgy, with nudity, simulated drug use and profanity galore. Mercury Theater Chicago's production is explosive and tim…

SOURCE: Chicago Theater Beat at 6:06pm on August 15, 2017

Review: At the Table (Broken Nose Theatre) by Lauren Whalen

Michael Perlman's play At The Table focuses on a group of college friends who reunite as adults and find that much has changed, and much remains, unfortunately, the same. In Broken Nose Thea…

SOURCE: Chicago Theater Beat at 6:33pm on August 14, 2017

Review: Little Fish (Kokandy Productions) by Catey Sullivan

The cast of Kokandy Productions' Little Fish, by Michael John LaChuisa, is capable enough, and they make beautiful music together. The show sinks, nonetheless, because it's both predictable …

SOURCE: Chicago Theater Beat at 12:54am on August 11, 2017

Review: A Puppet Playdate with Grandma D (Pride Arts Center) by Lauren Whalen

Pride Arts Center's newest children's show is a rainbow take on the traditional story hour, aiming for younger audiences with its messages of love and recognition. Incorporating puppets, aud…

SOURCE: Chicago Theater Beat at 6:48pm on August 8, 2017

Review: Romeo and Juliet (Chicago Shakespeare, 2017) by Lauren Whalen

Chicago Shakespeare's Romeo and Juliet, presented throughout the city at various parks free of charge, is both delightful and tragic in its portrayal of young love and rash decisions, Marti …

SOURCE: Chicago Theater Beat at 8:04pm on August 7, 2017

Review: The Food Show (The Neo-Futurists) by Lauren Whalen

The Neo-Fururists' The Food Show is an original work centered around the culture of food: why we eat it, how we eat it, who we eat it with, and includes music and dance, and a hands-on, inte…

SOURCE: Chicago Theater Beat at 9:42pm on August 3, 2017

Review: The Food Show (The Neo-Futurists) by Scotty Zacher

                   The Food Show  Created by Dan Kerr-Hobert, Caitlin Stainken Metropolitan Brewing,…

SOURCE: Chicago Theater Beat at 8:33pm on August 3, 2017

Review: In the Wake (The Comrades) by Lauren Whalen

It's difficult to see anything redeeming about In The Wake, as the script is so flawed and the main character is so screechy. Director Alex Mallory does her absolute best to keep things movi…

SOURCE: Chicago Theater Beat at 10:42am on August 1, 2017

Review: Luzia (Cirque du Soleil) by Catey Sullivan

There is so much impossible beauty in Cirque du Soleil's Luzia, that watching it almost hurts. Act for act, Luzia: A Waking Dream of Mexico - written and directed by Daniele Finzi Pasca with…

SOURCE: Chicago Theater Beat at 2:32am on July 30, 2017

Review: Fight City (Factory Theater) by Johanna Dalton

Factory Theater's *Fight City* lives up to its name and is an innovative and fiercely energetic production that gets high marks for staging, choreography, and fight design. Established nearl…

SOURCE: Chicago Theater Beat at 1:54pm on July 29, 2017

Review: An American in Paris (Broadway in Chicago) by Catey Sullivan

In all, Broadway in Chicago's An American in Paris is joyous, fascinating and moving. It is also an incredible showcase of just how much beauty an ensemble of extraordinary dancers are capab…

SOURCE: Chicago Theater Beat at 11:18pm on July 28, 2017

Review: They're Playing Our Song (Brown Paper Box Co.) by Lauren Whalen

How you feel about They're Playing Our Song will depend on how you feel about Neil Simon and the 1970s. Simon wrote the 1970s-set script, Marvin Hamlisch the music. Luckily, Brown Paper Box …

SOURCE: Chicago Theater Beat at 5:36pm on July 26, 2017

Review: Madagascar"A Musical Adventure (Chicago Shakespeare Theater) by Lauren Whalen

Thanks to excellent direction and choreography from one of Chicago's best, Rachel Rockwell, as well as stunning production values and a great cast, this flashy production at Navy Pier will n…

SOURCE: Chicago Theater Beat at 12:48am on July 26, 2017

Review: Triassic Parq (Circle Theatre) by Lauren Whalen

In a nutshell, the musical Triassic Parq is *Jurassic Park* from the perspective of the dinosaurs who eventually escape their quarters and turn a dream theme park into a disaster. What ensu…

SOURCE: Chicago Theater Beat at 9:42pm on July 24, 2017

Review: "BLACK!" (Athenaeum Theatre) by Duane Barnes

Michael Washington Brown opens his evening with a question to the audience - Why am I now African-American when for so many years, I've been Black? From there, listening in rapt attention t…

SOURCE: Chicago Theater Beat at 6:33pm on July 24, 2017

Review: Lela & Co. (Steep Theatre) by Lauren Whalen

Steep Theatre's Lela & Co. is a difficult but vital watch. The title character presents her life story through the eyes of the men in her life as compared with what she actually experie…

SOURCE: Chicago Theater Beat at 7:54pm on July 20, 2017

Review: Megastasis (Eclipse Theatre) by Lauren Whalen

Eclipse Theatre's mission of *one playwright one season* allows the audience to delve into a specific playwright's body of work. With the world premiere of Megastasis, playwright Kia Corthro…

SOURCE: Chicago Theater Beat at 12:36am on July 20, 2017

Review: Hir (Steppenwolf Theatre) by Catey Sullivan

Playwright Taylor Mac has created a kitchen sink family drama whose disarray is actually anxiety-inducing. There's chaos and trouble and pain layered into the heaps of old laundry and bowls …

SOURCE: Chicago Theater Beat at 6:54pm on July 19, 2017

Review: Jacques Brel's Lonesome Losers of the Night (Theo Ubique Cabaret Theatre, 2017) by Lauren Whalen

Step into a lonely Amsterdam bar in 1959. What will you find? If you are the team behind Jacques Brel's Lonesome Losers of the Night, the answer is: an openhearted bartender, two winsome sol…

SOURCE: Chicago Theater Beat at 10:36pm on July 18, 2017

Review: Beauty's Daughter (American Blues Theater) by Catey Sullivan

With Beauty's Daughter, Playwright Dael Orlandersmith returns to the broken beauty of Harlem, where she came of age. Directed by Ron OJ Parson, and starring the indelible Wandachristine, thi…

SOURCE: Chicago Theater Beat at 9:06pm on July 17, 2017

Review: Something Rotten! (Broadway in Chicago) by Catey Sullivan

As national tours go, Something Rotten! is something splendid - a mindess but gleeful hoot-and-a-half. If you aren't laughing five minutes in, you seriously need to lighten up. Highly Recom…

SOURCE: Chicago Theater Beat at 8:48pm on July 15, 2017

Review: The Bridges of Madison County (Marriott Theatre) by Lauren Whalen

The Bridges of Madison County is well worth the jaunt outside of Chicago. The story is simple, the direction stellar, the music hauntingly beautiful and the actors stunning. Bridges is an in…

SOURCE: Chicago Theater Beat at 7:04pm on July 13, 2017

Review: The School for Lies (The Artistic Home) by Catey Sullivan

Moliere penned The School for Lies more than 350 years ago, but in David Ives' insouciant, gleefully anachronistic reboot, the satire still glitters and cuts like fine-cut diamonds. The rhym…

SOURCE: Chicago Theater Beat at 7:42pm on July 12, 2017
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