Thankfully, Grandage does not attempt to rewrite Shakespeare's tragedy. Instead, he provides a lean, mean staging that burns with intensity, urgency and clarity. In other words, it's a much …
On the whole, Fisher deserves much credit for her extreme honesty and good humor (i.e. likening her current physical appearance to Elton John). She's laughing at herself, but the audience is…
"Superior Donuts" is enjoyable, but maybe too sincere for its own good. Here's hoping Tracy Letts brings us something more substantial next year.
"A Steady Rain" is a more than decent play receiving a powerhouse production. Not to be missed.
The Public Theater ought to be extremely embarassed by this inert and inept production.
The show, which has a running time of just short of three hours, moves so incredibly slowly that you could feel the majority of the audience feeling extremely bored.
Unfortunately, Goldfarb's spends so much time dissecting the emotional love triangle among the characters that he turns what could have been an exciting, philosophic thriller into a dragging…
The excellent cast deserves credit for injecting personality and even humor to some very emotionally demanding material. But if there is a play to be made from the stories of the Iraqi civil…
It is truly our good fortune that the entire original English cast has traveled with the Max Roberts’ detailed production to Broadway. They are all individually excellent and make for …
It was the second best moment of theater I've witnessed this entire summer, second only to Bernadette Peters' rendition of "Send in the Clowns."
Marin Mazzie, although an excellent actress and singer, is just plain wrong as a replacement for Ripley.
The smash hit comedy HOW TO BE A NEW YORKER captures the quintessential experience of the Big Apple, delivering big laughs as it lampoons NYC's 400-year history. Even the cruelly maligned pi…