6,572 stories from HowlRound
By Tara Khozein, Martin Boross, Matthew Glassman, Wanda Strukus. How can theatre artists enter a space as outsiders and create work there in a way that does not fall into our habits of colon…
By Jan Cohen-Cruz. What leads people to prison theater workshops?
By . An online conversation in partnership with artEquity that is connecting art service organizations and leadership who have shaped the arts ecosystem.Â
By . An online conversation reconnecting artists, activists, and organizations who have shaped the MENA and SWANA theatre legacy.
By . A conversation supporting college students as they transition into the professional theatre field.
By . A conversation honoring the Consortium of Asian American Theaters and Artists (CAATA)'s origin story and evolution.Â
By Ash Marinaccio, Veronika Skliarova. Ash Marinaccio and Ukrainian theatremaker Veronika Skliarova discuss how documentary theatre is preserving testimony, fostering resilience, and buildin…
By Kristin Marting. Eisa Davis is a performer, composer, and writer.
By Martin Boross, Tara Khozein, Sandy Timmerman, Apollo Garcia Orellana. What's the point of entering the rehearsal room without a plan?
By Ash Marinaccio, Zoe Lafferty. Ash talks with Zoe Lafferty, founder of Artists on the Frontline, about artist-led citizen journalism in Palestine's Jenin refugee camp and the role of polit…
By Kristin Marting. Basil Twist is an award winning puppeteer (including MacArthur and Rome prizes) and director of HERE's Dream Music Puppetry Program.
By . This energizing gathering convenes global arts leaders, cultural innovators, and a vibrant community of more than 350 professionals to explore bold ideas for strengthening the live and …
By Martin Boross, Tara Khozein, Diana Delgado, Hope Orange. What makes us want to immerse, and what makes us want to flee?
By Munroe Forbes Shearer. In May 2025, the International Presenting Commons (IPC) convened to discuss the state of international cultural exchange.
By Jamie Gahlon. Outgoing HowlRound director Jamie Gahlon reflects on fifteen years of commons-based learning, organizing, discourse, and gathering with HowlRound Theatre Commons.
By Shereen Saif. Mrichchakatikam (The Little Clay Cart) is known globally, but it had never been performed in Koodiyattam until this year. Shereen Saif reflects on G.
By Georgia "George" Evans, SB Tennent. Iranian Girlfriend explores the complex relationship between fact and fiction"a dynamic that played out in its journey from autobiographical essay to a…
By Ash Marinaccio, Camille Simone Thomas, Khristián Méndez Aguirre, Lyndsey Bourne, Phoebe Corde. Ash Marinaccio and the 2024-2025 Civilians R&D Group discuss investigative theatre, …
By HowlRound Theatre Commons. Beginning in January, HowlRound Theatre Commons will operate independently and with new leadership, as co-founder and director Jamie Gahlon steps into an adv…
By . Hear directly from the creators about what inspired them to write the plays, the creative process in bringing them to life, how they fit into the contemporary play landscape, and what w…
By Jose SolÃs. Since 2020, the BIPOC Critics Lab has trained dozens of emerging critics in craft of criticism.
By Sayda Trujillo, Madeline Sayet.
By Ash Marinaccio, Baha Sadr, Chris Ackley, Ana Bess Moyer Bell, Eve Kerrigan, Noga Paulino. Ash Marinaccio speaks with the Creative Pathways team at the Genesis Center in Providence, RI, ab…
By . Join us for an evening celebrating Malpede's Last Radiance: Radical Lives, Bright Deaths and 4 by Malpede plus an Intervention (introduction by Marvin Carlson), as well a
By . Behram Khan, set amid the brutal trenches of World War I, follows an Indian soldier in the Lahore Light Infantry who finds his faith in Islam and renounces violence.
