Exquisite Corpse by Steve Cohen
How Pig Iron got hooked up with Shakespeare - and retrofitted him with a necrophiliac mortician.
How Pig Iron got hooked up with Shakespeare - and retrofitted him with a necrophiliac mortician.
Glinda tells all.
Talking with festival honoree Farley Granger.
Alan Cumming turns up the heat in Suffering Man's Charity.
Peter Shaffer's Amadeus makes Mozart a worthy compliment to Shakespeare
Hair, the American Tribal Love-Rock Musical is about to turn 40
Lookingglass Alice transforms the Haas stage into a circus space full of surprises
PTC's Orson's Shadow is pretentious, tedious and unfunny. But give it a point for guts.
One of Philly's busiest actor-directors plans his next breakthrough.
Wishing the Arden's pleasant but unremarkable Ferdinand the Bull followed the original more closely.
How wonderfully ironic that Theatre Exile is staging Glengarry Glen Ross in Christ Church Neighborhood House.
Renewed interest in Big and Little Edie Beale is not well served by the fictionalized "exploration" A Few Small Repairs.
Radio Golf doesn't meet the high standards of Wilson's greatest, but poses an intriguing moral dilemma
So-called "issue plays" earn that dismissive categorization because they don't rise above the creators' agenda to become "good plays." In its first moments, In the Continuum teeters on the b…
For those interested in contemporary musical theater, Caroline, Or Change is a must
Five little words nearly save the day in the Prince Music Theater's Stormy Weather.
Nerds://A Musical Software Satire explores the bloody battle between Gates and Jobs.
Catching up with would-be AVA alum Kristin Chenoweth.
Plumbing the Depp to make Edward Scissorhands dance.
Bruce Graham lets his scripts do the talking.
Three sets of ideals clash tragically in the Wilma Theater's revival of Fugard's My Children! My Africa!